Not Now Darling

Farce doesn't film well. There's are very few exceptions to that axiom (Peter Bogdanovich's "Noises Off" (1992) is one of them.) What can be hilarious on the stage often falls totally flat on the big screen. The sheer physicality of madcap farce gets lost as does the frenetic excitement inherent to the genre. Even the classic Feydeau farces "A Flea in Her Ear" (1968) and "Hotel Parasdiso" (1966) failed to deliver the goods, despite their star casts.

Farce became a mainstay of the British theatre where for decades there was hardly a time when some farce wasn't pulling in the crowds in the West End. Noted farceur Ray Cooney enjoyed particular success with a string of hit plays which were performed all over the world and have become staple fare for amateur dramatic societies.

It's seems only natural that a stage success should be put onto the big screen. "No Sex Please We're British" (1973), "Not Now Comrade" (1976) and "Don't Just Lie There Say Something" (1974) were all lame affairs and Cooney's "Run for Your Wife" (2012) bombed.

In the light of that preamble, 1973's "Not Now Darling" is something of a miracle. One of the reason's for the success of the movie is that it is in fact not really a movie at all, but rather a filmed stage play. The wise decision was made not to open it out, something screen adaptions felt obliged to do in an attempt to avoid staginess. Opening out a farce drops the pace which can be ruinous. "Not Now Darling" remains a rare record of British farce at its best.

Cooney was at the top of his game, penning smart and funny dialog delivered here by some true pros, all, or almost all, with vast stage experience, and all exhibiting spot-on timing, First and foremost is the great Leslie Philips, doing pretty much what he always did: the charming cad. He is partnered by Ray Cooney himself, in a hilarious turn. They are wonderfully supported by Carry On stalwarts Joan Sims and Barbara Windsor, together with seasoned stage performers Moira Lister, Bill Fraser and Derren Nesbitt. Rounding out the top-notch cast are the husband-and-wife veteran stage and screen stars Jack Hulbert and Cicely Courtneidge (her last screen performance) who are a joy to behold.

And then there's former beauty queen Julie Ege. No self-respecting sixties farce was without one or more sexy ladies who did little besides show off their bodies. Unlike her co-stars, Ege had no stage experience at all and after a brief and very minor screen career, returned to her native Norway and became a nurse. She had previously been signed to Hammer films who hoped "Creatures the World Forgot" would shoot her to international stardom as their "One Million Years B. C." had done for Raquel Welch. It was not to be. Ege's finest hour on screen is without doubt her appearance in "Not Now Darling". She is stunning to look at and turns in a very competent and funny performance and seems to be enjoying every minute.

Farce isn't for all tastes. While considered a lowbrow genre, done well it clearly demands dramatic skill, impeccable timing, physicality and great teamwork. "Not Now Darling" has all of those and shouldn't be missed by fans of the genre.

One can tell in the fashion of the writing that this is adapted from the stage: the feature is characterized by long scenes, with deliberate timing and no meaningful variation in setting, and a small rotation of characters coming and going. That tight focus allows the interactions between characters to flourish, and it's a great pleasure that star Ray Cooney and co-writer John Chapman do us the honor of translating their own play to film - and that Cooney also doubles (triples?) as co-director. With these sharp minds guiding the production, 'Not now darling' is allowed to revel in the utmost farce of the scenario, the characters, and the fantastic dialogue. I wasn't sure what to expect as I began watching, but in no time I was laughing - this is so, so good!

The twisted tangles the characters quickly knot is rife with outstanding comedy - exaggerated characters, sight gags, marvelous wordplay and repartee, sex jokes and innuendo, and a little bit of physical humor to taste. The fun is as endless as it is fast-paced, and while the timing from one instant to the next is impeccable, every minute is filled with so much wild freewheeling that I never once lost the smile from my face. The entire cast is exceptional, all true delights as they bring these snappy 90 minutes to life. For all the madcap energy herein, they nonetheless demonstrate great range, nuance, and physicality befitting the ridiculousness - showing even in this capacity that each is a swell actor. One can hardly even name a favorite; the moment I do, I think of one of their co-stars.

Relatively simple as the production is, everything here looks and sounds good, even though it didn't need to be. Needlessly but gratifyingly complementing the silliness are elements like Cyril Ornadel's vibrant original music, the cheeky costume design, smart set design and decoration, vivid cinematography, and so on and so forth. Of course, these take a back seat as the bustling romp never loses our attention; one doesn't like to make one comparison after another, but I'm reminded at times of 'Monty Python's Flying Circus.' And I think that's really about all the more I can say without beginning to betray plot points or some of the jokes: anchored with superb performances and terrific, funny writing, 'Not now darling' strikes me as an underappreciated gem that demands more recognition. I should note a fair bit of nudity, and that the narrative revolves an antiquated concept (high-end fur coats) that are thankfully going away, but even with those caveats in mind, I enthusiastically give this my very highest recommendation - this is worth going out of your way to find!

Sets its stall out immediately with an over the titles nip-slip & a bare-chested bather, OK, so this is an adult 'Carry On' a la '70's 'Confessions of an etc etc', unfortunately & obviously, this has none of the charm & sparkle of that iconic film series.

The editing is bizarrely poor & the direction's not much better, they must both have just been chucked out of film school. It's difficult not to feel sorry for poor Leslie Phillips, Joan Sims & Babs to have needed to do this, but work was work then & I'm sure they had fun together. To add to the discomfort, modern audiences will find the situation of a top furriers very uncomfortable, fur coats are indeed lovely, but they're probably best left with their original owners!

Honestly don't bother, even if you love films of this period, stick to something better & revisit a Carry On or similar.

Leslie Phillips made a number of bedroom farces in the early to mid-1970s. These were DOCTOR IN TROUBLE, DON'T JUST LIE THERE, SAY SOMETHING, NOT NOW, COMRADE, Spanish FLY and this film. NOT NOW DARLING is probably the best of the five films. Unlike the two of the remaining four films to be based on a stage production, this one doesn't go to great lengths to hide its stage origins.

The plot is simple as most farces start from a basic idea - a furrier wants to buy his girlfriend an expensive mink coat but is worried about her husband finding out. So he tries to sell the coat at a huge discount, hoping the husband will fall for it. One event after another leads to things spiraling out of the furrier's control, with his assistant noting "what a tangled web we weave" (an often used line in Cooney's farces) about halfway through the film.

Leslie Phillips is perhaps at his best in this film. He seems to have a ball of a time as the fast-paced film goes on. His caddish screen persona is perfectly suited to the role and I really couldn't imagine anyone else being able to play the part so well, not even the late, great Sid James.

In many reviews of the film I've read, people have said that Ray Cooney was wrong to take on the role of Crouch himself. I disagree completely. Cooney is brilliant as Crouch and steals every scene he's in with such glee. He livens up the film immensely and it's just as well that he gets such a great deal of screen time with Phillips because they make a great double act.

Julie Ege is fantastic as Janie, the girlfriend of the furrier. She really fits into the world of this CARRY ON-style humour as though she had been in it throughout her career. She is also shown topless several times and fully nude in the uncut version.

Joan Sims and Barbara Windsor bring their CARRY ON personas along and it blends perfectly with the humour of the film.

Derren Nesbitt is brilliant as the bloke who the furrier tries to dupe into buying the mink coat. The expressions on his face as he reacts to the various things happening around him are simply hilarious.

The rest of the cast - Bill Fraser, Jack Hulbert, Cicely Courtneidge and Trudi Van Doorn - are all great too in their supporting roles.

I think the sheer genius of the film itself, though, arises from the fact that 80 per cent or so of it takes place not only on a single set, but in just one room. It's incredibly difficult to translate stage works of this kind to the big screen at the best of times. So Ray Cooney is to be applauded for making such a phenomenal success of it. In a book about Tony Tenser and the films of Tigon (who distributed NOT NOW DARLING), Cooney planned to make a series of NOT NOW... films, in the same vein as the CARRY ON gang had their series. The NOT NOW... films were obviously intended to be cheekier outings, closer to the UP POMPEII! film with Frankie Howerd. Sadly only two films were made. That is a great shame because I would have loved to have seen at least half a dozen of these films made. I've read many of Cooney's farces and they are all incredibly funny and hold your attention like this film does.

One other thing I haven't mentioned yet is that I read the play and didn't think it was as good as the film. The faster-pacing, the cheekier dialogue and the perfect choices of casting lead to the film being better than the stage version itself.

Finally, make sure you see the uncut version of the film, which can only be found on a DVD with a pink cover, distributed by a company called WHAM. All of the other DVD versions and VHS releases are the cut UK cinema version, which cuts out many of the best cheeky lines as well as most of the nudity.

Overall, NOT NOW DARLING is a masterpiece of farce, one of my all time favourite comedies. For fans of 1970s British comedy (particularly the CARRY ON films and Benny Hill), this is a must-see.

It has been a quarter-century since I saw this movie, which was making a far-east tour of military bases in the early 70's (1974?), and I thought then (and still think so now) that it was one of the funniest movies I had ever had the pleasure of seeing. Although it was probably not as well made as some movies, it made up for that in hilarious content. I can still remember how much I laughed and enjoyed myself. Don't know if you can (or will) use these comments, but I've been looking for this picture ever since I first saw it, and just wish I could find it again. On a scale of 1 to 10 (with 10 being the best), I would rate this film a 9 or 9.5.