Nadie oyó gritar

I recently watched the Spanish giallo 🇪🇸 No One Heard the Scream (1973) on Shudder. The storyline follows a female escort who opens her apartment door and sees her neighbor dropping a woman's body down the elevator shaft. He forces her to be his accomplice, and a unique relationship forms.

This film is directed by Eloy de la Iglesia (El Pico 1 & 2) and stars Carmen Sevilla (Glass Ceiling), Vicente Parra (The Cannibal Man), Maria Asquerino (Dying of Laughter), and Antonio Casas (The Good, the Bad and the Ugly).

This is one of those films where unexpected events keep unfolding. It has very creative twists and turns and is well-written. The acting by the two main characters is solid. The background sound effects and overall soundtrack create the perfect atmosphere. The elevator shaft sequence is particularly well done. There's a fun boat scene that could have been executed better but was still entertaining. All the ending scenes at the camp gave me anxiety, especially once some of the characters revealed their true intentions. The film also has a smart conclusion.

In conclusion, No One Heard the Scream is a worthwhile Spanish giallo that I would recommend to fans of the genre. I would score this a 7/10 and recommend seeing it at least once.

Elisa (Carmen Sevilla) is a high-class escort who witnesses new neighbor Miguel (Vicente Parra) disposing of the corpse of his wife, whom he's just murdered. Then he figures that she's better off being his accomplice rather than another victim, so he deeply involves her in the crime.

Much more of a drama / thriller than a horror film (although it can get pretty gory), "No One Heard the Scream" is ultimately an interesting look at two flawed but compelling characters, and their evolving relationship. Elisa, in particular, initially reacts to the crime as a normal, decent human would, but then reveals layers to her character: she's not exactly an innocent. And he's not the total creep you might expect him to be.

Full of philosophical musings toward the end as Elisa & Miguel ponder their relationship and their lives, "No One Heard the Scream" doesn't really dish out a lot of thrills, per se, but it can get pretty tense, and features some dark humor that could have made Hitchcock proud: at one point, Elisa & Miguel are traveling, arrive at the scene of an accident, and are asked to transport some victims to the hospital; naturally, they're very nervous when the police ask them to open the trunk!

The gorgeous Ms. Sevilla, and Mr. Parra (star of director Eloy de la Iglesias' breakthrough film, "Cannibal Man"), share good chemistry, and deliver thoroughly engaging performances. They are nicely supported by Antonio Casas, as one of Elisas' primary clients, Maria Asquerino, as Nuria, and Tony Isbert, as Elisas' hunky young "nephew" Toni.

What really sells the film, however, is the brilliant twist ending that the viewer may actually not see coming. It's just the icing on this particular cake, making this a solid Euro cult feature worth seeking out.

Seven out of 10.

Before seeing this I was aware of its director, Eloy de la Iglesia, from his more famous film Cannibal Man. I was very impressed with that movie and it is easily one of the best from the infamous video nasty list. No One Heard the Scream was made in the same year as that one and it shares the same lead actor, Vincente Parra. And while this film was not as good as Cannibal Man, it still shows quite clearly that Iglesia is one of the most unheralded Spanish directors. Both films are genre pics with unusually strong acting and underlying themes. They both also share the basic idea of their horrors occurring within apartments, closed off to the rest of the world. No One Heard the Scream goes along a Hitchcockian path, in that we have a woman, Elisa, witnessing a man, Miguel, murdering his wife. The killer catches her and insists that she becomes his accomplice so that she cannot go to the police. The problem is that this innocent starts to develop an attraction for this scheme and soon becomes all too happy to go along with it.

The way that the two central characters interact with one and other is quite interesting. The complex nature of their motivations leads to some unusual scenes, such as the part where Elisa shoves Miguel in a lake and runs him over a couple of times in a speedboat. He is completely at her mercy, yet she neither kills him nor runs away and simply lets him back in the boat. It's a bizarre moment but somehow rings true and tells us more about Elisa than anything else in the movie. In her private life she depends on an older man for money in exchange for sexual favours, while she supports a young stud in an opposite arrangement; Miguel fits in uneasily somewhere in between. There are a few suspenseful moments in the first half, while it's the dynamics between the two central characters that makes up the bulk of the second half. Events finalise in a very surprising, yet very acceptable, twist in the tail ending that neatly ties everything together. All-in-all, another quality product from Eloy de la Iglesia.

Why Savilla didn't immediately call the police is the big flaw in the screenplay. The dialogue is stilted as is often the case with translated conversations. I only made it to the end because of Carmen Sevilla. The music selections were awful. I have to add that the twist ending was a huge surprise and creative.

No heard a scream or Nadie oyo' gritar is a suspenseful and thrilling Spanish movie. After leaving his lover Oscar : Antonio Casas in the metropolis London, Elisa :Carmen Sevilla goes to her lonely urbanization, a solitary building with a few neighbours and a deaf porter : Goyo Lebrero. One day, Elisa sees how her next man door Miguel, Vicente Parra, throws down a murdered woman into the elevator. Then, Miguel threatens and coerces her to disappear the corpse. Along the way Elisa falls in love for him .Things go awry when there shows up her nephew and lover, Tony Isbert.

This thrilling picture has a twisted plot plenty of turns and surprises. Harshly paced in fits and starts and taking parts here and there of other suspense movies. The picture displays an interesting intrigue in Hitchcockian style with tension, suspense, thrills and an unexpected denouement. It belongs to a quartet of Eloy de la Iglesia films characterized by enhancing the erotic and suspenseful aspects such as El Techo de Cristal, La semana del asesino, and Una gota de sangre para vivir amando.

It contains an evocative and adequate cinematography by Francisco Fraile. As well as an anticlimatic musical score by Fernando Garcia Morcillo. The motion picture was professionally direted by Eloy de La Iglesia, but it has failures, flaws and gaps. Eloy de la Iglesia was a talented Spanish movies director , he began working in cinema in 1966 , at his 22 years old , he debuted in a kiddies production , ¨Fantasy 3¨(66) . Following a sordid melodrama ¨Algo Amargo En La Boca¨ (67) and a boxing story , ¨Cuadrilatero¨(69) . De La Iglesia realizes a lot of thrilling pictures with erotic background as ¨Techo Cristal¨(70) , ¨Nadie Oyó Gritar¨ (72) , ¨Gota Sangre Para Seguir Amando¨ (73) , and scabrous tales as ¨Juegos Amor Prohibido¨(75) , ¨Otra Alcoba¨ (76) . And concerning youthful gay : ¨Placeres Ocultos¨(76) , ¨El Sacerdote¨(78) and politicians : ¨The Deputy ¨, ¨Mujer Del Ministro¨ . Although he became notorious in the years of the Spanish transition to democracy with shocking and polemic films as ¨El Pico 1¨ and 2¨ , ¨Cólegas¨ , ¨Navajeros¨, ¨La Estanquera De Vallecas¨ (87) . All of them dealt with druggies , dope sellers , delinquency , terrorism , underworld suburban and generational problems are the habitual subjects in his films , and specially dedicated to the underworld of heroin ; as well as the gay world . Passing of time hasn't had mercy with most of those movies , but they represented a time and a way of life in the history of Spain ; and now they may seem a little bit naive . His last films were an academic rendition based on Henry James' novel : ¨The turn of the screw¨ and ¨Los Novios Búlgaros¨.