VALUTAZIONE IMDb
5,2/10
212
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA murder of a man in an airport restroom leads to a series of mysterious killings in London.A murder of a man in an airport restroom leads to a series of mysterious killings in London.A murder of a man in an airport restroom leads to a series of mysterious killings in London.
- Regia
- Sceneggiatura
- Star
Ángel del Pozo
- John KIRK Lawford
- (as Angel Del Pozo)
Gabriel Agustí
- Insp. Redford
- (as Gabriel Agusti)
Raf Baldassarre
- Man at Subway Station
- (non citato nei titoli originali)
Irene D'Astrea
- Mujer de Anthony
- (non citato nei titoli originali)
Esteban Dalmases
- Camarero
- (non citato nei titoli originali)
Juan Torres
- Oficinista
- (non citato nei titoli originali)
Recensioni in evidenza
The killer wore gloves: of course he did... this is a giallo, after all. He also packs a cut-throat razor, with which he kills his first victim, but switches to a curved sickle gardening tool for subsequent murders. All par for the course.
The killer, who also wears a leather jacket, is searching for a missing $1million in cash, half of which falls into the lap of pretty artist Peggy Foster (Gillian Hills), meaning that she is in constant peril throughout the film. Peggy knows nothing of the origin of the money, but thinks that it has something to do with her reporter boyfriend Michael, who is currently on assignment in Vietnam - or is he?
I admit that following obscure Spanish giallo The Killer Wears Gloves was a bit of a struggle for me, not because it is a particularly complex movie, but because it failed to hold my attention, being far from compelling or original. There's very little here to excite avid fans of the genre - no dazzling visuals, no amazingly choreographed death sequences, and no clever revelations - just some nudity (star Hills is very attractive and takes a shower) and a bit of nice travelogue footage of 70s London, where the film is set (although the car chase finalé was very clearly shot in Spain).
4.5/10, rounded up to 5 for Peggy's groovy apartment, complete with giant egg-shaped lamp/ornament, but rounded down to 4 for Peggy having a handy revolver - in the UK?!?!.
The killer, who also wears a leather jacket, is searching for a missing $1million in cash, half of which falls into the lap of pretty artist Peggy Foster (Gillian Hills), meaning that she is in constant peril throughout the film. Peggy knows nothing of the origin of the money, but thinks that it has something to do with her reporter boyfriend Michael, who is currently on assignment in Vietnam - or is he?
I admit that following obscure Spanish giallo The Killer Wears Gloves was a bit of a struggle for me, not because it is a particularly complex movie, but because it failed to hold my attention, being far from compelling or original. There's very little here to excite avid fans of the genre - no dazzling visuals, no amazingly choreographed death sequences, and no clever revelations - just some nudity (star Hills is very attractive and takes a shower) and a bit of nice travelogue footage of 70s London, where the film is set (although the car chase finalé was very clearly shot in Spain).
4.5/10, rounded up to 5 for Peggy's groovy apartment, complete with giant egg-shaped lamp/ornament, but rounded down to 4 for Peggy having a handy revolver - in the UK?!?!.
The film opens with some guy getting his throat cut in an airport toilet by a mystery figure, then switches to focus on Peggy, girlfriend of Michael, a photo-journalist who has been in Vietnam for some time and isn't showing any interest in coming home. Peggy therefore lives alone in her London apartment, with the usual variety of creepy/weird neighbours/housekeepers living around her, what with this being a giallo and what not.
Peggy is an artist and just about everyone she knows is a complete areshole, from the lecherous guy whom she submits her art too (who keeps putting the moves on her), to Michael's ex-girlfriend Jackie (who is a total b**ch) to her upstairs, bass playing, cat loving neighbour upstairs (who looks like a time travelling, elderly Nick Cave). Peggy needs cash and as Michael off in the 'Nam she figures she might as well rent his apartment out, because that always works out well in this kind of film.
Her new tenant turns out to Bruno Corazzari, and he seems kind of okay as he's not putting the moves on her quite as much as any other man in her life. Then again, he's wearing creepy mirrored glasses and starts rifling around in Michael's room the moment Peggy leaves. Lo and behold, the next thing that happen is that Michael is on the phone, he's back in Blighty, and wants to meet Peggy at an abandoned hangar. Or was that bit after the bit where Corazzari takes a dive off the building, leaving a corpse with a smashed up face? I can't remember. By the way, corpses with smashed up faces aren't good news in gialli, unlike in real life.
Also, later that day, Peggy's new tenant turns up as a different guy, confusing her. What's going? What's happening? Who's that in there? This being a standard giallo, various murders start taking place, except for one character who falls in front of a subway train rather stupidly. There are many red herrings but it was easy to guess the killer. In saying that, it didn't stop me enjoying the film. You've got your usual giallo traits (boobs) and a smattering of gore (smattering not being a word you use in say, McDonalds: "I'll have a Big Mac and a smattering of chips."), and the soundtrack was nice and funky.
Peggy is an artist and just about everyone she knows is a complete areshole, from the lecherous guy whom she submits her art too (who keeps putting the moves on her), to Michael's ex-girlfriend Jackie (who is a total b**ch) to her upstairs, bass playing, cat loving neighbour upstairs (who looks like a time travelling, elderly Nick Cave). Peggy needs cash and as Michael off in the 'Nam she figures she might as well rent his apartment out, because that always works out well in this kind of film.
Her new tenant turns out to Bruno Corazzari, and he seems kind of okay as he's not putting the moves on her quite as much as any other man in her life. Then again, he's wearing creepy mirrored glasses and starts rifling around in Michael's room the moment Peggy leaves. Lo and behold, the next thing that happen is that Michael is on the phone, he's back in Blighty, and wants to meet Peggy at an abandoned hangar. Or was that bit after the bit where Corazzari takes a dive off the building, leaving a corpse with a smashed up face? I can't remember. By the way, corpses with smashed up faces aren't good news in gialli, unlike in real life.
Also, later that day, Peggy's new tenant turns up as a different guy, confusing her. What's going? What's happening? Who's that in there? This being a standard giallo, various murders start taking place, except for one character who falls in front of a subway train rather stupidly. There are many red herrings but it was easy to guess the killer. In saying that, it didn't stop me enjoying the film. You've got your usual giallo traits (boobs) and a smattering of gore (smattering not being a word you use in say, McDonalds: "I'll have a Big Mac and a smattering of chips."), and the soundtrack was nice and funky.
Considering I'm a self-acclaimed giallo film aficionado, I simply must start this review with a pointless rant about how ludicrous and goddamn obvious the international English title is. "The Killer Wore Gloves"
Is that seriously the best title they could come up with? I've seen approximately 120 gialli so far, and in more than 75% of all titles the killer – or killers - always wears gloves. The black (leather) gloves of the killer are one of the main giallo trademarks, along with the convoluted plot-twists and the misogynic violence. There's something wrong with all titles of this particular giallo, in fact. The original Spanish title "La Muerta Llama a las 10" somewhat translates as "Death Calls at 10 O'Clock", which is admittedly a much cooler title but doesn't have any link with the events in the film. And the Italian release titles goes like "The Warm Lips of the Killer". Quite awesome too, but the killer doesn't do anything with his/her lips neither.
But anyways, enough about the title issues! "The Killer Wore Gloves" is a Spanish giallo, and they are usually not as well-known or popular as their colleagues from Italy. The fact that it is still extremely obscure and hard to find also means that it's not a fantastic overlooked treasure of 70s Euro-cinema. Still, I would definitely recommend checking out "The Killer Wore Gloves" to more experienced giallo fans because it contains a handful of suspenseful sequences, an exhilarating score, an incredibly beautiful lead actress and a fairly satisfying & ingenious twist ending. The film begins with the lovely Peggy Foster (Gillian Hills) spotting her boyfriend Michael in a car in the center of London, even though his supposed to be fighting in Vietnam. Shortly after Peggy welcomes the creepy new tenant John Kirk Lawford in the apartment above hers, but when she returns from a fruitless attempt to meet up with Michael, the tenant apparently committed suicide by jumping from the apartment balcony. Then, while she's being interrogated by the police, another man rings the doorbell and claims to be the new tenant named John Kirk Lawford. Oh and meanwhile there's a killer – with gloves – slicing up Peggy's acquaintances with a nasty type of sickle. In all honesty the story really isn't that interesting or compelling, but you keep watching (or at least I did) because Peggy is such a likable female lead and you don't want her to get hurt. Gillian Hills depicts her as the ideal damsel in distress and it probably also helps that she has a couple of extended topless sequences. The rather unknown but prolific Spanish director Juan Bosch makes the most out of the scenes where Peggy wanders around her flat all petrified, with loud penetrating music, assuming there is someone there who intends to hurt her. There's some nice London scenery to admire as well as a couple of pointless but entertaining supporting characters, like a naked Orchidea de Santis and a cat-worshiping gay neighbor.
But anyways, enough about the title issues! "The Killer Wore Gloves" is a Spanish giallo, and they are usually not as well-known or popular as their colleagues from Italy. The fact that it is still extremely obscure and hard to find also means that it's not a fantastic overlooked treasure of 70s Euro-cinema. Still, I would definitely recommend checking out "The Killer Wore Gloves" to more experienced giallo fans because it contains a handful of suspenseful sequences, an exhilarating score, an incredibly beautiful lead actress and a fairly satisfying & ingenious twist ending. The film begins with the lovely Peggy Foster (Gillian Hills) spotting her boyfriend Michael in a car in the center of London, even though his supposed to be fighting in Vietnam. Shortly after Peggy welcomes the creepy new tenant John Kirk Lawford in the apartment above hers, but when she returns from a fruitless attempt to meet up with Michael, the tenant apparently committed suicide by jumping from the apartment balcony. Then, while she's being interrogated by the police, another man rings the doorbell and claims to be the new tenant named John Kirk Lawford. Oh and meanwhile there's a killer – with gloves – slicing up Peggy's acquaintances with a nasty type of sickle. In all honesty the story really isn't that interesting or compelling, but you keep watching (or at least I did) because Peggy is such a likable female lead and you don't want her to get hurt. Gillian Hills depicts her as the ideal damsel in distress and it probably also helps that she has a couple of extended topless sequences. The rather unknown but prolific Spanish director Juan Bosch makes the most out of the scenes where Peggy wanders around her flat all petrified, with loud penetrating music, assuming there is someone there who intends to hurt her. There's some nice London scenery to admire as well as a couple of pointless but entertaining supporting characters, like a naked Orchidea de Santis and a cat-worshiping gay neighbor.
Not a very imaginative title for this largely Spanish take on the giallo and director, Juan Bosch does not turn out a very inspired movie. His main asset seems to be a pretty, Gillian Hills, born in Cairo but presumably of British parents. She did a fair bit including small parts in Blow Up and Clockwork Orange, presumably exploiting her looks and also the sublime, Demons of the Mind, though I don't recall how well she did in that what with the antics of Robert Hardy and Patrick Magee. Anyway, in this she is good, effortlessly batting aside stupid dialogue, idiotic assumptions and general lack of coherent plot development. Apart from the pleasure of Gillian there are the many shots, mainly night time ones, of 70s London although there is one delicious scene where we are driving out of London and find ourselves in the back streets of some Spanish village before the continuity team restore order. Its pleasant and diverting enough but not worth going out of ones way for.
At the beginning a killing happens at an airport restroom , after that a beautiful girl called Peggy Foster : Gillian Hills residing in London city is really worried, that's why she has not heard from her sweetheart for long time, as he is a war correspondant in Vietnam. Meanwhile, she attempts to rent his loft to an alleged tenant called John Lawford who suddenly commits suicide. Then , things go wrong when at her flat appears the true tenant John Lawford : Angel Del Pozo . Subsequently, a series of mysterious murders happen in London. Along the way a Police Inspector : Manuel Gas starts investigating the bloody crimes . It is diabolical! It is daring! It is stalking, it cuts, it rips!
Spanish Giallo in medium budget packing suspense, tense, whodunit , thrills, plot twists , nudism and lots of blood and gore. A B-entertainment with a fairly suspenseful and frightening story in which a serial murderer on the loose undertaking a criminal spree by means of slitting, decapitation and other grisly executions. The tale about an ominous killer begins well and grows more and more until the twisted final including a pursuit in which we figure out the guilty. Interesting and entertaining story based on a novel by Luisa Maria Linares and script with plenty of twists and turns from Renato Izzo and Juan Bosch himself. Stars the gorgeous British girl Gillian Hills who acted in Clockwork Orange and Blow Out , she gives a mediocre, though passable acting . Being a Spain/Italy coproduction , there shows up some Spanish actors : Angel Del Pozo, Silvia Solar , Carlos Otero, Goyo Lebrero, Manuel Gas and Italian ones : Stelio Candelli, Bruno Corazazzi, Orchidea De Santis , Raf Baldassarre's cameo , among others.
It displays atmospheric cinematography by Julio Perez Rozas, though an alright remastering being really necessary . Suspenseful and funky/jazz musical score with a catching , groovy leitmotif by Marcello Giombini . Shot on location in London, Barcelona and Elios studios , Rome. The picture was professionally directed by Juan Bosch, containing some flaws, failures and gaps. Bosch was a Spanish artisan who wrote and directed films of all kinds of genres such as Spaghetti Western : "Dallas", "God in heaven Arizona on Earth", "And the crows will dig your grave" , "My horse my gun your widow", "Ciudad Maldita", "Stagecoach of the condemned", "They believed he was no Saint" . Comedy : " Mauricio mon amour" , "40 años sin sexo", "Caray con el divorcio", "Rolls para Hipolito" . Terror : " Secta Siniestra" and Giallo : "The killer with a thousand eyes", "The killer wore gloves" . Rating 5.5/10. Only for Giallo and slasher aficionados.
Spanish Giallo in medium budget packing suspense, tense, whodunit , thrills, plot twists , nudism and lots of blood and gore. A B-entertainment with a fairly suspenseful and frightening story in which a serial murderer on the loose undertaking a criminal spree by means of slitting, decapitation and other grisly executions. The tale about an ominous killer begins well and grows more and more until the twisted final including a pursuit in which we figure out the guilty. Interesting and entertaining story based on a novel by Luisa Maria Linares and script with plenty of twists and turns from Renato Izzo and Juan Bosch himself. Stars the gorgeous British girl Gillian Hills who acted in Clockwork Orange and Blow Out , she gives a mediocre, though passable acting . Being a Spain/Italy coproduction , there shows up some Spanish actors : Angel Del Pozo, Silvia Solar , Carlos Otero, Goyo Lebrero, Manuel Gas and Italian ones : Stelio Candelli, Bruno Corazazzi, Orchidea De Santis , Raf Baldassarre's cameo , among others.
It displays atmospheric cinematography by Julio Perez Rozas, though an alright remastering being really necessary . Suspenseful and funky/jazz musical score with a catching , groovy leitmotif by Marcello Giombini . Shot on location in London, Barcelona and Elios studios , Rome. The picture was professionally directed by Juan Bosch, containing some flaws, failures and gaps. Bosch was a Spanish artisan who wrote and directed films of all kinds of genres such as Spaghetti Western : "Dallas", "God in heaven Arizona on Earth", "And the crows will dig your grave" , "My horse my gun your widow", "Ciudad Maldita", "Stagecoach of the condemned", "They believed he was no Saint" . Comedy : " Mauricio mon amour" , "40 años sin sexo", "Caray con el divorcio", "Rolls para Hipolito" . Terror : " Secta Siniestra" and Giallo : "The killer with a thousand eyes", "The killer wore gloves" . Rating 5.5/10. Only for Giallo and slasher aficionados.
Lo sapevi?
- QuizThe appearance of Bell's scotch must be due to the British location. On the continent they almost invariably drink JB.
- BlooperSign on bank counter reads "FOREING (sic) EXCHANGE"
- ConnessioniReferences Bonzo la scimmia sapiente (1951)
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- Tempo di esecuzione
- 1h 30min(90 min)
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