VALUTAZIONE IMDb
6,3/10
3820
LA TUA VALUTAZIONE
Un vedovo e due dei suoi figli si infatuano della loro bella governante, e tutti e tre decidono di sedurla usando i loro metodi unici.Un vedovo e due dei suoi figli si infatuano della loro bella governante, e tutti e tre decidono di sedurla usando i loro metodi unici.Un vedovo e due dei suoi figli si infatuano della loro bella governante, e tutti e tre decidono di sedurla usando i loro metodi unici.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 3 candidature totali
Recensioni in evidenza
This is supposed to be an erotic comedy, and is widely acclaimed as such, but I sincerely wonder if it should really be categorized like that. The premise, film poster, light-hearted musical score and even the first 10-15 minutes of the film definitely qualify as a comedy. And a prototypic Italian one to boot, what with the film solely revolving around how Italian men, regardless of age and standing, perceive women.
The plot is simple but ingenious. Ignazio, a clothing store owner in his early fifties and a father of three sons, learns that his dear wife hired the incredibly beautiful Angela as the new housemaid just before her death. The men are promptly infatuated by her. Ignazio wants to marry her, if only he gets the approval of "La Mama", 19-year-old son Nuccio simply wants her as a trophy, but 14-year-old and fresh into puberty Nino is the one who really gets obsessed with Angela.
And creepy Nino's attitude and behavior is exactly what causes - to me, at least - "Malizia" to turn from a harmless comedy into a darkly perverse and occasionally even disturbing coming-of-age drama/thriller. The insufferable little brat puts poor Angela through a whole series of sick & twisted sexual humiliations, and that's just NOT funny! Now, I know the times and perceptions changed a lot, but I can't believe the harassment, voyeurism, and intimidations here were considered a laughing matter 50 years ago? Of course, it doesn't help that young actor Alessandro Momo depicts Nino as a cold, stoic, and genuinely disturbing psychopath.
Nino's dark character undermines the entire film. I couldn't even properly enjoy Laura Antonelli's naturally beauty, and the few full-frontal nudity sequences she has are entirely ruined because she simultaneously gets assaulted by a creepy little perv. Luckily, for laughter's sake, the youngest son Enzio keeps the film a bit comical, like when he runs away from kissing the grandmother because "she smells funny".
The plot is simple but ingenious. Ignazio, a clothing store owner in his early fifties and a father of three sons, learns that his dear wife hired the incredibly beautiful Angela as the new housemaid just before her death. The men are promptly infatuated by her. Ignazio wants to marry her, if only he gets the approval of "La Mama", 19-year-old son Nuccio simply wants her as a trophy, but 14-year-old and fresh into puberty Nino is the one who really gets obsessed with Angela.
And creepy Nino's attitude and behavior is exactly what causes - to me, at least - "Malizia" to turn from a harmless comedy into a darkly perverse and occasionally even disturbing coming-of-age drama/thriller. The insufferable little brat puts poor Angela through a whole series of sick & twisted sexual humiliations, and that's just NOT funny! Now, I know the times and perceptions changed a lot, but I can't believe the harassment, voyeurism, and intimidations here were considered a laughing matter 50 years ago? Of course, it doesn't help that young actor Alessandro Momo depicts Nino as a cold, stoic, and genuinely disturbing psychopath.
Nino's dark character undermines the entire film. I couldn't even properly enjoy Laura Antonelli's naturally beauty, and the few full-frontal nudity sequences she has are entirely ruined because she simultaneously gets assaulted by a creepy little perv. Luckily, for laughter's sake, the youngest son Enzio keeps the film a bit comical, like when he runs away from kissing the grandmother because "she smells funny".
Cult film that despite its fame did not strike me very much indeed I found the relationship between the young scion of the family and the housekeeper too morbid, especially since hers will end up marrying her father.
it has all ingredients of an Italian comedy. but it is not exactly one of them.it has the chaotic slices of Meridional life style but it is not the story of its characters. because the key is not the humor, not the eroticism but the interesting and realistic image of a teenager impulses. a film about a metamorphose. step by step. different ages, dark humor drops, few beautiful scenes and seductive atmosphere. nothing special but useful for a style for discover the life as a form of adventure. a film who preserves the flavor of its period and gives a right definition about the eroticism in a time who dreams revolution. and a good performance by Alessandre Momo.
i got pulled into watching more of Italian sex comedies after watching this film ,The film is true brilliance amazing work by the director and just love laura antoneli shes just amazing and gorgeous i wish i was born in the 60ts and i could watch this movie in my teens in a theater. the best part in this movie is the dining table scene where in young alesandro momo tries to slip in his hand in lauras undergarments and she doesn't resists she gives in to his deeds and the worst part is the ending wherein she rapes him why did that have to happen moreover the movie has some excellent acting by the actors laura antonelli in special and i wish alessandro momo was alive today he had to die so soon
"Malizia" was a big hit in 1973 -it launched Laura Antonelli's career and established the reputation of director Salvatore Samperi, an "iconoclast" film-maker (he started "erotic" comedies, which teased Italian sexual taboos...!)
The film is not vulgar at all. It tells the story of a young maid, Angela, who works in a house for a widow and his sons. One of them will conquer, a teenanger who's discovering sexual instincts, will blackmail and conquer her...
It is a very elegant picture, superbly photographed by Vittorio Storaro. It takes place in Sicily, the family is very bourgeois and society very conservative. Samperi and screenwriter Ottavio Jemma choose to adapt this "sexual" comedy in this context, in order to create a contrast.
The film won several prices and critics praised the picture. Today "Malizia" is quite old, it is a typical Seventies movie -it was made after '68, after the breakup of many sexual and morals frontiers, it is a provocative opus, very provocative. But never vulgar, as I said. An Italian classic.
The film is not vulgar at all. It tells the story of a young maid, Angela, who works in a house for a widow and his sons. One of them will conquer, a teenanger who's discovering sexual instincts, will blackmail and conquer her...
It is a very elegant picture, superbly photographed by Vittorio Storaro. It takes place in Sicily, the family is very bourgeois and society very conservative. Samperi and screenwriter Ottavio Jemma choose to adapt this "sexual" comedy in this context, in order to create a contrast.
The film won several prices and critics praised the picture. Today "Malizia" is quite old, it is a typical Seventies movie -it was made after '68, after the breakup of many sexual and morals frontiers, it is a provocative opus, very provocative. But never vulgar, as I said. An Italian classic.
Lo sapevi?
- QuizThere is a scene in the film where the father played by Turi Ferro tries to bribe his son Nino (Alessandro Momo) by buying him the motorcycle that he wanted so badly, even though the boy is not old enough to ride the vehicle. Nino does not accept the offer and justifies it by saying that motorcycles are very dangerous. In a sad, macabre coincidence, actor Alessandro Momo died the following year in a motorcycle accident - and when he was 17, that is, not yet legally authorized to ride the vehicle.
- ConnessioniEdited into Lo schermo a tre punte (1995)
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 109.133 USD
- Tempo di esecuzione1 ora 37 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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