La terra si tinse di rosso

Like a number of movies from Metro-Goldwyn-Mayer that were made in the first half of the 1970s, "Lolly-Madonna XXX" was hard to see for many years until quite recently. I'd always been curious about it, so when it popped up on Turner Classic Movies one night, I was sure to record it and subsequently watch it. After seeing it, I think I can understand why the movie was held back for so long. As I said in my summary line, the movie is not awful. It is well acted, both by established stars Steiger and Ryan, as well as by the members of the cast who hadn't become stars yet. The movie feels authentic; you really get a taste of what run down and poverty-stricken life the characters live. However, there is one big flaw that sinks the movie, and that is that it's extremely slow. Scene after scene goes by with no real consequence - even the ending feels incomplete. If there had been more real plot, we might have had something here. But as it is, the movie will probably only appeal to film buffs with interest in the cast as well as with major studio movies that are obscure.

I saw this movie when I was a boy and it had an indelible effect on me. I am 41 years old and I still remember how its simple folk and their seemingly insurmountable problem touched me. Like another reviewer I also recall the score as being perfect. See this movie if you can. I am only sorry it is not available on VHS or DVD. I would surely buy it.

I too saw Lolly Madonna XXX very late one night 20 years ago. I am now 41 years old and still haunted by this film. When I saw this movie at 21 years of age, I was very disturbed by it - the way these families lived, the misunderstanding and violence between the families, the misunderstanding and violence within each family itself -it was overwhelming. However, to this day, I consider this to be the best film I have ever seen. I judge a movie based on the ability it has to make me really FEEL - and Lolly Madonna did that for me like no other film ever has!! This film forces you to become attached to each and every character. And then when things start to go very, very, wrong.............well, I can't say anymore. Suffice it to say that this film will seriously affect anyone thinking person who sees it. There is also a very sad but very beautiful about the music. When I saw it the first time I couldn't stop thinking about for two days! I was fortunate enough to have caught this a second time about 15 years ago on the late, late movie (from the beginning) and was able to video tape it. Unfortunately, the tape was misplaced in my move to NYC. I would pay good, good money to own this movie!! That is, if I could find it!!

Not a film for all tastes. It's violent, almost nihilistic in outcome, and certainly not a classic Hollywood ending. Like some other reviewers, I take the narrative to be an allegory on war, at least of certain types of war. Here a dispute over a lovely Tennessee meadow escalates tragically into a shooting war between two patriarchal families that devastates both clans. Tragically, neither patriarch (Steiger nor Ryan) exercises the kind of leadership to head off the calamitous results. Thus headstrong elements are allowed to operate at gut level instead of anything reasoned, producing tragic results.

Frankly, I'm not sure whether I liked the film or not. Parts are compelling, especially the sensitive romance between Bridges and Hubley. Both are outstanding; in fact Hubley almost made me feel her painful confusion. Also, the beauty of the rolling hills and meadow contrasts creatively with the clans' destructive emotions. Then too, whose inspiration was balding Edd Lauter's secret fantasy to fly away on his tattooed wings to become the next southern Elvis, his chances about as good as mine. And judging from the dilapidated shacks, their time would be better spent fixing up where they dwell instead of taking each other down.

On the movie's downside is the choppy editing that at times makes the storyline hard to follow, especially when the scene shifts from one clan to the other. Thus the threads can at times be hard to follow. Moreover, except for the few romantic interludes, the mood is unrelentingly grim, not exactly an audience come-on. Anyway, Steiger is uncharacteristically restrained, while Ryan doesn't get the screen time his talent deserves. At the same time, a lot of younger talent does get a chance to shine.

All in all, I guess I respect the movie more than I liked it, its moral certainly meriting that kind of consideration.

I saw this movie on TCM late at night (must be around 2 AM) when I was channel surfing. I was actually intrigued by its title and decided to watch it assuming it was a campy 70's sex romp. But once you see established names like Rod Steiger, Robert Ryan, Jeff Bridges, Randy Quaid, Scott Wilson, Ed Lauter and Gary Busey, you know you are wrong.

Though not everybody's cup of tea, Lolly Madonna XXX is a surprise treat - one of those movies that surprise you just when you think you know whats going to happen next or assume nothings going to happen at all. With terrific performances especially by Ed Lauter, a(very thin looking)Randy Quaid and a very young Jeff Bridges besides a beautiful score thats just right,this is a movie you shouldn't miss.