Realizzato poco dopo la sua morte, esplora la breve vita e la straordinaria eredità del chitarrista Jimi Hendrix.Realizzato poco dopo la sua morte, esplora la breve vita e la straordinaria eredità del chitarrista Jimi Hendrix.Realizzato poco dopo la sua morte, esplora la breve vita e la straordinaria eredità del chitarrista Jimi Hendrix.
Recensioni in evidenza
Jimi Hendrix was another matter. A man of such ability that..... I don't know. Everyone was young, everyone thought we were immortal and were going to be A-bombed anyway. All I know is I wish I knew what became of that reel-to-reel my brother made of that set, must be almost fifty years ago.
The interviews are engaging and sometimes enlightening; such as The Who's Pete Townshend explaining how the appearance order at Monterey was decided, and Jimi's long-time girlfriend Fayne Pridgon retelling tales of Jimi turning her on to such new experiences as LSD and a strange little folk singer named Bob Dylan.
I HIGHLY recommend this movie to anyone who loved Hendrix for his amazing contributions to the halls of rock history. He truly was the impresario of his generation, and maybe all others, before and since. Turn the speakers way up, sit back, and ENJOY! You will not be disappointed.
The film comprises of a series of a series of performances, some very rare and some considered classic, interspersed with clips of interviews of Eric Clapton, Pete Townsend, Little Richard, Lou Reed, Mick Jagger, Hendrix himself and the all important ones, from his friends and family.
The interviews are very frank and relaxed, and when interviewing friends you get a sense of sitting chatting with someone rather than the usual interrogation that half hearted interviews can become. With the interviews with other famous stars of the time, and indeed other amazing guitarists like Clapton, there is a real feeling of respect and admiration. They don't hold back about how good or influential he was and there doesn't seem to be any back stabbing or slapping, just genuine conversation and respect.
These aspects are something you can't just make in a documentary, and they enrich the interviews so much making them thoroughly engaging and make for much better documentary.
One of the most interesting parts for me were the live performances, they are excellent to listen to and some are pretty amazing just to watch his performance. These are absolute classic performances and should be watched by any aspiring guitar player, I certainly had a huge desire to grab my guitar and start playing...just don't set it alight!
My favourite piece was Hendrix playing a beautiful twelve string, I love the acoustic guitar and strive to find as many recordings of unusual songs and artists playing their songs acoustically, and this is undoubtedly the pinnacle of that search. It's amazing to see him play, and particularly interesting to see how nervous he was when he makes a mistake (like I heard!) and asks if he can start again. When he steams into the second play you can see he wasn't just an electric virtuoso. His talent is unmistakable and these performances have been selected to really show off his best playing.
Picture: Presented: 1.85:1
The picture quality is very good with a lot of restored and remastered footage. Still some sections show their age and that's not taking into account the hairstyles and clothes! Overall though, it's excellent quality for remastered 1973 footage and some of the older and more worn performances.
The interviews are perhaps the highest picture quality, however here it's the words that matter more than anything, and in the performances it's the music.
Sound: Presented: English Dolby Digital 5.1 and 2.0 Subtitles: English and French
I didn't quite understand this one, presenting the film in DD5.1 seemed a waste of channels without a proper remix to bring you into the performances, or let you feel you're sitting in the studio, park or stage that the interviewees were. It doesn't add anything to the experience over the DD2.0 track. The sound sticks firmly at the front, although at times it does spread wider, but just as much is achieved with the DD2.0.
Some of the older performance footage does sound old with cracks, clicks and hiss. Yet this achieved something else, like that feeling with vinyl, it just adds to the atmosphere and performance.
Extras Presented: From the Uklele to the Strat (63:00), The making of Dolly Dagger and Stone Free performance
From the Uklele to the Strat provides you with what appears to be the full interviews that were used to cut together to make the documentary. Although I did start to find this hard going, it really does provide a level of authenticity and would appeal to the hard bent Hendrix fan. The interviews are wide and extensive, and considering the purchase base for this I would think that there will be many Hendrix fans watching this.
The making of Dolly Dagger is a superb and very insightful feature into the recording process for any song, never mind one of Hendix's. Sitting with the Producer\Engineer from the recording, Eddie Kramer, we're treated to a break down of the track, how it was recorded, insights into the process, and even sections that never made it to the final cut. This was fascinating.
Finally there's a performance of Stone Free from the Atlanta Pop Festival in 1970 on July the 4th, apparently never seen before. This is a blistering watch, and much like the rest of his performances, amazing and very entertaining. Watching his guitar work just astounds me, and listening to how easily he produces the music fills you with envy. Roughly shot, but it again adds to the raw feel of the performance.
Overall: I think this is an excellent documentary for fans of Hendrix and of the guitar. It's an insightful film which doesn't get hung up on any of the contentious issues of the man's life, and instead tells us from his friends, co-workers and peers who he really was and how dedicated to his music he was.
However, if you're not a Hendrix or guitar fan, I think you might find this much harder going. I'd have preferred a more expansive DD5.1 track, or just sticking to the DD2.0, and some more intimate performances would have added to the overall attraction.
A good purchase for the performances, and in particular the acoustic performance, but add the interviews and the making of featurette, and you have a classic DVD for the fan.
But when a musical documentary cold opens with Pete Townshend, I'm hooked. What follows are interviews with Hendrix himself, other musicians, a roadie or two, a former girlfriend, various hangers-on, and countless others. This is the 70s so most of them are higher than a kite, of course. We also get some tender reminiscing from his dad.
Hendrix was basically a mild-mannered busker with other-worldly guitar-playing talent and a sharp sense of giving the audience a show. The concert footage captures just how dynamic a performer he was. Even as a non-fan I always enjoy this documentary. What a waste to have lost him so soon.
Lo sapevi?
- QuizAt the time of the film's production, Noel Redding was in the middle of a lawsuit against the Hendrix estate over what he felt were unpaid royalties, which is why he chose not to participate and only appears in archival concert footage.
- Citazioni
Self - Interviewee: [Pete Townshend] I said to Jimi, I said, "Fuck it, man, we're not going to follow you on." So he said, "Well, I'm not going to follow you on." So, I said, "Listen, we are not going to follow you on and that is it. You know. As far as I'm concerned, you know, we were ready to go on now, our gears going to be there, its the end of it, you know." And, there was a certain look in his eye and he got on a chair and he played some amazing guitar, just standing on a chair in the dressing room. Janis Joplin was there. Brian Jones. Eric. And me and a few other people just standing around. And then he got down off the chair and just said, turned around to me, and said, "If I'm going to follow you, I'm going to pull all the stops."
- Versioni alternativeThe DVD features the opening and closing 2003 Warner Bros. Pictures plasters.
- ConnessioniFeatures Beat-Club (1965)
- Colonne sonoreRock Me, Baby
Written by B.B. King & Joe Bihari
Performed by The Jimi Hendrix Experience
Recorded at the Monterey International Pop Festival, June 1967
Produced by John Philips and Lou Adler
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- A Film About Jimi Hendrix
- Luoghi delle riprese
- Monterey County Fairgrounds - 2004 Fairground Road, Monterey, California, Stati Uniti(Monterey Pop Festival)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 33.000 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Proporzioni
- 1.85 : 1