Jesus Christ Superstar

My mom (a hard-core Lutheran) thought this movie, "Jesus Christ Superstar" would deepen our faith in religion. She took me (age 12), my brother (age 14), my sister (age 11) and several neighborhood kids all the way across town where our minds proceeded to be "blown" in the most amazing, positive way! Those were the days when you could stay and watch the movie over and over and over (without buying another ticket). I walked out of the Georgetown Theatre in Indianapolis, Indiana suddenly knowing that somewhere in this big bleak world, I may actually fit in for once. All the previously-boring religious training I'd endured (parochial school) suddenly made some kind of sense and my idea of who and what God is, was and could be was changed forever! I still watch this film when I feel down and out and always feel spiritually renewed. The dancing, costumes, singing, story, cinematography, not to mention the hippie-themed visual fun-fest continues to thrill and amaze me! I give it two thumbs way way way up! P.S. I watched it three times that August day back in 1973......best time I EVER invested.

Jesus Christ Superstar was an excellent movie and an excellent play. I first heard the soundtrack and then saw the movie, and the movie definitely fills in all of the blanks. I was confused in the beginning, when they all rode up in a bus, but I later caught on. Other than that the movie was great, the voices were great, (especially Judas, he really added anger and sorrow to his part) and the setting was perfect. I found it humorous when there were the anachronisms such as grenades and guns at the market. This was a great movie and I will watch it again and again. I am normally skeptical of musicals but I will always hold this close to my heart. This movie should be seen by anyone, and everyone. Peace!

I saw the stage version as a teenager and memorized the entire record during the summer of 1971. I don't remember when I first saw the movie, but I hated it. I didn't think that the Broadway show translated well at all. I am watching it right now, however, and I finally get it. It is a marvelous piece of work.

I am appalled at the people who have criticized it for not being accurate to the New Testament, therefore, not relevant. Quite the contrary, I border on agnosticism and seeing this movie for the first time in 20 years has been a spiritual experience for me. It still speaks to me after 35 years.

I also can't believe people who dismiss the music in and of itself. Are you crazy?

The Lloyd-Webber and Rice musical comes to the screen, and is nothing like the stage show at all. The deserts are real, although the back story is that this is a theatre company, putting on a production in real locations.

The cast are largely session singers and unknowns - Ted Neeley, delicate and high-voiced as Jesus (particularly superb in `Gethsemane'); Carl Anderson, black and doe-eyed as Judas with hot soul vocals, Barry Dennen as Pilate, and Yvonne Elliman as Magdelene with her big number `I Don't Know How To Love Him'.

One loss for those who know the stage version is being removed from the crucifixion preamble, when the ghost of Judas sings `Superstar' - this was all video camera projection in the theatre, while in the movie we are detached observers. But at other times we get uncomfortably close. And the songs survive the transportation to a more realistic setting (except the added `Could We Start Again, Please?' which sounds rather too much like the Coca-Cola theme for comfort).

Best scenes? The one in the temple; Hosanna; and the Pharisees tapping on their scaffolding perches like crows.

I saw this film for the first time in the mid 70's at a cinema on a school organised outing, I remember being peeved as it was being shown on TV for the first time the same evening. I was aware of one or two of the songs but I had never heard the original concept album before hand so I really had no idea what to expect. I was transfixed from the Overture to the End Titles and probably have not had a more moving experience watching a film since. I have been a devoted fan of this film now for over 25 years and still find the occasional viewing moving. The film was unique, the first Rock Opera given the Big Screen treatment and this is still in my opinion the best of its genre. Of course the Music and Lyrics are the fulcrum of the film and the numerous album recordings are still popular now because the songs are so unforgettable but the performances of all the principle characters in this original film version give this interpretation a dynamic edge. All the cast probably give their definitive performances but without any doubt Carl Anderson as Judas is the real KING. Rest In Peace. For all you long term fans like me get the new Region 1 DVD special edition with improved sound and picture quality and extras especially the commentary with Norman and Ted- you'll cry your heart out. Thanks Carl, I will never forget the impact your performance has made on my life. Thank you ALW, Tim Rice and Norman Jewison for an unforgettable Spiritual experience.