Diario proibito di un collegio femminile

Another story of mad scientist who uses rock musicians as guinea pigs for his experiments?If we look below the surface of the trite screenplay we could see the revenge of the establishment against those hairy young men and the horrible sounds they make ,their silly ideas of peace and love ....

What saves this flick is its black humor:from the very first line about keeping the car clean to the girl's family 's racy past:Wasn't her auntie the owner of a brothel in Hamburg ?Wasn't her mom an unwed mother? and hadn't the aunt a lot of nerve to call her names? Michael Gough is the sinister-looking saw bone;the aforementioned aunt is his assistant (sounds like Franju's classic :"Les Yeux Sans Visages" aka "Eyes without a face" );and the rockers provide the raw material.It is not food for thought but it's rather entertaining if you do not demand too much.

'Horror Hospital' is a cheap and very cheerful slice of sexy, early '70s horror sleaze. It's probably the most polished director Anthony Balch made before his untimely death at the age of 42 in 1980. It was also the final acting job for Vanessa Shaw (Judy) who seems to have retired after this.

The cast is impressive. Robin Askwith - whose roles in often hugely un-PC fare such as 'Bless This House', 'Confessions of a Window Cleaner' and 'Carry On, Girls' haven't stifled a prolific career - plays Jason, a true-to-form randy twit who emerges as a kind of hero toward the end (his first words to Judy are, 'Relax, I'm not gonna rape you'). Skip Martin, fresh from Hammer's 'Vampire Circus', is Frederick. Also starring are Eileen Pollock, Dennis Price and top-billed Michael Gough, who puts far more effort into his role as Dr Storm than he did for Hammer's ground-breaking 'Dracula'. You might wonder what these people are doing in gory nonsense like this among a supporting cast of mostly non-actors, but the fact remains - it's gruesomely good fun.

Computer Killers is bloody, campy, goofy, sleazy awesomeness. I originally found this film titled as Horror Hospital.

I enjoyed the acting style because it is over the top and different from what we generally see today.

The film takes place in only a few settings but the one I'm drawn too the most is the train early in the film. The two stranger meet in a simple way but their dialog made me want to laugh and wonder how and why it was chosen. This goes for most of the dialog throughout the film. It is strange, straightforward and wacky without completely going to crazy town.

Overall, the film feels like a good combination of horror and comedy.

I would watch this again, and I will be recommending it to friends. This film is a treat for 70's horror fan. It may be a bit hard to watch if you are not a hardcore horror watcher. If you are on the fence about seeking out this movie, I say go now!

If Richard O'Brien, writer of the "Rocky Horror Picture Show", wasn't inspired to write his movie after seeing "Horror Hospital" I'd be very surprised. So many similar subjects: sexually active couple in old castle/mansion, leather clad bikers, gore, evil doctor, brain manipulated minions. Even the couple's arrival is almost a carbon copy of Brad and Janet's greeting by Riff Raff who is in this case a freaky dwarf (pc - little person). This movie was released in 73' which would have been just a year before he began the songs for his soon to be musical "Rock(y) Horror Show." This is a must see for any RHPS fans.

Not only was Michael Gough in Sleepy Hollow, a film that boasted the tagline "Heads Will Roll," but Gough also stars in this early 70's horror film where decapitation is integral to the plot. So much for two heads are better than one. This film tells the story of some demented doctor that labotimizes young people so as to make them into his puppets. He is in a wheelchair, has a dwarf-servant, a car that has a blade pop out to slice heads off of people, a seemingly neverending supply of killers clad in biker outfits, and a penchant for cracking his metallic-sounding knuckles. Gough uses no restraint at all in his performance as the crazed physician. His rich aristocratic voice adds all the more to his crazed lack of restraint. Gough's performance is larger than life, not necessarily better. The rest of the cast is adequate. Dennis Price, not long before his death, gives a cameo as an effeminate travel agent. The setting in the film is truly nice, and the film has a good flow of action. Some lacking points are the huge holes in the script, the general editing done in the film, and some lacklustre performances in supporting roles. The film is bad, yet one of those bad ones that can be so enjoyable. Should be seen for Gough's over-the-top performance at the very least.