Aggiungi una trama nella tua linguaJason Jones and Judy Peters, young British people, meet on a train heading to the country. They stay with odd characters in a secluded mansion, where deranged Dr. Christian Storm is using hi... Leggi tuttoJason Jones and Judy Peters, young British people, meet on a train heading to the country. They stay with odd characters in a secluded mansion, where deranged Dr. Christian Storm is using his guests for surgical mind-control experiments.Jason Jones and Judy Peters, young British people, meet on a train heading to the country. They stay with odd characters in a secluded mansion, where deranged Dr. Christian Storm is using his guests for surgical mind-control experiments.
- 'Mystic' Rock Group
- (as James IV Boris)
- 'Mystic' Rock Group
- (as Allan {The River} Hudson)
- Bearded Man in Club
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- Hunting Man
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- Man in Club
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Recensioni in evidenza
The cast is impressive. Robin Askwith - whose roles in often hugely un-PC fare such as 'Bless This House', 'Confessions of a Window Cleaner' and 'Carry On, Girls' haven't stifled a prolific career - plays Jason, a true-to-form randy twit who emerges as a kind of hero toward the end (his first words to Judy are, 'Relax, I'm not gonna rape you'). Skip Martin, fresh from Hammer's 'Vampire Circus', is Frederick. Also starring are Eileen Pollock, Dennis Price and top-billed Michael Gough, who puts far more effort into his role as Dr Storm than he did for Hammer's ground-breaking 'Dracula'. You might wonder what these people are doing in gory nonsense like this among a supporting cast of mostly non-actors, but the fact remains - it's gruesomely good fun.
It's bonkers in plotting, Robin Askwith (just prior to his shift into a sex comedy franchise) is a stressed out singer with a pop group. He decides to go for some R&R at a country retreat. He hooks up with Vanessa Shaw on the train journey in, and once they arrive at the retreat they find it's a bizarro world inhabited by mute bikers, lobotomised robots, a malignant dwarf and a mad doctor (Michael Gough) in a wheelchair!
That's pretty much it, not much makes sense, there's a little sexy nudity, a whole host of sequences where the zombies do nothing of interest, some scenes of the dwarf (Skip Martin) mixing potions and puddings, and some cool fake fights between Askwith and chums and the crash helmet bikers. It plods along gleefully to the finale's big reveal and chase/escape sequence, to round it off as car crash cinema. Splendidly bad and joyful in subtexts. 5/10
Now, not only on cable, but on a premium service, I came across it again - and in letterbox format no less. Well, the film is still basically very flawed, but it really shows how much better crafted films once were.
While it remains a simplistic lots of onscreen gore effort, this picture is so much more beautiful to look at than many produced today. The cinematography is consistently superior, and well supported by excellent lighting and generally well scored music. And even though the special effects don't match up to todays films they retain some value in that they have more visual "weight" than some of the CGI crap routinely inserted in modern movies.
Unfortunately the wacky plot and mediocre (well, sometimes bad) acting show through in the end. It may be that the director was trying for a lot of humor at points but it only worked for me towards the end of the film when one of those fleeing the burning building stops for a snack in the kitchen.
As for the beheading car mentioned in another review: that particular element is worthy of Austin Powers' "Dr. Evil." I can see the good doctor in this movie also calling out "All I'm asking for is for some frickin' sharks with lasers on their heads."
If you've seen this before on broadcast TV, it may be worth a second look on video or DVD for the cinematography and for the sexual elements which explain the plot a little more. In the TV version I saw as a kid, the sexual theme was not at all evident, and so, the plot seemed even more outlandish than it actually is.
Still, if you happen by this big-time cable it may catch your interest, but all the way along you'll wonder why any premium channel could have chosen this film from their catalog. There are quite simply so many more old British shockers which are better than Horror Hospital."
-SCG
Lo sapevi?
- QuizThe band "Mystic", who appear near the beginning of the film, have been revealed to be the late '60s psychedelic group Tangerine Peel, but the cross-dressing frontman is not a real member of the group. He is the film's co-writer Alan Watson.
- BlooperIn the cell Jason tells Abraham 'the dwarf usually brings the food in' He can't possibly know that as he's only been in the cell a short time most of which he was unconcious through being gassed.
- Citazioni
Jason Jones: [after leaving the shower with Judy and on hearing the dinner-gong] I am getting rather hungry.
Judy Peters: Come on Jason, lets have some of this health food.
Jason Jones: There's nothing healthier than... sex.
Judy Peters: Let's save it for after dinner.
- Versioni alternativeCut by the BBFC for an X rated 1973 cinema release. Nominally uncut in the UK but somewhat short for 18 rated VHS in 1993 and 1999. Finally uncut in the UK on DVD/Blu-ray in 2015. Uncut and MPAA R rated in the US. The Dark Sky US DVD is apparently uncut.
- ConnessioniFeatured in Movie Macabre: Horror Hospital (1982)
- Colonne sonoreMark of Death
Composed by Jason De Havilland
Performed by Mystic (James Boris IV, Allan 'The River' Hudson and Simon Lust)
I più visti
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Computer Killers
- Luoghi delle riprese
- Knebworth House, Knebworth, Hertfordshire, Inghilterra, Regno Unito(Brittlehurst Manor exteriors)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 50.000 £ (previsto)
- Tempo di esecuzione1 ora 30 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1