VALUTAZIONE IMDb
5,9/10
1981
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA gangster in Harlem must rescue his ex-wife, who has been kidnapped by the Mafia.A gangster in Harlem must rescue his ex-wife, who has been kidnapped by the Mafia.A gangster in Harlem must rescue his ex-wife, who has been kidnapped by the Mafia.
- Regia
- Sceneggiatura
- Star
Julius Harris
- Papa Gibbs
- (as Julius W. Harris)
Rocky Aoki
- Asian Mobster with Purple Rolls Royce
- (non citato nei titoli originali)
Merv Bloch
- Guy being shot at the Lincoln and Child Monument
- (non citato nei titoli originali)
Annie Horton
- Maid
- (non citato nei titoli originali)
Eugene Puzo
- Shooting Gangster on Beach House
- (non citato nei titoli originali)
Janelle Webb
- Maid
- (non citato nei titoli originali)
Recensioni in evidenza
Hell Up in Harlem (1973)
** (out of 4)
Sequel to Black Caesar has Fred Williamson surviving his assassination attempt and slowly moving up the ranks. How does he do this? By killing any Italian person he can get his eyes on. This film has a somewhat legendary making of since both the star and director were busy doing other things and they just got together on the weekends to shoot this film. I think it's easy to tell that the movie was rushed because there isn't any evidence of a screenplay having been written. The movie is nothing but non-stop, bloody violence from the opening to the closing. There's nothing wrong with this as it adds a lot of fun to the movie but if you're expecting anything deep then you can forget it as this thing is weak, story wise, even when compared to the poorest written blaxploitation film. Williamson is once again good in his role and he has the perfect attitude for this type of film. There are all sorts of shoot outs, explosions and even some kung fu thrown in for some good laughs.
** (out of 4)
Sequel to Black Caesar has Fred Williamson surviving his assassination attempt and slowly moving up the ranks. How does he do this? By killing any Italian person he can get his eyes on. This film has a somewhat legendary making of since both the star and director were busy doing other things and they just got together on the weekends to shoot this film. I think it's easy to tell that the movie was rushed because there isn't any evidence of a screenplay having been written. The movie is nothing but non-stop, bloody violence from the opening to the closing. There's nothing wrong with this as it adds a lot of fun to the movie but if you're expecting anything deep then you can forget it as this thing is weak, story wise, even when compared to the poorest written blaxploitation film. Williamson is once again good in his role and he has the perfect attitude for this type of film. There are all sorts of shoot outs, explosions and even some kung fu thrown in for some good laughs.
No, this is not one of the greatest blaxploitation movie ever made; and yes, it has its flaws. But man, is this one a fun ride or what? It's an hour and a half of pure action with one of the greatest action hero of all time. It's ass kicking after ass kicking, as Tommy Gibbs takes revenge on everybody that have ever been dumb enough to mess with him. The fight scenes are great, inventive and plentiful. The cinematography is quite decent too and the story fun enough to keep you interested in it. Larry Cohen once more delivers the goods in this one. It's actually much better then most action stink fest that Hollywood produce this days. So sit tight and enjoy the roller coaster ride while it last.
Go Fred Williamson!
Go Fred Williamson!
After the success of Black Caesar earlier in the year, this sequel was rushed into production to hopefully cash in on the clamour for Blaxploitation shenanigans. Sadly it's a rush job that is all too evidently half baked.
Plot has Fred Wiliamson return as Tommy Gibbs (resurrected from the dead apparently!), who takes on corrupt D.A. Diangelo (Gerald Gordon) whilst dealing with matters of the heart. Directed by Larry Cohen, it's with Cohen's frank honest views on the film that critique should start. He would say that Hell Up In Harlem is a 90 minutes montage movie, and he is absolutely right.
This is jerkily episodic as it runs a course of people talking then cutting to boisterous action, then some talking and cut again to some more boisterous action, and on it goes for the complete run time. That the action is so gripping - and some choice dialogue zingers in the mix as well - keeps this from being an unwatchable mess. You also have to have respect for this type of guerrilla film making, it literally is filmed on the fly.
Regardless of the unbelievable aspects of it all, the oodles of bright red fake blood, and poorly executed stunt work, the rawness of the violence keeps things above average. In fact there's a bit of bad taste simmering away in the violent dynamics, with no legal consequences of lead character's actions, which of course is a blaxploitation trait.
It's messy, but it's entertaining mess within the genre it sits in. 6/10
Plot has Fred Wiliamson return as Tommy Gibbs (resurrected from the dead apparently!), who takes on corrupt D.A. Diangelo (Gerald Gordon) whilst dealing with matters of the heart. Directed by Larry Cohen, it's with Cohen's frank honest views on the film that critique should start. He would say that Hell Up In Harlem is a 90 minutes montage movie, and he is absolutely right.
This is jerkily episodic as it runs a course of people talking then cutting to boisterous action, then some talking and cut again to some more boisterous action, and on it goes for the complete run time. That the action is so gripping - and some choice dialogue zingers in the mix as well - keeps this from being an unwatchable mess. You also have to have respect for this type of guerrilla film making, it literally is filmed on the fly.
Regardless of the unbelievable aspects of it all, the oodles of bright red fake blood, and poorly executed stunt work, the rawness of the violence keeps things above average. In fact there's a bit of bad taste simmering away in the violent dynamics, with no legal consequences of lead character's actions, which of course is a blaxploitation trait.
It's messy, but it's entertaining mess within the genre it sits in. 6/10
This sequel to the popular blaxploitation hit "Black Caesar" was cheaply and hastily shot, and it shows. It is pretty obvious at times that star Fred Williamson wasn't always available, meaning that he's either doubled or his character simply doesn't appear at all in a scene. The low budget and speedy production also shows in other aspects, one being the screenplay. There isn't too much of a story here. Indeed, it seems at times writer/director Larry Cohen was making things up during the shoot. But despite the crude nature, the movie all the same kind of works. It is fast paced, and never boring. And Fred Williamson does manage to make his character magnetic enough that you keep watching him. Apparently audiences agreed, since this sequel was successful enough at the box office that the studio planned a third movie concerning the adventures of character Tommy Gibbs, but those plans were eventually cancelled.
70s action and a blaxploitation classic with Fred Williamson (The Inglorious Bastards - 1978, MASH) as Black Caesar leading the way backed up by the luscious Gloria Hendry.
Lots of shoot-em-up action as the black gangsters take on the Mafia and the crooked cops that support them.
Things settle down, Black Caesar moves to LA, and comes back with a vengeance when his pops is killed. Cute scene where Mafia in park dies with hot dogs in their mouths.
The dialog and story wasn't the greatest, but if you are looking for righteous action, you've come to the right place.
Lots of shoot-em-up action as the black gangsters take on the Mafia and the crooked cops that support them.
Things settle down, Black Caesar moves to LA, and comes back with a vengeance when his pops is killed. Cute scene where Mafia in park dies with hot dogs in their mouths.
The dialog and story wasn't the greatest, but if you are looking for righteous action, you've come to the right place.
Lo sapevi?
- QuizJames Brown was originally slated to do the music, but Larry Cohen rejected it. Motown artist Edwin Starr did the music, and Brown released the rejected music in the album, "The Payback".
- BlooperWhen Tommy stabs Palermo with an umbrella at Coney Island, the next shot featuring the squib/wound is clearly animated.
- Citazioni
Woman: [after Gibbs shoots mafioso in Times Square] Aah!
- Versioni alternativeAn altered audio goof on the MGM DVD, but not the VHS release, occurs in one scene during the ambush in the beach house. Instead of hearing the women screaming, you hear additional gunshots, instead. The current Blu-ray from Olive Films corrects this mistake.
- ConnessioniFeatured in Adam & Yves (1974)
- Colonne sonoreAin't It Hell up in Harlem?
(uncredited)
Written by Freddie Perren and Fonce Mizell
Performed by Edwin Starr
courtesy of Motown Records Corp.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Infierno en Harlem
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 1.452.828 USD
- Tempo di esecuzione
- 1h 34min(94 min)
- Colore
- Proporzioni
- 1.85 : 1
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