Godspell: A Musical Based on the Gospel According to St. Matthew

The hit Broadway musical Godspell was a contemporary adaptation of episodes from the Gospel According to St. Matthew. In 1972, its original Producers, Edgar Lansbury, Stuart Duncan and Joseph Beruh, decided to bring the Stephen Schwartz/Jon-Michael Tebelak musical to the screen themselves, with a view toward maintaining as densely as possible the artistic integrity of their original stage version.

That said, the film version merits special reference in light of the recent deaths of two of its principals: David Greene, who directed and co-wrote the screenplay, with Tebelak; and actress/singer Lynne Thigpen, who was a member of the 10-actor ensemble cast of the film.

Set in a New York City not yet recognizable to a generation destined to grow up in the shadow of 9/11, Godspell the movie is highlighted with spectacular moments that are best described as incredible. Its expanded opening number begins silently on the Brooklyn Bridge, as David Haskell, portraying both John the Baptist and Judas Iscariot, walks into the heart of Manhattan, hoping that his fellow New Yorkers will indeed "Prepare ye the way of the Lord." Jesus, portrayed by Victor Garber (who had a tremendous singing voice in those days), is depicted as a kind of manchild/Superman icon, determined to save the world through his ministry of three years. The ten actors then cavort across the screen over the next 95 or so minutes, telling parables in a raucously funny, delightfully rockin' manner.

In its final sequences, however, the film turns understandably dark, as Garber/Jesus confronts his ultimate destiny. Before long, the epic Finale, in which Garber, tied by his wrists to a chain-link fence, depicts the Crucifixion in horrifyingly simple terms; all the while, the other nine actors scream horribly as the rocking Schwartz score howls to its otherworldly symphonic conclusion.

With the coming of the dawn, the actors carry off their "dead" leader and vanish into the maelstrom of Manhattan, in a closing image that will shake you to its foundations, even as you groove to Paul Shaffer's awesome keyboard action during the expanded end-credit sequence.

The present generation knows Lynne Thigpen as a brilliant actress/singer and performer whose subsequent knack for portraying motherly or grandmotherly roles was no doubt spawned by her experience in the Godspell movie. To a whole universe of kids, however, she will always be known as simply "The Chief." If you were, as I was, a regular viewer of PBS Kids' Where in the World is Carmen Sandiego?, and its eventual spinoff, Where in Time is Carmen Sandiego?, you need not be made familiar with the Chief. She was tough, motherly, no-nonsense --- but she knew how to teach fans a thing or two, whether it was the power of geography or the realm of history.

Director David Greene, who died at the age of 82, was the fellow responsible for bringing the spectacular images of the Godspell film to the screen. It remains perhaps his most famous such feature, the only one wherein one could suggest that he was properly in tune with the youth of the 70s. Perhaps, even now, it is this that causes most folks to compare this film against Norman Jewison's film version of Jesus Christ Superstar. Both films, frankly, are what they are. No more, no less.

Enjoy, then, Godspell the movie --- but remember that you are also witnessing the blossoming of two of the unique talents who brought it to life: David Greene, director; Lynne Thigpen, star. So long, you two. We'll miss ya.

Many people have difficulty accepting a film that dates itself by the first glance, (The hair, clothes, music, etc...), but once you accept it's generation, sit back and ENJOY! GODSPELL is a musical that works on delivering a powerful message while at the same time being entertaining and enjoyable without being "PREACHY." This movie is simple enough to attract children and still hold it's adults in this classy Sunday School lesson. This was the first movie I saw on a personal tv I got for Christmas as a child, and it made such an impact. As a teenager, I had the honor of being in the high school addaption of GODSPELL, and now, as an adult, I can sit back and enjoy it all over again with my 3 year old daughter, who LOVES this movie. The music is infectious, the costumes are colorful, and the parables are entertaining and faith-building. It's a shame that GODSPELL fell in the shadow of that OTHER hippy Jesus movie (not worth mentioning). This one is a STAND-OUT film, worthy of it's viewing, over, and over , and over again.

The story of "Godspell" is not one of the Christ's Passion, it's not about the angst among his disciples or the sexual tension he had with Mary Magdalen. It's a positive story focusing on Jesus' teachings and parables, told in a lighthearted way, with some outstanding music and spectacular location photography (particularly in the song "It's All for the Best").

While the hippie-like costuming and the semi-clown makeup seem to outrage some folks, and are admittedly dated today, the movie should be looked at in the context in which it was created. Jesus, in the eyes of those in power during his life, was a radical extremist and a threat to the status quo. He taught lessons of love, empowerment, inclusion, justice--well, you get the idea. Hippie clowns were the logical vehicle to present those lessons at the time "Godspell" hit the big screen.

But when you get past the period set and costume design, and to the basic show, "Godspell" is a wonderful entertainment. First, and most often mentioned by everyone, is the amazing location photography. You have to see it to appreciate it. Next is the music. Although the most commercial song in the show is the repetitive "Day by Day," the one song that most people remember from "Godspell", there are many beautiful melodies. My favorite is "By My Side", the only one with the music NOT written by the composer, Stephen Schwartz. It has beautiful harmonies, and Katie Hanley does a great job on lead vocal. The rest of the songs are nearly as good, and all are quite singable.

About the cast: Victor Garber (Jesus) is the most recognizable today, although for years, until her untimely death, Lynne Thigpen would probably have been recognized by more people. Garber has had quite a successful theatrical career, and has appeared in supporting roles in many movies and TV shows. Ms. Thigpen, who was mostly known for her PBS shows, had an award-winning stage career, as well as being very successful on the small screen.

Sadly, David Haskell (John the Baptist/Judas) and Jeffrey Mylett are no longer with us. I won't list the entire cast, since you can find that easily enough (if you're reading this, you probably already have!), but I will say that they ALL sang very well and displayed personalities that made you want to get to know them. The passing of musicals as a staple of the movie studio probably prevented these talented singer/actors from reaching a broader audience. I hope that they've all found success on stage.

At the very least, I hope that they all know how their lively, engaging performances and beautiful singing have brightened our lives. It's been over thirty years since I first saw "Godspell" in the theater, and as I watched it yesterday on cable TV, I was reminded how much that movie meant to me.

And by the way, I'm not a Christian. But if I were, I'd like to be one as portrayed in "Godspell".

Saw this in its original release, on a spring afternoon school trip to a large movie theater on Long Island, which is sadly gone now, like most large single movie theaters. I was so moved by this film that i wore out the soundtrack within a couple of years.

And speaking of buildings being gone, it's so poignant now to see the World Trade Center in this film while it was nearing its completion. With the cast singing the end of the song "All For The Best" on top of one of the towers, how eerie to think that spot doesn't exist anymore. (Also strange that in the beginning of the film, as John the Baptist wheels his cart off the Brooklyn Bridge, the camera pans to show the skyline, and with the Twin Towers there, there's a sound segue to the street scenes...and it's the sound of a jet engine!)

But maybe its appropriate that this film has moments of the Twin Towers in its infancy. Not only in the beginning, in the gorgeous first shot from under the Brooklyn Bridge, and in the song segment...but also when Jesus is on the pier and speaks away from everyone, and the Towers are there again in the shot behind him to the right.

In an odd way, this movie that always meant a lot to me, and count me in as one of the non-religious people out there...its one of the ONLY ways i can see the World Trade Center and feel happy. What other films that shot right at the Twin Towers have the life-affirming qualities that "Godspell" has? I don't know of any, to be honest.

And on that note, I always push this film to people, as one of the outstanding New York movies. Except for the mansion scene...you're at all these exterior locales, with New York empty of people...and to this very day, Manhattan comes alive with memories of this film when i come to a certain location. (Bethesda Fountain was first viewed by me in this film...so every time i go there, one guess what comes to mind.)

Watching it as an adult far from 1973, do I think the film would have aged better with less goofy voices from the performers? Sure. Could the film have been a little longer with the excised songs from the original song still in? You bet, and it still wouldn't have been longer than 105 minutes. Is the ending still one of THE best endings I've seen in a movie musical? Hands down, yes. How brilliant. No stage version of "Godspell" could have done that. Jesus' teachings still matter to many people in the modern day. (And yeah...get past the 1973 fashions and cars...all those scenes of modern NY in the beginning, and the last shot, still hold true today.)

Lastly, for those who were shell-shocked by Mel Gibson's film...i say use this as an alternative. Religious faith needs some smiles and toe-tapping now and then.....

Even back in the 1970s, skepticism everywhere, the song "Day By Day" seemed like a genuine expression of reverence for the simple teachings of Jesus Christ, despite the obvious efforts in this film to make him a psychedelic hero. While the hippie costumes and clown make-up don't hold up very well today, the point of the movie is to deliver a view of Christ as the radical threat to the status quo that he was. This film was part of an effort to make us take a new look at the gospels (see "Jesus Christ Superstar" as well) and make them relevant to contemporary life while avoiding any mention of sex, drugs, and rock and roll. Overall, it may seem naïve and disingenuous now, but if you want a look at the anti-establishment, anti-materialism youth culture of the 1960s, this can't be beat. ---from Musicals on the Silver Screen, American Library Association, 2013