Una ragazza molto brutta

I have seen this movie exactly three times: once, when it was first shown, and twice on the late show. This is the first movie I'd seen with Stockard Channing and immediately fell in love with it. An even better effort than Joan Rivers' next film, "Rabbit Test" (feh). I'd like to add my voice to the masses and beg for a video release of this. Very funny, very dark, very witty.

This was the first movie that introduced me to Stockard Channing and I too, loved the movie and Stockard Channing's portrayal of Miriam Knight. It's not everyday you find a TV movie that's both funny and entertaining without being silly, inane, and for the under 21 age group. The script was well written and it has a certain level of realism, that addresses the need that some of us may have to get even with those who torment us for being different. If TV movies such as "Fatal Vision" and "Chiefs" can make it to VHS, certainly "The Girl Most Likely To" should join that marketing strategy as well. Besides, making movies is about making money, for the writers, for the actors, the director, and especially for the producers, so let the capitalistic urge overtake you and allow the public to enjoy this movie again and again.

As others have remarked, I find it disappointing that this film has not been released on video. I recall seeing it in 1973, as a senior in college, on my portable black-and-white TV set in my dorm room. I was studying and sort of halfway missed the first half-hour, but eventually I was so intrigued that I set aside the books and watched the rest.

The transformation of the Stockard Channing character in the course of her accident and plastic surgery is so striking that I truly did not know that she played both the "before" and "after" versions until reading the IMDB credits and user comments today.

I can only echo the requests of others to please re-issue this film on DVD.

I saw this made-for-TV movie on ABC's Movie of the Week (or whatever it was called) when it first aired, way back when I was about nine years old. One of the few things I remember about this movie was how striking the difference was between the ugly Stockard Channing, and the hot babe Stockard Channing, a difference effected in the movie by a disfiguring automobile accident followed by some _very_ skillful plastic surgery. (What special makeup effects the makers of the movie used to pull this off, I don't know. I know the hot babe more closely resembled the real Stockard Channing.)

Another thing I remember was recognizing Stockard Channing as the hapless young woman frequently victimized by the Number Painting Guy (portrayed by future "Jeffersons" supporting player Paul Benedict) on "Sesame Street."

A third thing I remember was being introduced to the twin concepts of plastic surgery (I was REALLY impressed by Stockard's transformation) and black comedy. That's how my mother described it when I asked if the movie we were watching was supposed to be funny or not. She then explained that black comedy was something that found humor in something not normally thought of as funny (such as a poor tormented frump who gets her already ugly face ripped to shreds only to have it put back together, only much better looking than it was before, giving the erstwhile frump the opportunity to exact her revenge on the men who had treated her so cruelly when she was still ugly). Having learned this much, I considered this movie quite educational.

Another reviewer expressed the earnest wish that this movie be released on video. I concur; I'd love to see Ms. Channing's transformation again.

I remember the first time I saw Stockard Channing on TV. I thought she was not only beautiful (after the accident) but unbelievably funny and talented. The movie was a perfect marriage of script, direction and acting. Joan Rivers co-wrote the screenplay and did a marvelous job. I can't say enough about this movie, though my friends think I probably can, since I have raved about it for years. Many have never heard of it, and probably think I'm making it up. I mean, a well written, darkly funny revenge comedy made for TV in the 70's? But it's true. There needs to be a campaign of some sort to get this movie out on dvd so a whole new generation can see that you don't need a Hollywood budget to make decent movies. If there is ever a chance to get our voices heard, let me know! I'll lead the march on the studios to get this movie back on screen where it belongs!