Il segreto della vecchia signora

Rare kid film that's actually charming rather than just cute. Director Fielder Cook and scenarist/adapter Blanche Hanalis make the wise decision to focus largely on Claudia and her kid brother Jamey rather than do what a lesser film would and cut away to the worried parents (especially considering that the dad is played by veteran scenery chomper, Richard Mulligan). This pays off 'cause Sally Praeger is a really good actor and invests her dreamy, frustrated, intelligent twelve year old with equal parts likability and pathos. Indeed Praeger is so good that she manages to hold her own in the final scenes with Ingrid Bergman and when you are up against a Hollywood legend doing her usual fine work and not disappearing then you're a better than average young thesp. Wonder whatever happened to Praeger? Gonna Google her as soon as I'm done with this review. Hopefully she had a decent adult career or if she left acting then it was by choice. And as far as her little brother is concerned the actor playing him, Johnny Doran, with Cook's help I imagine, manages to stay just on the right side of too adorable. So, if you're a kid who likes kid films or, like me, in their second childhood and not in the mood for Abel Ferrara, and you can, as I did, wrap your mind around the story concept of the world's greatest art museum hiring the world's most inept security then you will, as I did, have a pretty fun time watching this one. B plus.

PS...Coulda used a bit more of Madeleine Kahn.

PSS...Wonder if the international food court at Macy's still offers free samples? Hell, I wonder if Macy's still has an international food court?

Adaptation of E.L. Konigsberg's novel about bookish femme teenager and her younger brother running away from home to live in New York City's Metropolitan Museum. Unusual, wordy, but just slightly artificial adventure, featuring juvenile actors who aren't fully alert and a large majority of adult characters who are written as buffoons (the kids' father scolds the girl for reading "King Arthur", citing psychological reasons!). Film is ultimately saved by Ingrid Bergman in a wonderful supporting performance as a wealthy recluse who crosses paths with the youngsters. Low-budget picture does have a fast pace and is fairly inventive. It could've used a better title, however (overseas it was dubbed "The Hideaways"). **1/2 from ****

That's about it - imagine running away from home, living in a tree-house and having great adventures. This film was fantastic fun. It may not be highbrow art, but it is a fun film for the kids!

The other guy who commented on this film was obviously looking for something more adult and intelligent. I found that this film was well meaning and had good moral standing.

It is a film to take you on a journey and allow you to see things that you otherwise would not. A good exploration of posh kids meeting with street kids, alien experiences like living alone and being self-sufficient.

Very entertaining for a young mind hungry for stimulation.

It is about friendships and trust, independence and coming of age. Fighting your own battles and finding yourself.

I really liked this film when I saw it the first time in the 80's on television. I think I would enjoy it again, although I doubt I would watch it unless I chanced upon on television one night. I would consider watching it if I have kids, I would like them to see it.

I found Sally Prager's portrayal of Claudia delightful. The character is intelligent, curious, full of wonder, and caring toward her younger brother. Her independence and courage are admirable. I sympathized completely with "Mrs. Frankweiler's" attraction to this spunky young girl. Ingrid Bergman's appearance toward the end of this movie elevates the film to a new level; as ever, her acting is superb.

Enchanting family film depicts the overnight adventures of two siblings from a wealthy family who hideaway overnight in the local museum to cure their boredom. They become fascinated with a statue and find that its previous owner (Bergman), while reclusive and seemingly unkind, is actually a benevolent art lover who becomes taken with the older sister in whom she sees her reflection as an adolescent.

Bergman is heavily caked in make-up and is consequently witch-like in appearance, but her elegance remains unmistakable. Her affection for the little girl is heart-warming, revealing the treasures she and her late husband coveted and offers a glimpse into her lonely, withdrawn existence since the death of her beloved. For a brief moment, her enthusiasm and kind-heartedness is restored by the presence of the youngsters and as Bergman's character closes in freeze frame, you wonder if their impact will be long-lasting.

I found the film's score moving, the scenery colourful and the characterisations earnest. Overall, an unexpectedly humble but enjoyable picture elevated by Bergman's presence and a little bit special as a result.