La bottega che vendeva la morte

Decent entertainment and I do enjoy short story segments because they have to get right to the point of which these stories do. This may not be premium movie watching but it is fine story-telling especially around camp fires and sleep-overs. They had done several of these at one point because they became popular as matinée movies. Remember those days? Two movies for a reasonable price and then add popcorn, drink and a candy to it. Go with a friend and its a nice day out. This is what you can expect if you catch this at home only you bring the food and the friend as they don't do these in the movies anymore. Too bad too. I miss the audience reaction to the stories an added bonus. Watch as each story presents ordinary people getting into extra-ordinary and some "horror" circumstances and how they handle it all. There is a nice little touch here too. Each segment is kick-started by a shop-keeper who sets up the episode and how it will go depending if you are an honest person or not. In other words, you wont be spared the horror but allowed a different outcome. You catch on to this toward the last two episodes but they should have made it plain from the first one. I have done so for you. Please enjoy the efforts of these people to entertain and to try to scare you....popcorn and snack with drink recommended

Kevin Connor directed this anthology film, the last in a series from Amicus studios. Four stories adapted from author R. Chetwynd Hayes and starring Peter Cushing as an antique shop owner who sells items with supernatural curses to deserving customers: 'The Gate Crasher' - A mirror with an evil inhabitant drives a man to murder for sinister reasons. 'An Act Of Kindness' - An unhappily married man becomes involved with a charity case who has a dutiful daughter. 'The Elemental' - A mischievous spirit has attached itself to a married couple, and a medium tries to help. 'The Door' - An old door contains a great evil that must be closed forever. Superb film with a wonderfully atmospheric opening and score, a fine cast(especially a most droll performance by Cushing) and a strong set of stories, especially the first and last, which are quite memorable and effective. A gem, and quite underrated.

I throughly enjoyed this film when i saw it at Frightfest in London last May. I think it is the best of the Amicus portmanteaus by far and it is a shame that more people cannot see it.

The stories are all strong and feature an excellent cast (David Warner, Ian Ogilvie and Peter Cushing with a northern accent). The Ian Carmichael one is very comic thanks to magnificent Madame Orloff - it is is like "Jerry and Margot from the Good Life meet a nasty spirit" or something. The others are genuinely chilling and there is an especially nice twist in the story featuring Ian Bannen and the scary scary Angela Pleasance.

Recommended to anyone with a love of classic horror.

A superb slice of vintage British horror from Amicus productions, which although headed by two Americans Max J. Rosenberg and Milton Subotsky, Amicus was based in England at Shepperton Studios. I personally am a huge admirer of the work of Milton Subotsky, I think he gave a great deal to the British film industry and gave us the 'portmanteau' style of horror film which meant that the stories would be around half an hour long, it was impossible to tire of such a short subject! Milton himself claimed that the classic 'Dead of Night' was the inspiration behind these multi segment horror films and I think he took it to another level. I think that 'From Beyond' is the finest one they made, with atmospheric stories and great acting from the entire cast and of course the wonderful Peter Cushing as the mysterious proprietor of 'Temptations Ltd'. Peter was the actor most used by the studio, he being very reasonable by way of his fees, whereas Subotsky claimed the great Christopher Lee became too expensive!

From the plethora of Horror films from the Amicus and Hammer studios in the late 1960's and early 70s, this is one that stands out above many of the others. The opening sequence with the camera moving through the mist graveyard is a masterful piece of horror film. Each of the stories is built up very well with an excellent element of tension in each. If you want to see a great example of the British horror film genre, this is the place to start.