L'isola delle demoniache

This Jean Rollin film has an interesting setting. Some wicked sailors/pirates lure ships to crash to the shore and then rape and kill two surviving women. Then the women come back from the dead to haunt their murderers.

Well, the ghost part is difficult to explain because they can appear as visions, but they also are physical. It's not a straightforward revenge flick either - be prepared for some Rollin style aimless wandering.

It's a bit boring film after all but I liked some things about it. First of all there aren't enough horror films with a pirate/sea theme, so that was a nice spice. I also liked the beginning when the women start to appear in visions to the drunkard pirate captain. That was a nice paranoid feel. I wish this atmosphere would have continued further but it fell a bit short. Then, I liked that there is a little bit more to the plot that the women just paying revenge right away. They have to do a little bit adventuring first and there are some more more weird characters.

I don't know when I'm going to want to watch the movie again, but it sits on my shelf now because Rollin is my favorite boring director. Recommended for Rollin fans but others approach with caution.

If you are here for the rape, you have wasted your time. The scenes are a joke. Even worse, the supposed killing of the two girls (Lieva Lone, Patricia Hermenier). The acting was atrocious.

Now, if you want to see Joëlle Coeur (Fly Me the French Way, Seven Women for Satan) fully naked, and engaging in sex with John Rico, that's a whole other story.

The Captain (Rico) hardly has time to enjoy the aftereffects when he is visited by apparitions of the two girls. Maybe it was just the booze.

The girls do eventually reappear only to escape and find an old castle guarded by, believe it or not, a clown. Not a court jester, but a clown. Strange.

They go through the transformation to become demoniacs, and, I am glad to say, sex is part of the transformation. Yes, there is the usual mumble jumble ritual, but there is also orgasm.

Don't expect a lot of gore in this film. It really doesn't make sense in a lot of scenes. You'll see what I mean. I think Rollin may have been trying to make an art film instead of a horror film.

It is a shame that Lieva Lone and Patricia Hermenier did not stick around to do more films, but another chance to watch Joëlle Coeur is always worth the time.

A Jean Rollin without vampires, but not without mediocre performances, naked skin, sometimes unbearable sexual violence, leisurely minimal plot progression and a gothic atmosphere. As always in the 70s creative phase, this looks largely well filmed, but clearly sets itself apart from the mainstream with its choice of themes, tastelessness and outlandish ideas. In 'Les Démoniaques', a ghost story and a rape and revenge plot mix to create a surreal horror tale. It is clear at all times that the work originates from a time of creative freedom and that one or two substances were probably involved. Rollin is and remains a genre of his own, a thoroughly talented artist who suffers from his strange world of thought and limited staging resources. A confused poet with a fragile pen who constantly blurs the boundaries between magic and rubbish.

The first scene on the beach with the young girls rape and attack is very good and the next one in the bar with them appearing as ghosts too... Unfortunately the movie doesn't go on like that all the time. There are good and bad moments but the scenes of nudity with Joelle Coeur are erotically very good. The story of the demon in the ruins doesn't appear very clear, nor does the clown's and the ruin's keeper destinies... But all in all there is a good atmosphere even if some scenes are a bit too long and some of them are great, like the one where the religious statues fall one after each other on the ground. Jean Rollin knows how to mix sex and horror, as well as many other authors of that 70's era. A good moment but that movie could have been better again...

(1974) The Demoniacs/ Les démoniaques (In French with English subtitles) PSYCHOLOGICAL HORROR

Written and directed by Jean Rollin introduces viewers to four "wreckers" of Le Capitaine (John Rico), Paul (Paul Bisciglia), Tina (Joëlle Coeur) and Le Bosco (Willy Braque). And while they are salvaging a chest they pull from the beach, two blondes while wearing their nightgowns suddenly appear that look like they appear coming from the wreckage. The four of them then assault the two women before they kill them. And while the captain is drinking at a pub, he then sees images of them, before he is then informed that the two women are not dead but are still alive. They then go a stalking rant, especially Tina, and the two blondes continue running until they stumble onto the cursed ruin as they are greeted by a clown faced woman (Mireille Dargent). And she then introduces them to a L'exorciste Chadron (Ben Zimet). And it is him who introduces them to Le Diable (Miletic Zivomir) who is locked in a cell granting them powers to that they can exact their revenge. The only downside is that it last only until after the following morning.

If there is a reason to watch Jean Rollin movies and that is the nudity, that may be deemed too much for Hollywood censors and labelled as X rating the same as many soft core adult movies except that anyone to have seen this the make out and assault scenes looked fake and unconvincing. And out of all the women shown on this particular movie Tina happens to be the best looking one. I agree with the few reviewers who said that the movie starts out well, but then Rollins gears to boredom as it looked as if he made this movie as he is going along since it was supposed to be a film and not as a 45 minute stint. I can probably look at actress Joëlle Coeur nude all day and Rollins can only do this for so long. And anyone who were to look at her filmography, it does not appear Les Demoniacs is the only movie she is naked on.