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7,8/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaDistant, well-worn memories of childhood are inhabited by a little gray wolf. Through astonishing imagery, the memory of all of Russia is depicted.Distant, well-worn memories of childhood are inhabited by a little gray wolf. Through astonishing imagery, the memory of all of Russia is depicted.Distant, well-worn memories of childhood are inhabited by a little gray wolf. Through astonishing imagery, the memory of all of Russia is depicted.
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I love "Triplets of Bellville" and I admire "Spirited Away" but "Skazka skazok (Tale of Tales)" (1979) is the pinnacle of the Medium for me. What Norstein had achieved in his 30 minutes long animated film that was made over 30 years ago is akin to what Andrei Tarkovski did in in his Zerkalo (Mirror) - captured time and memory of one child and the whole generation and projected them in the images and sounds that stay with you forever.
His incredible images accompanied by the music of Mozart, Bach, and the famous tango "The Wayworn Sun" - the same one Nikita Mikhalkov used in his film "Burnt by the Sun" - bring to life forever gone but always alive in one's heart happiness, innocence, and memory of the childhood that are indelible from the history of the country and the Artist's search for beauty and meaning.
The images or the war are absolutely heartbreaking. There are no combats on the screen but the scenes with the dancing couples, the men going to the war, and the notifications of death ("pochoronki") flying like birds of death to waiting in hope women: mothers, wives, and sisters are unforgettable.
Norstein is known for being a perfectionist - his resume includes only six films - combined, they last less than 80 minutes. Each of the minutes is perfection itself. Norstein puts a piece of his heart in every single frame of his small gems. He is the Artist and the Humanist - one of the best directors ever, and not only in Animation.
His incredible images accompanied by the music of Mozart, Bach, and the famous tango "The Wayworn Sun" - the same one Nikita Mikhalkov used in his film "Burnt by the Sun" - bring to life forever gone but always alive in one's heart happiness, innocence, and memory of the childhood that are indelible from the history of the country and the Artist's search for beauty and meaning.
The images or the war are absolutely heartbreaking. There are no combats on the screen but the scenes with the dancing couples, the men going to the war, and the notifications of death ("pochoronki") flying like birds of death to waiting in hope women: mothers, wives, and sisters are unforgettable.
Norstein is known for being a perfectionist - his resume includes only six films - combined, they last less than 80 minutes. Each of the minutes is perfection itself. Norstein puts a piece of his heart in every single frame of his small gems. He is the Artist and the Humanist - one of the best directors ever, and not only in Animation.
In most people's head the animation film is connected to Disney movies or to Japanese manga animation films, which are very hip nowadays. But everyone seems to overlook Russian animators. The most influential of them is Yuri Norstein, whose timeless masterpiece was awarded at the festival of animation films in Los Angeles in 1984 and at many other film festivals throughout the world. But why is this short half-an-hour movie so beautiful?
Firstly, because Norstein has a matchless visual style. I expected something special after I've read about the film and before I saw it but what I got is something extraordinary: breathtaking pictures, fantastically clever use of mixed media, fine classical music. Secondly, because of the complex, symbol-ridden story, which is rooted in the Russian mythology. The story is about childhood innocence, the loss of the loved ones and the duty of the artist. It's very European, very Eastern-European and because I'm from Hungary and our past is very similar, this animation film is much closer to me than the American or Japanese ones.
Firstly, because Norstein has a matchless visual style. I expected something special after I've read about the film and before I saw it but what I got is something extraordinary: breathtaking pictures, fantastically clever use of mixed media, fine classical music. Secondly, because of the complex, symbol-ridden story, which is rooted in the Russian mythology. The story is about childhood innocence, the loss of the loved ones and the duty of the artist. It's very European, very Eastern-European and because I'm from Hungary and our past is very similar, this animation film is much closer to me than the American or Japanese ones.
Using a mix of puppet, cutout, and cell animation, Yuri Norstein made in Tale of Tales a heartbreaking, tenderly poetic meditation on Russian history as well as one of the most stunningly beautiful animated films ever. Very hard to get, but don't miss a chance to see this film.
I admit I didn't really "get" this film. There are probably references to things in Russian history and culture that go over my head. But I admire the effort, style and vision that went into this dreamlike fantasy about childhood and war (I think).
Not much to add really to what's already been said before, and so well too. Tale of Tales is one of the finest Soviet animations ever made alongside Hedgehog in the Fog, and one of the most powerful and poignant of the entire animation medium too. The visuals are really striking, atmospherically coloured and impeccably detailed, several of the images are enough to stay with you forever and the symbolic ones are really quite meaningful. Tale of Tales is scored wonderfully too, all of it fits with the visuals like strawberries and cream whether ethereally beautiful in the retrospective moments or hauntingly rousing in the war/battle images. The story and atmosphere are rendered adeptly, the story is structured into three sections, each of them is firmly focused and full of emotional impact and they follow and overlap one another with no signs of jarring or clumsiness. The retrospective moments are nostalgic and poignant, the middle section is just gut-wrenching and the idealism of the final section shows some hope, contrasting beautifully with what's been seen before. Tale of Tales is well-paced, it allows the visuals to breathe and resonate nor does it descend into tedium, and the powerful, affecting and nostalgic atmosphere is incredibly well-done. To conclude, a fine example of a Soviet animation masterpiece and one of the finest examples too. 10/10 Bethany Cox
Lo sapevi?
- QuizThe sound of the baby drinking his milk was actually the sound of a puppy, and the sad eyes of the wolf were copied from a magazine picture of a rescued kitten.
- ConnessioniFeatured in Animated Century (2003)
- Colonne sonoreUtomlyonnoe solntse
Written by Jerzy Petersburski
Russian lyrics by Iosif Alvek
Performed by Aleksandr Tsfasman
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