Una contrabbandiera ed il suo compagno alieno vengono recrutati dall'imperatore della galassia affinchè soccorrano suo figlio e distruggano un'arma segreta nelle mani del malvagio conte Zart... Leggi tuttoUna contrabbandiera ed il suo compagno alieno vengono recrutati dall'imperatore della galassia affinchè soccorrano suo figlio e distruggano un'arma segreta nelle mani del malvagio conte Zarth Arn.Una contrabbandiera ed il suo compagno alieno vengono recrutati dall'imperatore della galassia affinchè soccorrano suo figlio e distruggano un'arma segreta nelle mani del malvagio conte Zarth Arn.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
- Elle
- (English version)
- (voce)
- Zarth Henchman
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- Neanderthal Man
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- Spaceship Guard
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- Amazon
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- Escaping Prisoner
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- Zarth Henchman
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- Stella Star
- (English version)
- (voce)
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- Zarth Henchman
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- Amazon Woman
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Recensioni in evidenza
First it´s got a great soundtrack by John Barry. In fact this soundtrack is so good that he even riped-off from himself, and we can hear a slight diferent version in OUT OF AFRICA, but not much diferent as it is instantly recognizable as the music from STARCRASH, from everyone who loves this italian mega-low budget space opera thing.
Anyway, STARCRASH has something very special to me that i still can´t figure it out to this day.
Even with its cardboard sets, spaceship models ridiculous costumes and clothes, ultra bad dialogue and crapy special effects which in fact are not even effects,much less special, STARCRASH is still one of my all time favorites space movies.
Idiotic villains, half naked space babes, a robbot named HAL with the personality of C-3PO (!!!?), light sabres duels and lots space battles, this movie has it all !
It even has a giant battlestation, with glass windows, vitral style, which are shattered by the good guys when they invade the station inside missile capsules who break all the windows in the final battle. And even with the glass broken nothing happens, no decompression, no air being sucked out into space, nothing ! It´s hilarious. Classic moment in Bad movies no doubt.
Man! Even DAVID HASSELHOF is in this ! A long, long time ago in a galaxy very far away from BAYWATCH. Altough the character of STELLA STAR has everything to be in Baywatch.
I recomend this movie to everybody, who loves Bad movies and particulary if you love science fiction. This is more fun than Star Wars ! :-)
What´s great about STARCRASH is that it doesn´t try to be more than what actualy is, a great bad movie. Even the actors seem to be having fun in this ! Or maybe they´re just desperated to get out of it. :-)
But it works, and it works great.
It´s fun to watch, it has a good 30´s classical plot for space opera story, it is very atmospheric and the soundtrack is beautiful.
Even the sound effects are cool, with very strange eletronic blips and noises, that reminds me of those 50´s invasion movies sometimes.
I guess there is nothing more i can say.
STARCRASH is one of those movies that you either love or hate with all your guts !
I love it.
Just don´t look at this as a serious film, and you´ll have fun for sure watching it. Brilliant stuff !
It was a shock to find that the very English tones of Caroline had been dubbed by an American voice artist, but that's the movie business. The French speaking version(even for non-French speakers, such as myself) is preferable. Stella's voice is light and playful, and the robot, instead of the 'amusing' cowboy voice in the English language version, talks in mournful, echoey tones, which, for me, works very well.
Caroline Munro, although playing the central character, gets rather sidelined throughout the proceedings; however, she has two scenes in the first part of the story in which the action revolves around her, and if these are the best parts of the whole movie. Her skirmish with a tribe of amazons makes for a very exciting sequence. Inexplicably, but stunningly clad in a shiny black bikini, and thigh length boots, she dominates this sequence. It's a shame that an important section of it, in which the amazons attach her to a mind-probe device, was deleted because of film exposure problems. The film does, unfortunately, contain several instances where a prop or effect has been abandoned at the last minute, and a build-up is all for nothing.
Seek out one of the early drafts on the script (tucked away on the DVD set, if you dig deep enough), to get some idea of what might have been, had not the production been plagued with misfortune.
There are several ways to enjoy this movie. Pick out the bits you like, and ignore the rest; look on it as a latter-day Flash Gordon Serial-style entertainment (it does rattle along at breakneck speed when it gets going), and forget all about logic, and literacy, and the rules of storytelling; or just shut your eyes and listen to John Barry's fabulous orchestral score.
I like Starcrash for two reasons. Caroline Munro is one of them. The other is the fact that Luigi Cozzi wanted to make the movie he'd always wanted to see. He'd written the script before Star Wars came out, and it was only pressure from the studio that forced him to imitate elements of that film. Conversely, it was budget restraints and studio disputes that hampered his efforts.
At the beginning of this review, I made what may seem like a disparaging remark about the visual effects. In a day when we're used to spectacular CGI extravaganzas produced by hundreds of artists and technicians, and costing millions, it's well to consider that most of the effects on this movie were created by one guy with little time, few facilities and a comparitively tiny budget. It's easy to guffaw at the occasional stray shadow on a sky background, but I think what Armando Valcauda achieved, under the circumstances, was, to quote Stella, 'incredible'.
Ultimately, one of the most appealing shots of Caroline Munro as Stella Star is near the end, when Stella Star is swimming through space, and we get a close-up of her very beautiful smile through the visor of her helmet. It kind of makes you feel better, just looking at her.
** (out of 4)
Stella Star (Caroline Munro) is asked by The Emperor (Christopher Plummer) to set out and locate his missing son (David Hasselhoff) and along the way she must battle countless robots and other space creatures. This Italian-American co-production was clearly influenced by STAR WARS and I think fans of that film are probably going to hate this simply because it is a rip-off. Those who enjoy silly, campy and over-the-top science fiction will probably get a few kicks out of this thing while people like myself, not crazy over the genre, will probably get a few laughs and of course be thrilled by Munro. STARCRASH is an ultra-cheap movie but I think the cheapness actually works in its favor because you just can't take any of it too serious and this is something that kills a lot of "B" movies. A lot of time "B" movies take themselves so serious that the director never allows the viewer to just sit back and have a good time but director Luigi Cozzi makes sure you don't take anything too serious. I really liked the happy tone that runs throughout the movie and it's clear that they weren't trying to scare, shock or go for crazy action scenes but instead they just delivered a campy story. The special effects really aren't as bad as you'd expect in such a low-budget film. A major plus is the cast, which includes the beautiful Munro. While her acting might not be the greatest she at least fits the role perfectly and there's no doubt that her charm really helps keep the film moving. The highlight of the film would have to be that leather bikini thing she's dressed in for the majority of the running time. Plummer picks up a paycheck appearing in his brief part and the young Hasselhoff is pretty funny in his bit. Hamilton Camp deserves mention for his Southern voice of the robot and we get Joe Spinell as the bad guy. It's interesting to note that Spinell and Munro would go onto appear in MANIAC just two years later. STARCRASH isn't a masterpiece and it's not even a good movie but fans of camp should at least be entertained by it.
Lo sapevi?
- QuizChristopher Plummer admitted that he did the film so he could visit Italy for free. In an interview he said "Give me Rome any day. I'll do porno in Rome, as long as I can get to Rome. Getting to Rome was the greatest thing that happened in that for me."
- BlooperStella Star's wardrobe changes many times during a single scene through the entire film. At one point, her leather two-piece attire has a red collar and straps across her midsection. They disappear and later reappear during the same scene.
- Citazioni
The Emperor: You know, my son, I wouldn't be Emperor of the Galaxy if I didn't have some powers at my disposal. Imperial Battleship, halt the flow of time!
- Versioni alternativeThere are two versions of this film, the U.S Theatrical Version and the longer European Version which has more opening titles.
- ConnessioniEdited into Giochi erotici nella terza galassia (1981)
- Colonne sonoreStarcrash Main Title
Written and Arranged by John Barry
I più visti
Dettagli
- Tempo di esecuzione
- 1h 34min(94 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1