Si salvi chi può (la vita)

The foremost image in this film, which I find difficult to erase from my memory, is that of the 2 prostitutes, 1 john and 1 lackey set up. How original. It made me think of "Vivre sa vie" and then "2 or 3 things I know about her". Granted these are the only Godard films I've seen, but the sex trade theme is definitely prevalent.

In the earlier films, of course, it's toned down but one of the things they all have in common is the coldness of the transaction and the purely business way that they are carried out. It almost seems as though they have not been directed by a man, but a woman.

All in all, I find Jean Luc, one of the more honest and clear thinking directors of not only our generation, but any generation. Can't wait to see more.

This was the first feature by Godard after a decade spent experimenting with politics and video. It's as traditional a narrative as we have ever seen from him. The story has three parts. Denise Rimbaud (Baye) represents the imagination; she's a film editor who drops her frustrating work to find some fresh air in the Alps. Paul Godard (Dutronc) is the fearful-dependent side of most of us: he's afraid to leave the city, but can't live without Denise. Then there's business, represented by Isabelle the prostitute (Huppert).

The director, now 50 and with a flagging libido, has a field day with his sexual fantasies. The scene with the two hookers in the businessman's office is wonderfully funny, in its deadpan way it recalls Deux ou trois choses que je sais d'elle. The use of sound is more imaginative; he isn't using the montage of Beethoven quartet snippets that he often relies on. His camera moves more than in the past; there's a great slo-mo of Dutronc jumping over a table to tackle Baye, then they both collapse laughing onto the floor. The sense of freedom suddenly released is exhilarating.

The English title of this film "Sauve qui peut la vie" made by Jean Luc Godard is "Everyman for himself".This is exactly what happens in this film which is only for people having unusual cinematographic tastes.All the three main characters are in their own world without bothering about what the other persons are doing.There are a lot of similarities between the film maker Jean Luc Godard and the film director's role played nicely by French singer,actor Jacques Dutronc. It appears as if Godard had deliberately chosen Dutronc for that role keeping in mind their own erratic behavioral patterns.Nathalie Baye is acceptable in her role as the hapless girl friend of this eccentric director.The most challenging and in some sense controversial part has been played by Isabelle Huppert as an innocent prostitute who silently bears all the ill treatment meted to her by her clients.This is a good psychological film directed by Godard about the emotional stagnation of some characters who are unable to come out of their mental framework.

Godard's splendid return to more "mainstream" cinema is a powerful meditation on love and (mostly) sex. It is often disturbing and profound, as well as silly and darkly comic. Some of the humor seems juvenile, but it is hilarious nonetheless, and beyond the dirty jokes is a masterful avant garde film that is philosophical, sadistic, sexy, and deeply emotional.

Godard has always been a highly ambitious filmmaker, and to this day his works proceed to increase in experimentation, and "Every Man for Himself" certainly displays his ability to have fun with film. Behind the unique synthesized soundtrack running throughout this film, various experimental visuals are utilized, particularly the effect of Godard randomly pausing on certain frames, creating a slow motion-esque look.

Complex issues and characters populate this dense, yet brief masterwork of French cinema. The ending is one of simultaneous happiness and tragedy, as it the situation ends a slightly ambiguous, yet hugely fitting note as the main "lovers" walk away from the viewers, and the film.

I really don´t know what David Hammer means by "joy for the enterprise". The only thing i know is that there´s a moment in our evolution in which we realize that life is just life. "Live your life as life lives itself" (Chinese proverb). Everything else is our invention, the invention of our minds. The product of a great fear of our degradation; degradation that naturally affects each of the living creatures of the earth. I understand what Godard means and share his feeling. Life is not only "joy", David. Life is much more than pleasure and excitement. Paul Godard (the character) reflects a deep feeling of the great French director. "I am not strong enough to accept life is just life. I need to believe we are here just here in order to DO something. The simplicity of life is difficult to accept in communities like ours. We are used to "produce", to have a product as a consequence of our time spent. A very strong and wise man can accept this fact. The "ouvre" of Jean Luc Godard show us that he moves, produces among elements that are not the ordinary ones. Godard has reached the moment of awareness in his "jeneusse". We can realize that by watching his films. The only thing that remains for me to do is just thank Jean Luc for his truth and for helping me to create mine.