Saint Jack

"Saint Jack" is an amazing little film. Just when you figure that Peter Bogdanovich was only capable of making Hollywood efforts rather than his once indepedent film maker roots (ie; "Targets" and "Last Picture Show") he surprised his fans with this little film. Not since Cassavetes, has a director pulled such an honest and Oscar worthy performance from Ben Gazzara. For me, Ben's role as Jack Flowers is one of the most colorful of American Cinema's characters. His character is shaded with the same quirks that you would expect from such an actor as Bogart. The film begins with Jack Flowers running a prostitution racket in late 1960's Singapore, with dreams of opening the grandest of whore houses. What may seem like a typically seedy character for cinema, turns out to be one of the most sensitive portrayals that indears rather than repulses. His rather cynical, humourous, honest and lazy approach to life is at times comendable and charming. But after his dream is realized (he does get his whore house!), things start falling apart. It's at this point that his integrity is questioned with the newer business routes he ventures into. The second half of the film is slightly dispairing due to the fact that he no longer has a sense of dream, but only a sense of escape from the world he has created. You get the feeling that people of his disposition are not trully suited for the occupation of pimp. One of the highlights of the film is the friendship he builds with William Leigh (Denholm Elliott). Both are outsiders of Singapore, yet still live there, due to the fact that they're too much of an outsider in their country of origin. The friendship reminds me that of Bruno Ganz and Dennis Hopper in "The American Friend". Both are in countries not their own, but "Saint Jack" retains a friendship of innocence. One will die in both. I imagine that Peter Bogdanovich was influenced to a degree by Hugh Hefner (of Playboy fame), in which he (as well as Jack Flowers) is also in the industry of female objectification. Yet both are still looked upon as fairly descent men. It's no surprise to me that Hugh was also responsible for some of the production along with B-movie producer Roger Corman. Another character (of female objectification in cinema history) that plays a great influence in the film as well...is James Bond. The use of music, epecially the Goldfinger soundtrack (heard while two Singaporean prostitutes are gettin' busy), the theatre poster for the film resembles a James Bond like poster, and the casting of George Lazenby (ironically as a Senator with homosexual leanings) from "On Her Majesty's Secret Service" fame, lend an overwhelming thought that secretly Bogdanovich wanted to make a Bond film. But this may have also been a way of justifying Jack Flowers own arguable career choices of that of our own moral decissions in entertainment enjoyment. Also, comparing to a time (late 1960's) when we (as America) sent troops to Vietnam (another theme in the film), Jack comes off looking quiet harmless, and smelling of flowers (pun intended). But what really makes this film so charming is the warmth that Ben Gazzara radiates in this film, and how it's small scale of a budget offers such a big heart. It's heaviness in topic is always brought off with humour and sensitivity. Highly recommended on all counts! It's a pity that not more people know of this film, and that's great loss to the film watching public. Maybe Bogdanovich will make something as interesting in the future? I give it a 10!

It has been more than a week since i last watch Saint Jack, the after effects of it still lingers. That shows it is not an ordinary film.

I went into the theatre without much expectation, when the film starts with the opening credit rolling, i sat up very straight, devouring the fascinating font selected. The long tail of each font stretching beyond its normal alignment gives me a hint that this is going to be a different experience. This is not the usual crappy 70s sleazy film made. There is a humour exuding even from the font. Its gonna be interesting.

As Jack walks into the Chinese shophouse and greeted by a young Indian chap who talks and spray mosquito around him, i found myself unable to hide my humored smile behind the dim theatre. Such fascinating and improvisational like mis en sense repeats throughout the entire film.

The 70s is an era which i was born into. I was too young to have a vivid memory of it. When the landscape and the people scape were unfolded in front of me, instinctively i feel this film is depicting a rather accurate portray of my country. Although the film revolves around the character of pimp, Jack Flowers, Jack is not the only main role. Singapore is in fact the other protagonist. All the caricatures of small roles that appears throughout the film etches a multicultural developing nation with an array of characters that Jack immensely enjoy interacting with. It is the same feeling whenever i visit other developing country.... fascinating.

Honestly, i think the plot is thin. but the rich characters made up for everything. It is an underrated film that has finally seen its daylight (in Singapore). the delightful feeling is an accidental discovery of a film treasure that records an era with so much nuances and humour.

The Marking of Saint Jack:Kinda Hot. A book written by Ben Slater adds even more fun to the entire experience.

Saint Jack is a film short on plot, but long on character study, at least for the title character Jack Flowers, patron saint of the working girl in Singapore. Ben Gazzara plays the title role and if you can imagine Humphrey Bogart at his most existential running a brothel, than you've got Gazzara's character.

And that's what Jack Flowers does, he served in Korea went to college on the GI bill and tried a hand at writing. He gave that up because he hadn't experienced enough of life in his own words, shipped out on a tramp freighter and wound up in Singapore managing a brothel. If he wanted to know about life, that's as good a place as any to get material for twenty books. And he's originally from Buffalo, New York, probably on the west side, unanglicized name Jack Fiore.

Gazzara's co-star is the city of Singapore in all its aspects, both the high and low end of it. Gazzara's got friends in high and low places, his most unusual friend is Denholm Elliott who is an accountant and sent by the front office in Hong Kong to do a yearly audit. They hit it off believe it or not, Elliott becomes kind of a role model of probity for Gazzara.

Humphrey Bogart, starting in Casablanca did a lot of his films in exotic locations. But mostly he never got there, his films mostly done on studio back lots, The African Queen a shining exception. I'm sure Bogey would have jumped at the chance to do a location film in Singapore which in his day was involved in a nasty civil war after World War II.

There's not much of a story line, in fact Gazzara's not a terribly heroic character until the end when he does have an attack of conscience. For what that is you'll have to see Saint Jack.

Chatty, engrossing character portrait, adapted from Paul Theroux's novel by Howard Sackler, Theroux and director Peter Bogdanovich, regarding Jack Flowers, a good-natured, middle-aged American living in early 1970s Singapore; he's a pimp who loves people and enjoys servicing his international clientele of businessmen with a colorful assortment of women, but recent events--a violent shakedown by the competition, also the death of a good friend--has caused him to rethink his life. Bogdanovich originally wanted Orson Welles to direct the film after then-girlfriend, Cybill Shepherd, won the rights to the novel in a legal settlement with Playboy magazine (Playboy is listed as a production company and Hugh M. Hefner is credited as one of the executive producers). Directing the film himself, Bogdanovich (who also has a key supporting role) won back the praise of critics--if not the general public--with this finely-etched drama for grown-ups. Ben Gazzara is a marvel in the lead; subtle, introspective, congenial but direct, a straight-talker with a head for business, the actor does some of the best work of his career. The film itself is too long, with a meandering midsection, though cinematographer Robby Müller has given the Singapore streets and daytime city views a beautiful hazy look. Bogdanovich introduces us to a collection of one-of-a-kind characters, funny and offbeat creatures who come out at night, and their interplay with Flowers and each other has a nice, friendly rhythm. Ultimately, the film is a wistful portrait of friendship, loyalty and business, with people happily scraping by, day after day, with private dreams but no ambition. **1/2 from ****

Singapore 1973 – Jack Flowers (Gazzara) a worldworn drifter, has finally found his niche. He is a small-time pimp, eking out a living arranging liaisons for jaded ex-pats and burned-out GIs. Everybody knows Jack and everyone likes him – a situation that changes rapidly when he decides to open his own house of ill repute.

Saint Jack is Peter Bogdanovich's most accomplished film. Made long after his Hollywood star had waned it is a low-key, character driven piece full of memorable scenes and performances. The Singapore it depicts is long gone, buried under acres of concrete and glass. The world Jack Flowers' inhabits is old school orient - sampans, alleyways, bustling markets and street hustlers. Denholm Elliot excels as the bemused, vaguely melancholy accountant Jack takes under his wing. Rodney Bewes and Joss Ackland do memorable turns as aimlessly Englishmen abroad. Former James Bond George Lazenby puts in an appearance as a slimy US senator and director Bogdanovich plays a CIA operative.

For a movie produced by Roger Corman and Hugh Hefner it's far from the exploitation fare its subject matter might suggest. Photographed by the great Robby Muller and based on a novel by Paul Theroux it's well worth a look. 8/10

**Also recommended for fans of this movie is "Kinda Hot: The Making of Saint Jack in Singapore" by Ben Slater (ISBN: 9812610693) - a fascinating behind-the-scenes look at the making of the film.