Zombi Holocaust

Being an obsessive-compulsive fan of old-fashioned Euro-gore for several years now, I've come to expect the absurd (and usually nonsensical) plots, the constant 'borrowing' from other films, and the over-the-top gore, all mixed together to form what is usually an enjoyably trashy cocktail. I picked up "Zombie Holocaust" with some optimism and a little knowledge of its reputation, and after watching it, could only help but wonder what had just happened. No, it wasn't the incoherently surreal thrill of watching "City of the Living Dead," but a general, head-scratching confusion that raised questions such as: "How was this awful waste of time ever released?" As Tom Servo would say: "Meanwhile, in YET ANOTHER MOVIE..." "Zombie Holocaust" doesn't have a brain in its head (even though the title Doctor is a deranged neurosurgeon)--it's a low-budget splatter flick without even the slightest hint of innovation. It borrows settings and characters from Fulci's "Zombie" (not to mention a few actual snippets from that film), jungle savages from "Make Them Die Slowly," and a couple bronze-faced zombies that look an awful lot like the wooden-toothed wonders in "Burial Ground." Sounds like a swinging good time, but the movie is downright distracting in its own indecisiveness, flipping back and forth between these awkwardly, incompetently blended genres without a hint of wit or style. Perhaps this is attributable to Fabrizio de Angelis, who is known less for his screen writing capabilities than as a producer on Lucio Fulci's most notable works. It is conceivable that the producers wanted to churn out a genre-bending smörgåsbord knowing they would get some return on it, but the utter ridiculousness of the finished product is an endurance test for the viewer's patience.

Ian McCulloch (his usual stuffy self) and Alexandra Delli Colli ("New York Ripper") venture off to some faraway island to investigate a doctor's odd practices. Along the way, they encounter hostile natives, zombies, and an climax that looks suspiciously like another, better zombie flick. Eyeballs are gouged out, entrails are eaten, and Delli Colli is painted in the nude for a "Laugh-In" audition.

There's ultimately nothing in "Zombie Holocaust" that hasn't been done before, and better. Pass.

"Zombie Holocaust" has a little bit of charm and an idea of what it's going for, but a lot of (or almost all of it) the atmosphere is sacrificed because of the gore. But even with the gore, "Zombie Holocaust" is a very boring movie with few interesting scenes sprinkled throughout the whole thing and the glorious beauty of Alexandra Delli Colli whose nude scenes are one of the rare moments of joy in this movie. Because of that, I can't give this movie a higher score than 5.5/10! Only the most hardcore fans of B movies and horror movies will find something to like here, others should avoid it...

Put them together and you get a completely mindless movie! Yes, the title of this film is completely misleading (the Zombie Holocaust one) as when I hear it, I imagine hordes of zombies rampaging the countryside. Instead, what we mainly get is a cannibal horror film fused together with a mad doctor film with a dash of zombies in it for taste. It shares a lot of similarities to Lucio Fulci's Zombie movie too as it features Ian McCulloch and another actor from that film and it appears to be on the exact same island! When they first drive to the one doctor's house they go down a street and it looks exactly like a scene out of Zombie, heck the donkey may have even been in Zombie. They depart in terms of plot; however, as this one does not focus on the zombie aspect. Well, it does not really focus on anything, as nothing anyone in this film does makes much sense. I think they just tried to fuse to many sub genres together without a complete script or something.

The story of this one is the weakest element of the film, because at times it almost seems like there is none. There are mutilations in a hospital in New York and it is soon learned that it is the work of a cannibal. Other cannibals turn up here and there because somehow they can just get jobs at hospitals. A group of four people travel to an island for reasons that are really no one's business, because them going makes absolutely no sense. They meet a doctor who provides them with some yummy looking lemonade and then they are off to another island where the cannibals live. The group which now includes three very expendable helpers and another dude soon find themselves under assail from the cannibals who get scared by zombies going "Ah" and nearly everyone is killed, but the two survivors decide to try and figure out the mystery even though it literally accomplishes nothing.

The film moves at a rather fast pace and it features some good Italian splatter and some good nudity too. That makes the film at least watchable, but the plot is so horrendously bad that I just cannot score it any higher. Some of the effects are rather horrible too, as at one point one of the cannibals is caught in New York and he proceeds to jump out a window. It is obviously a mannequin and when it impacts the ground, its arm pops off! I realize they may not want to redo the scene, but they could have at least jump cut and edited that part out! The mad doctor is the only person who seems to know what he is doing, but making a race of ineffective zombies seems kind of a waste of time. Just too much bad in this one to overcome even with the nice gore and very hot blond.

So this film is a combination film, but I think they just tried to do too much. At times it is a cannibal film, at other a mad doctor and then a bit of zombies in there for effect. Heck, the scenes where the blond undress could be considered soft core porn because the music is right out of one! They just tried to do much, and as I have said, I just do not think they had fully completed script to go along with it all. Though another interesting aspect of the film is its similarities to Zombie; however, that one is the superior film as it makes a bit more sense why things are happening and why they go to the island. Here, it just makes no sense at all.

One thing I always point out about these Cannibal flicks is that, besides the disturbing subject matter and ferocious gore, these films are also usually have really interesting, dare I say fascinating stories. That's right. Quality B-movies do exist, after all. However, Zombi Holocaust is not one of them. It looks like your stuck with just the gore. I think it'll be fine. I mean, just because this one doesn't hold up against the almighty Cannibal Ferox and Cannibal Holocaust, doesn't necessarily mean it's not worth your time. And really. Who wouldn't want a film called Zombi Holocaust in their Horror collection? Not I.

Besides what I've already told you, the one thing you might want to consider, going in to this film, is that it's a Zombie movie. I suppose you already had that figured out. But still, Zombi Holocaust does include cannibals, as well as a jungle. Best of both worlds? More like a touch of both worlds. Nothing groundbreaking from either side of the fence. And on top of all that, Zombi Holocaust is also a mad scientist flick. We start out at a hospital, where corpses are being mutilated. Eventually, a cannibal is caught in the act. I guess it was shame that drove the poor guy to unconvincingly jumping out the window. Obviously, tomfoolery like this is not something you'd want going on at your local hospital. Curiosity gets the best of Ian McCullough and some hot chick. For some reason, this hospital mystery lies somewhere in the Carribbean. A mad doctor is slowly turning a tribe of cannibals into zombies. Zombies who don't really do much of anything, as the cannibals are the only ones willing to start trouble. Whatever. It's a movie. So, this guy must be stopped, right? And in case you're wondering, all that doesn't turn out nearly as entertaining as it sounds. Ultimately, if you're a fan of such classics as Burial Ground and Jungle Holocaust, I see no reason why you shouldn't get a kick out of Zombi Holocaust, at least out of sheer principle. Well, unless you're not too big on stupid movies with ridiculous dialogue, and awful acting. In that case, you may want to stay clear of this one. 7/10

My review was written in May 1982 after a screening on Manhattan's 42nd St.:

"Dr. Butcher M. D." is the U. S. release (with some post-production alterations) of a 1980 Italian film originally titled "Queen of the Cannibals" and geared towards the explicit gore market. Canny marketing by Terry Levene (the M. D. of the title is spelled out as "Medical Deviate" on posters and ads) should attract fans who like their horror of the butcher-shop variety.

Filmmaker Frank Martin (an Italo Western vet who uses an Anglicized nom de film) pilots an absurd plot as an excuse to pour on the gore. Pic opens with some Manhattan-locationed scenes of Asiatics robbing hearts from corpses in local morgues. A doctor-anthropologist Lori Ridgway (Alexandra Cole) has her ceremonial knife stolen from her collection, and matching its inscription with the tattoos and the corpse-robbers, she deduces that native rites involving human sacrifices and cannibalism are in effect. She and a scientist (Ian McCulloch) mount an expedition to the Pacific island of Kito to investigate the local sect.

On the island their party encounters Dr. Abrera (aka Dr. Butcher, played by Donald O'Brian), a mad scientist in the Dr. Moreau tradition, whose work in human transplants has created many disfigured zombie-like people. Heroes also have to contend with numerous natives who are cannibals and very aggressive. They kidnap Lori, apply body paint and prepare her for sacrifice to their gods. She's saved when the cannibals hail her as a magical being, while McCulloch escapes from the operating table to wipe out (with the cannibals' aid) Dr. Butcher and his henchmen.

Gore makeup is not very realistic, but the plentiful dismemberments, scalpings and acts of cannibalism on camera will be appreciated by steady fans of this sort of thing, e.g., patrons of the 1980 Jerry Gross release "Zombie", which also starred Ian McCulloch. Acting is wooden, with McCulloch and Alexandra Cole almost comically blase as they stroll along ignoring island terrors. Biggest crowd-pleaser occurs when McCulloch jabs an aggressor in the face with a handy outboard motor. Blonde Cole displays a magnificent undraped (and painted) body for the camera in the tradition of Ursula Andress ("Slave of the Cannibal God") and Bo Derek ("Tarzan, the Ape Man").