Rapina in Berkeley Square

One of those lovely little films that would be more or less lost to the 21st-century viewer, were it not for the interest of certain Freeview TV channels, such as Talking Pictures, in broadcasting such gems.

Not a great film, it has to be said, but an opportunity to see the talented David Niven in what was sadly to be one of his last roles. Also catch the much-missed American actor Richard Jordan (whose portrayal of a terrifying killer in 1985's 'The Mean Season' has ever stayed in my memory) as the lead character. A charming - if not stretched - role for one of the leads of the film classic 'Logan's Run'.

There are a few crashing disappointments. The American actress of sultry 1940s/'50s film noir roles, Gloria Grahame, is criminally underused in the role of Richard Jordan's mother. And Elke Sommer's character ends up as nothing more than the role in which, unfortunately, she was always typecast: the token sexpot female. A waste of skills in both cases.

Re the musical score: there are a few inexplicable - & inappropriate to the scene - motifs in the incidental music that are redolent of a Benny Hill theme. Being a 'caper' movie does not also make it a farce! This badly judged feature might in fact have been more to with the film's director - Ralph Thomas - having had a film career that included directing a string of lightweight sex comedies such as two 'Carry On...' movies & the 'Doctor...' films. But in most scenes the score - by Stanley Myers, the composer of the entrancing 'Cavatina' theme tune from 'The Deer Hunter' - has moments of great perceptive interpretation of the storyline.

The film must also be noted for a few novitiate roles by now well-known actors: spot Alfred Molina in his second ever film role as a ferry port official; uncredited, too! And Duncan Preston (he of superb comedic roles in 'Dinnerladies' & 'Surgical Spirit') as a blink-and-you'll-miss-him policeman driver. Even John Rhys-Davies shows his future capacity to play a role with gravitas, in a small part as a solicitor.

Oliver Tobias takes a sizeable role, a charismatic man if ever there was one. And Joss Ackland has a cameo. The fact that Auckland's role as the prison warden is uncredited on the film's cast list surely must mean that he took the role for fun. What with David Niven's stature as an actor, especially as the 1st part of his superb & witty autobiography - "The Moon's a Balloon" - had recently hit the bestseller list, I should think several people got involved in the film just for a chance to act with the great man. In fact it would be nice to dream that lots of old film career friendships were consolidated in the making of this London-set film! The director Ralph Thomas had not made a film in five years when he made this 1979 movie; & it turned out to be the last film he made before retiring.

It is frankly preferable to gloss over the sad fact that this was to be the last film for too many of the actors. David Niven's quietly threatening & manipulative crime lord was one of his last film roles (and the last role he voiced himself after disease affected his voice). Plus this was the last film of Hugh Griffith. And Gloria Grahame only made a few more movies before passing away.

If you know London then the locations will be of interest to you. West London features heavily, as do central parts of the city. And I would even be so bold as to swear that I recognised the micro-house of Gloria Grahame's character, as the same split-level London house that was lived in by the character of Bodie (or was it Doyle?!) in TV's 'The Professionals'! I remember so well the trendy 1970s' house layout from watching the series reruns, because as a teenager I always used to daydream that my first flat would look like it! So, more fond memories...

A little 'find' on the Freeview TV schedule, well worth a perusal.

Delightful! It never pretends to be a masterpiece, but it's a mini-gem of late-Seventies British comedy. Given that the producers wanted to sell it abroad, it stars an American (the late character actor Richard Jordan), but at least he isn't the usual dull Hollywood hunk type. Surrounding him is the cream of British character acting talent, led by a wonderfully waspish and superior David Niven.

Niven's Ivan the Terrible naturally gets the best one liners and all the best reaction shots. He also manages to be surprisingly menacing and intimidatingly dangerous. The moment in the snooker club when he drops the charming facade and threatens Richard Jordan will come as a shock to those viewers who think of Niven as being only a light drawing-room comedy star. He is filled with genuine power and ruthlessness as we see all at once how Ivan earned his nickname. All the more surprising given how ill Niven was at the time. Shortly after filming this production he lost his powers of speech to Amyotrophic Lateral Sclerosis (known as Lou Gehrig's disease). This is the last picture Niven made where you can hear his own voice, being dubbed thereafter by the comic impressionist Sid Little.

Alongside him you can spot numerous familiar faces from Seventies cinema and television. Elke Sommer (flashing her breasts in true Seventies era politically incorrect bimbo mode), Oliver Tobias, Michael Angelis, Brian Croucher, Richard Johnson, John Rhys-Davies, Davy Kaye etc, etc. Davy Kaye gets one of the biggest laughs as he holds up a security guard caught making a phone call to the old UK analogue vinyl telephone music service Dial-A-Disc. "Who you ringing?!....Bloody Dial-A-Disc! You gormless git!"

Great shots of London street locations; making the film a period patina time capsule of red phone boxes with chunky round-dial manual handsets, black cabs driven by "Cor blimey, gov!" cockneys, and ladies and gents modelling all manner of deeply dodgy late-Seventies retro leisure-wear and hair styles.

Highly entertaining, quaintly dated in its fashions and attitudes, and the stuff of late night cult viewing. Perfect to watch at midnight after the pubs have shut; if you're of a certain age, are feeling a touch nostalgic; and have always wanted to see David Niven swanning about inside a branch of McDonalds, silently intimidating an American via the deployment of a retractable telescope!

Just ingenious enough to be plausible and still a lot of fun, this is a pure slice of the 1970s (Even the cops need haircuts badly!). Shot in and around London, the plot of the American ex-con who tries going straight but finds himself sent as an electrician to a bank in Mayfair, and then has the screws put on by crime lord David Niven, and finds himself plotting the crime of the century is well-handled.

I liked its simplicity and even innocence, it harks back to a time when caper films where just that, a caper, and violence wasn't a part of the deal.

All in all you could do a lot worse than watch this: it has enough twists and turns to give it some oomph and a cast that obviously had fun making it.

Nicely made and watchable.

Really enjoyable film full of some great British character actors.

Excellent use of outdoor scenes, mainly of London, but not the usual recognisable holiday brochure zones.

Not a complicated plot, but who needs them. Just good fun, well executed and fine entertainment.

I've a reasonable copy of the film, lifted off the English television, English Pal, on VHS, and would be happy to let you have a copy if you need one.

I recently bought this movie on DVD at a discount store for $5. Although it is a no-frills DVD on the Geneon label (just the movie that starts playing immediately - no menu, no special features) the picture and sound quality were EXCELLENT. The movie is based on the true story of one of the biggest bank robberies in history.

Richard Jordan, who I must admit to not having heard of, plays the lead - Pinky Green. A charming young man who had spent too much of his few years in prison and now wanted to go straight but is not allowed to do so! He portrays an American in England. David Niven plays the lead bad guy, also with the great charm for which he is famous. Bad, but with scruples as when he refuses to deny Pinky his "whack" for the job. Whack, in England, apparently is the fair share of the take and not a bullet in the head as in American gangster films! All the supporting cast do an excellent job producing a very believable movie.

What is perhaps best, to me, is that the whole movie is quite enjoyable and understandable (I frequently find myself lost in plot confusions and various characters) without ANY special effects. NO blood. No violence. Not even a single car chase! Just a well written story, well acted, well directed and well photographed! If I had any complaints about the movie, I would question the music. WHAT is bluegrass music doing in a bank heist story that takes place in England?