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Alcuni giorni della vita di I.I. Oblomov

Titolo originale: Neskolko dney iz zhizni I.I. Oblomova
  • 1980
  • T
  • 2h 20min
VALUTAZIONE IMDb
7,6/10
2697
LA TUA VALUTAZIONE
Alcuni giorni della vita di I.I. Oblomov (1980)
CommediaDrammaRomanticismoStoria

Aggiungi una trama nella tua linguaSt. Petersburg, mid 19th century: the indolent, middle-aged Oblomov. He sleeps much of the day. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to hi... Leggi tuttoSt. Petersburg, mid 19th century: the indolent, middle-aged Oblomov. He sleeps much of the day. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle and introduces him to Olga.St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov. He sleeps much of the day. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle and introduces him to Olga.

  • Regia
    • Nikita Mikhalkov
  • Sceneggiatura
    • Aleksandr Adabashyan
    • Ivan Goncharov
    • Nikita Mikhalkov
  • Star
    • Oleg Tabakov
    • Yuriy Bogatyryov
    • Elena Solovey
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,6/10
    2697
    LA TUA VALUTAZIONE
    • Regia
      • Nikita Mikhalkov
    • Sceneggiatura
      • Aleksandr Adabashyan
      • Ivan Goncharov
      • Nikita Mikhalkov
    • Star
      • Oleg Tabakov
      • Yuriy Bogatyryov
      • Elena Solovey
    • 16Recensioni degli utenti
    • 9Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie e 2 candidature totali

    Foto90

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    Interpreti principali34

    Modifica
    Oleg Tabakov
    Oleg Tabakov
    • Ilya Ilyich Oblomov
    Yuriy Bogatyryov
    Yuriy Bogatyryov
    • Andrei Ivanovich Stoltz
    Elena Solovey
    Elena Solovey
    • Olga
    Andrei Popov
    Andrei Popov
    • Zakhar
    Avangard Leontev
    Avangard Leontev
    • Alexeyev
    Andrei Razumovsky
    Andrei Razumovsky
    • Ilya as a child
    Oleg Kozlov
    Oleg Kozlov
    • Stoltz as a child
    Yelena Kleshchevskaya
    • Katya
    • (as Ye. Kleshchevskaya)
    Galina Shostko
    • Olga's aunt
    • (as G. Shostko)
    Gleb Strizhenov
    Gleb Strizhenov
    • The Baron
    • (as G. Strizhenov)
    Evgeniy Steblov
    Evgeniy Steblov
    • Oblomov's father
    • (as Ye. Steblov)
    Evgeniya Glushenko
    Evgeniya Glushenko
    • Oblomov's mother
    • (as Ye. Glushenko)
    Nikolai Pastukhov
    Nikolai Pastukhov
    • Stoltz's father
    • (as N. Pastukhov)
    Oleg Basilashvili
    Oleg Basilashvili
      Ruslan Akhmetov
      Ruslan Akhmetov
        Leonid Kharitonov
        Leonid Kharitonov
          Viktor Gogolev
          Viktor Gogolev
            Lyubov Sokolova
            Lyubov Sokolova
              • Regia
                • Nikita Mikhalkov
              • Sceneggiatura
                • Aleksandr Adabashyan
                • Ivan Goncharov
                • Nikita Mikhalkov
              • Tutti gli interpreti e le troupe
              • Produzione, botteghino e altro su IMDbPro

              Recensioni degli utenti16

              7,62.6K
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              Recensioni in evidenza

              9ekeby

              creeps along and then clobbers you

              This story of a 19th-century Russian land owner (Oblomov) begins slowly, with scenes that puzzle and seem almost contradictory. The beginning denies you any emotional involvement, but as the film progresses you're dragged into Oblomov's psyche.

              Early on there's a scene where two young boys are spinning themselves around in the seat of a swing to get dizzy. That's almost the sensation you get as you find yourself completely immersed in Oblomov's world. Not that you're reeling or disoriented, but that everything else becomes shut out.

              The film moves along at a genteel pace, and, in that unique Russian way, when emotions burst through the societal veneer, you're completely clobbered. It's like someone sneaking up from behind and conking you on the head. The human condition being what it is, it's impossible not to identify with Oblomov. For anyone who has ever deliberated, doubted, or procrastinated--in other words, everyone--this film provides layers and layers of meaning, gently filtered through a portrait of Russian gentry. 

              To my surprise, I find myself wanting to call this a great film. It seems an improbable tag for such a slender story. But the crafting of the film is absolutely top tier: acting, cinematography, pacing--everything, really. Put that together with the haunting subtext, and you get a film well worth seeing.
              9Pu840

              Excellent! "Oblomov" has a charm.

              Now, this is not a story about Russian apathy, or the rot of aristocracy that, as some "historians" claim, led to the October Revolution.

              This is a story about the immortality, and fragility of love. Love dies only to be reborn anew, it will not perish until the end of humankind. "Some days from the life of Oblovomov" is a deeply touching movie, with kind humor and some really sad scenes.

              The actors are exceptionally talented and fit their roles perfectly - Oleg Tabakov, as a through-and-through melancholic and Yuri Bogatiryov deliver a really memorable performance. Even though it takes quite a while to get used to the movie's pace (it was filmed in USSR 30 years ago!), it's worth as it you see the story unfold.

              Highly recommended for everyone with a taste for thoughtful movies.
              Kirpianuscus

              beautiful. and little more

              not a surprise. the novel by Goncharov is perfect choice for Mikhalkov style. Oleg Tabakov translate on screen the entire soft and fragile universe of his character. the atmosphere, the dialogs, the profound drama - pieces of a seductive film. and little more because, like in many same adaptations, the movie is a trip in the space between lines. Oblomov has new nuances. his struggle for happiness has new points who gives to the portrait from novel special significance. not a victim, not a symbol. but the good man who has a single challenge - himself. the portrait becomes seductive. and clear in new light. Tabakov explores the limits and the isles of illusion. and Mikhalkov has the courage and art and subtle science to transform the world of XIX century in shadow of a new Idiot. Oblomov becomes more realistic. and more easy to define it in a large measure. a film from a special art of seduction.
              10mbloxham

              definitive

              A definitively executed rendering of a work of romanticism; it's depth largely exceeding what can be attained from within a culture, such as the north american, that has either lost its history, or never had one; this to warn it is unlikely to be appreciated by one not already steeped in the film or theater of europe or the slavs. To someone who is, a sweet but not light experience: its lessons and philosophies cannot be contained, but envelope the reader, in his own life.
              8kdmagnusson

              First half-hour is tough; the rest is a gem!

              I tried to read Goncharov's novel while in high school after having polished off books by Dostoyevsky, Tolstoy, and others, but Oblomov defeated me in the first few pages. It was just real tough to get into a story about a middle-aged, semi-retired government clerk who doesn't want to get out of bed all day. Now that I am middle-aged myself, I can relate to Oblomov's condition more. I still thought the first part of the movie (of which he actually does spend a good portion in bed) was slow, but after seeing the rest, I regretted never having finished the book. This is one of the greatest movies ever in any language describing what it is like to be depressed - afraid to make decisions and without energy to carry them out, and then what the consequences are of failing to act. With the help of his best friend, Stoltz, and his slogan "now or never" Oblomov manages to get out of his St. Petersburg apartment and begins to rebuild his life. Stoltz even introduces him to a young lady friend, Olga, and (while claiming she is "just a child") tells Oblomov that she and her aunt care take care of him (by keeping Oblomov from crawling back into bed) while he (Stoltz) is off to England. By Part II of the movie, Oblomov has shed 30 pounds and apparently 20 years, and has moved to the country, next door to Olga and her aunt. At this point the movie deals with romantic love from the point of view of a very shy, somewhat older man for a vibrant young woman, and it is this bitter-sweet part that is most moving and interesting. This is one of Nikita Mikhalkov's Soviet-period films, and while it is set is Czarist days and almost fondly lingers on the details of the opulent houses of the upper class, it also slips in several (mostly tongue-in-cheek) comments and observations about the inequality between classes and the uselessness of the aristocracy. For example, Oblomov, from his bed, chides his servant for doing nothing all day long. The cinematography is gorgeous. When Oblomov lazes in the grass among the birch trees, you can almost smell the countryside. This movie is slow to get started, but rewards the viewer's patience greatly by the end. Highly recommended!

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              Trama

              Modifica

              Lo sapevi?

              Modifica
              • Blooper
                When Oblomov is writing his farewell letter to Olga, the candles are nearly blown out by the wind, but the light shed remains the same.
              • Connessioni
                Featured in Oleg Tabakov. Smotryu na mir vlyublyonnymi glazami (2015)
              • Colonne sonore
                Casta diva
                from "Norma"

                Music by Vincenzo Bellini

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              Domande frequenti15

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              Dettagli

              Modifica
              • Data di uscita
                • 15 febbraio 1984 (Italia)
              • Paese di origine
                • Unione Sovietica
              • Lingua
                • Russo
              • Celebre anche come
                • Oblomov
              • Luoghi delle riprese
                • Petropavlovskaya krepost, San Pietroburgo, Russia(fortress)
              • Aziende produttrici
                • Mosfilm
                • Pervoe Tvorcheskoe Obedinenie
              • Vedi altri crediti dell’azienda su IMDbPro

              Specifiche tecniche

              Modifica
              • Tempo di esecuzione
                • 2h 20min(140 min)
              • Colore
                • Color
              • Mix di suoni
                • Mono
              • Proporzioni
                • 1.37 : 1

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