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LA TUA VALUTAZIONE
Questa è la storia della vita di tre amiche dalla giovinezza all'età autunnale. I loro sogni e desideri, amore e disillusioni, carriere e vite diverse e un grande amore tardivo.Questa è la storia della vita di tre amiche dalla giovinezza all'età autunnale. I loro sogni e desideri, amore e disillusioni, carriere e vite diverse e un grande amore tardivo.Questa è la storia della vita di tre amiche dalla giovinezza all'età autunnale. I loro sogni e desideri, amore e disillusioni, carriere e vite diverse e un grande amore tardivo.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 3 vittorie e 1 candidatura in totale
Vladlen Paulus
- Pyotr Lednev
- (as V. Paulus)
Recensioni in evidenza
Moscow Does Not Believe In Tears is an appealing comedy-drama with much to say about Soviet society from the 1950s to the 1970s. The cast deliver standout performances, and this is the film's greatest strength. The story is about their lives. The city's scenery is often featured, with cinematography that's good for a Soviet drama film. The score, however, is standard fare, but there are a few notable songs. Considering its high entertainment value it's no wonder that Moscow Does Not Believe In Tears became one of the most popular films in the Soviet Union. It even won an Academy Award for Best Foreign Language Film in 1980. It's just one of those films where everyone involved in making it contributed to a result that delivers on all fronts. If the acting or the direction was worse then the result could have been another forgettable drama. Soviet filmmakers, however, specialized in drama films. This is because of the restrictions that were put on them by the government. Many good dramas were released during the Soviet period, and Moscow Does Not Believe In Tears is one of the most memorable. I definitely recommend seeing it.
If you try to understand the meaning of Soviet mode of life (especially place of woman in Soviet society), this film represents the best one you can find for this purpose. The destinies of three women are depicted in clear and awesome way, and the most important you can see is that whatever happens in life, try to be optimist and to do everything not to give up living and being happy.
Culturally interesting since this occurs in a Communist country that US propaganda gave little insight on the values and realities of the people. We see idealistic poets who say the older generation made mistakes, women promoted to executive positions, a film produced by the State yet approaching sexual themes, Western idolization, the drudgery of repetitive industrial work, and class distinctions between the haves and have-nots.
Also of interest is the protagonist's view of herself. Without revealing plot twists, it is suffice to say that a woman is socially seen as submissive to the man. This is a shock to Western sensibilities of women's equality, especially as we see her ordeals as a result of a man's selfishness and dominance. What is revealing is that she, herself does not rebel against the System. She works within the parameters, creates her own success, and becomes transformed.
Being Western, I found myself questioning whether she had truly achieved something. The crown of achievement, we are taught, is independence, equality. Whereas she achieved that in a career and in her lifestyle, in her heart, she yearned for a man, to be the little wife, and to submit herself to a patriarchal marriage. But, in the end, who are we to judge another's happiness?
Also of interest is the protagonist's view of herself. Without revealing plot twists, it is suffice to say that a woman is socially seen as submissive to the man. This is a shock to Western sensibilities of women's equality, especially as we see her ordeals as a result of a man's selfishness and dominance. What is revealing is that she, herself does not rebel against the System. She works within the parameters, creates her own success, and becomes transformed.
Being Western, I found myself questioning whether she had truly achieved something. The crown of achievement, we are taught, is independence, equality. Whereas she achieved that in a career and in her lifestyle, in her heart, she yearned for a man, to be the little wife, and to submit herself to a patriarchal marriage. But, in the end, who are we to judge another's happiness?
10akoumare
This was one of the last movies I have seen before leaving Russia. I am watching it every time with a lot of pleasure. It is funny, and touching to tears some moments. It is also very realistic, as many women in Russia went through the same problems as the three girls, and it touches most of people in Russia. It is also showing that it is never late to restart and suceed in your life, and in spite of difficulties it is possible to reach your goal and success (whatever it means for you).
Vladimir Menshov's well-balanced 'Moscow does not believe in tears' provides a moving story about human warmth. About fortunes and misfortunes that can befell anyone of us -- enabling us to identify easily.
This film also is about a very East European female eagerness to hunt after Mr. Right. Pressure is on, for in Communist society failure usually meant a lifelong condemnation to a poor, worried, boring and tiring life in some drab Russian provincial town. With a big possibility that your husband would booze himself up too much.
No doubt this film's acting makes its strongest feature. Its uninterrupted, breathtaking quality convincingly carries you back some fifty years in time. To Moscow, the capital of the USSR. Although this Communist society has been gone for a long time, 'Moscow does not believe in tears' will easily get you back there.
This film also is about a very East European female eagerness to hunt after Mr. Right. Pressure is on, for in Communist society failure usually meant a lifelong condemnation to a poor, worried, boring and tiring life in some drab Russian provincial town. With a big possibility that your husband would booze himself up too much.
No doubt this film's acting makes its strongest feature. Its uninterrupted, breathtaking quality convincingly carries you back some fifty years in time. To Moscow, the capital of the USSR. Although this Communist society has been gone for a long time, 'Moscow does not believe in tears' will easily get you back there.
Lo sapevi?
- QuizOne of four Russian films ever to win Academy Award for Best Foreign Language Film. The other are Guerra e pace: Natascia - L'incendio di Mosca (1965), Dersu Uzala - Il piccolo uomo delle grandi pianure (1975) and Sole ingannatore (1994).
- BlooperWhen Lyudmila and her friend approach the office building she is wearing a pair of white shoes. Once inside the building the shoes color changes to black.
- Citazioni
Lyudmila Gurina: Don't cry.
Lyudmila Gurina: You know what Moscow thinks of tears.
Lyudmila Gurina: We shouldn't be sitting around, we should do something.
- ConnessioniFeatured in Lyubov i golubi (1985)
- Colonne sonoreAleksandra, Aleksandra
Written by Sergey Nikitin and Dmitry Suharev and Yuri Vizbor
Performed by Tatyana Nikitina and Sergey Nikitin
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Moscow Does Not Believe in Tears
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 900.000 USD (previsto)
- Lordo in tutto il mondo
- 217 USD
- Tempo di esecuzione
- 2h 30min(150 min)
- Proporzioni
- 1.37 : 1
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