Malibù la ragazza che scotta

Worst Movies of ALL Time! Saw this twice in the early 80's on some dinky, weird station that my local Cablevision company had (channel 10) on LI.

There's just so much about this movie that's atrocious. It's a hoot all the way as the girl goes from HS renegade to killer. The sex scenes are not erotic, the "acting" is riotously bad and the music! No idea who the hell threw this crapola thing together but we should be grateful it's around.

Why more people who like BAD movies don't know about this one is beyond me!

This film is really a surprise and not in a good way. It's about an alienated teenage girl who starts to lose respect for everything when her boyfriend dumps her. Rather than turn to drugs or cults, she turns to murder. It's incredible how quickly the change happens. Sounds like it might be entertaining on a trashy level but's it so amateurishly made, downbeat and cheap looking that it fails to impress. It is however somewhat amusing to watch as the main female character paints herself further and further into a corner and the unhappy men she leaves behind due to her very promiscuous behavior.

OK, this is a B movie. Let's just start there and realize that this film is just not a great piece of cinema. Now, knowing that, we can move forward. This is the best film of its type there is. Here's the synopsis. Girl is in high school. Girl's mother suggests that she get a job. Girl becomes prostitute. Girl kills pimp. Girl becomes HitGirl-for-the-Mob. Lots of other subplots to keep you entertained. Probably too many. But the lines in this groaner are worth the price of admission, if you can find it anywhere. "I'm a hooker - not a hitgirl!". Come on! Does it get better than that? MH belongs in the Hall of Fame with Faster Pussycat Kill Kill, They Came From Within and Attack of the Killer Tomatos, and is the best of the bunch. This film is an A+ in the world of the B-.

Overlooked by a lot of bad movie fans, this is one of the worst films ever. It's not just the sleazy attitude, this one is filled with technical ineptitude, lazy writing, poor acting, and that mystery ingredient that makes a film really bad. This switches gears a lot, and you get the feeling that a lot of things were cooked up as it went along. It has shots out of focus, some bad sound, camerawork that doesn't deserve the name, poor lighting, and no sense of grace, artistry, or credibility, whatsoever. Also, although she gives the most memorable performance, our lead actress displays what has to be some of the ugliest tan-lines in movie history, nobody notices, and her "customers" all act like she's a beauty queen! Don't miss!

--Judexdot1--

Jill Lansing, the main lead in this grindhouse gave a excellent performance but sadly it was her only movie she played in. Never heard of seen her again. And let me tell you that this is pure grindhouse. In the first minute Kim (Jill Lansing) wakes up , naked of course and the first thing she does is putting on a fag. Imagine this in today's film standards. The clothes, hair, even the score is so typical for that era, men, do I love those flicks. After Kim is dumped by her boyfriend for a rich girl she's on the loose. School doesn't work and she just don't care. But without any money she decides after a disco night (listen and watch it) to become another woman. One that teachers don't dare to flunk because she's seducing and making love to them. But Kim goes a bit further and goes into the world of hookers. Naturally, things go awry for Kim. You don't watch it for the acting because some are really wooden. The editing, sound and vision was really well for a grindhouse. The so-called erotic scene's are a bit dull, you just see the acting but anyhow you still want to know what is going to happen to Kim. And Kim does gives the breast, sorry, best she can. The ending is a bit weird, you can see it coming but how the cops arrive at the beach is still a bit weird. I mean, no cell phones in those days. I surely recommend it to the grindhouse geeks out there, you won't regret it.