A Performance of Macbeth

I was looking forward to this, everyone was raving about it. Then there was a short documentary before it about Trevor Nunn's vision for the play and I got worried. He said that he wanted to get away from the Blasted Heath and Witches that had become linked to the play. I hate to point this out to an important director but Shakespeare wrote them in. So I watched with fear as to what would be done to the play. The witches were there in an altered form, and Macbeth himself says something about it being a blasted heath, so I'm supposing that passed through Nunn's cuts.

Other than a director who messed with the play, it was indeed quite good, the actors were very good, especially Macbeth, Lady Macbeth, Macduff, Malcolm, Donalbain and Ross, but I couldn't shake off the fear of what the director would do next.

As for Lady Macbeth's famous scream, yes it conveyed the horror of what was going on but it also sounded like a kettle boiling. Judi Dench was very good though.

Dead solid perfect handling of the Shakespeare chiller with greats McKellan and Dench giving their all in stellar performances. A brilliant scene involving Dench as Lady Macbeth in a breakdown that is so haunting, but so incredibly real. She lets out this god awful scream that frightens but also conveys to us beautifully the emotion and loss that this character has just endured. An astonishing achievement.

Ian MacKellen is quite possibly the greatest Macbeth ever to appear on film. He is absolutely brilliant in this record of the RSC's Other Place production, which chops up the text and does magical things with it. He knows when to use the verse Shakespeare gave him, and what to do with it. Perfectly complementing him is Judi Dench (great in the sleepwalking scene), a small and fragile she-devil. John Woodvine is a majestical Banquo - you truly believe he is the head of a long line of kings - while Ian MacDiarmid is a memorable Porter/Ross. Roger Rees is good value as Malcolm (despite the awful pullover), and Bob Peck is a calm Macduff, only stirred into action by his personal tragedy.

We can get under the skin of these characters, we believe in them. Although this is sourced from a stage production, it uses film to a great advantage and adds layers of atmosphere in its simple and effective setting. Highly recommended.

This is about as spare a production of a Shakespeare play as you are likely to get. It is really more of a reading of the play than a performance. It is listed as being in color, but the colors are so muted that I had to check that my TV was not broken, since it looked pretty much like black and white to me.

Anyone coming to this production cold is going to be quite confused and will most likely abandon the effort.

The acting is stagy - you might say that this film sets the standard for the definition of that word. This will definitely not be for all tastes. As good an actor as McKellen is I could never connect with him in this performance, though he does do a great job on some of the soliloquies, particularly the one ending with "it is a tale Told by an idiot, full of sound and fury, Signifying nothing." I was much more engaged by McKellen during his talks about the performance on the DVD extras than I was by his performance in the film. Dench's Lady Macbeth was too shrill for me.

There are some interesting innovations, like "Double, double toil and trouble; Fire burn, and cauldron bubble," being sung as a Gregorian Chant throughout most of Act IV, Scene 1. Other scenes did not work as well for me, such as the opening shot where the camera pans around the circle of actors. Having some text describing the characters that the actors were portraying would have been helpful, but I saw little significance to this as it is. And the loud organ music I found distracting and inconsistent with the production.

There are some casting problems. Roger Rees as Malcomb, dressed in his knit turtleneck sweater, looks more like he just came out of a fraternity party than being the leader of a large army.

Purists will hurl stones at me for saying it, but I much prefer Polanski's cinematic. "The Tragedy of Macbeth."

McKellen is quoted as saying that this is Shakespeare on the cheap. I think that the statement "You get what you pay for," might apply here.

This is probably "Macbeth" as Shakespeare really saw it produced -- no fancy scenery, no elaborate sets, just stunning actors conveying everything Shakespeare intended to convey by the power of their own speech and actions.

The defining moment for me is the banquet scene, where McKellan manages to go from icily cynical schemer to stark raving maniac on seeing Banquo's ghost, and then back again to schemer and then yet back again to broken, frightened shadow of a man by the end of the scene, without for a moment over-acting and without us, the viewer, even seeing Banquo's ghost.

The only false note I think the production had was Judi Dench -- as others have said here, she is of course a splendid actress and her sleepwalking scene was wonderful. But part of what drives Macbeth in the play is Lady Macbeth's threat to withhold sexual favors and her denigration of his masculinity if Macbeth doesn't act more "like a man" and go through with the murder of Duncan (conveyed in this version by her avoiding Macbeth's attempted kiss in the "milk of human kindness" scene), and frankly in this production Dame Judi lacked the sex appeal that would make this viable.

Still, a bravura performance and certainly the best Macbeth I have seen filmed.