Long Weekend

A feuding yuppie couple whose marriage is slowly falling apart set out on a camping trip along a remote Australian coastline to hopefully rekindle their love. While, the husband is all geared up for the adventure with his new equipment, his wife would prefer to be at luxurious hotel. But this trip doesn't all go to plan with their constant friction getting even worst and they seem to take their stress out on the ecosystem. This reckless discard to the environment is soon reversed when nature decides to give a little back to its selfish protagonists.

Now this is want you call a man vs. nature film! And a real merciless one too! This low-budget, under-appreciated (if forgotten) Australian gem is far from your typical excursion into horror with a melodramatic backdrop involving the couples' martial problems, but the way the insightful story folds out you can't deny that this isn't one horrifying exercise when nature finally unleashes its devastating power with such an claustrophobic strangle hold. You might think the idea in this particular sub-genre would be hokey and overall, a campy b-grade animal feature, but here that's not the case because there's nothing cheap about the story and thrills, as it goes for some old fashion spookiness and slow grinding suspense, where we are asked to think about the couples' careless actions towards nature and the environmental message. There's a little bit more going on in the film's material and visuals then you might think and it does play on your mind with it's disorientating atmosphere.

The story slowly delivers in spurts a heavy amount of unbearable suspense and startling images that have a real unnerving effect with its terribly, uncomfortable mood. The nagging couple here are very obnoxious and a long way from likable, but they aren't suppose to be! The anger towards them is justified because they're the villains of this piece and we continuously witness their lack of respect for the surroundings. What nature has in store for them is powerfully effective and we can't help but be drawn into the brooding mystery of how its going to play out.

The picturesque location for the film is simply exquisite with the sprawling beach line and flourishing vegetation and wildlife. The way it can suddenly turn aggressive and change appearance after only being peacefully luminous (such in the weather and environment) makes it incredibly eerie, as you don't know what's up coming next. What caught this development was the hypnotic cinematography (done in anamorphic widescreen) that brought the wildlife off the screen with it's incredibly spacious execution and swift movement in following the couple around and great panning that captures all the small things. It has a semi-documentary feel about it. The foreboding sound effects of the nightlife really do have a strong impact on your senses with the jerky and high-pitch sensation eating away at you with such well placed tension and strange noises that won't let you escape. Also the quiet moments, since the dialogue is rather sparse, builds up the harrowing situation they're faced with. The hauntingly, charged score by Michael Carlos is just like a ticking time bomb waiting to explode with it's imminent dread and the tight editing nicely keeps the film moving until it reaches boiling point in the third act with an ending that shocks.

The screenplay by Everett De Roche (Patrick, Road Games, Harlequin & Razorback) is an intelligent look at the relationship between the carelessness of mankind and the suffering of nature, which it does takes its time in delivering justice. The plot's focus on the couples' marriage, which is on the rocks is an good companion piece with their inconsiderable intrusion on nature where they believe their own problems are more important and think less of their surroundings. The performances are astoundingly, realistic in their interactions by John Hargraves as the arrogantly, destructive Peter (who has a better connection with his dog) and Briony Behets as selfishly, close-minded Marcia. This is one stuck up couple you like to see crash and burn, and nature provides that wish.

'Long Weekend' is an sincere, atmospheric revenge tale with a ironically dour twist. It's a very well made production that maximizes its chilling backdrop, petering tension and stimulating concept to send chills down your spine.

I saw this for the first time recently. It is about a bickering couple who goes for a weekend picnic to an isolated place near a beach. From the beginning, the couple has no regards for mother nature. I found the film slow but creepy at times but as a whole, i didn't enjoy this film.

"Long Weekend" is a well-done, environmentally-conscious horror film from Down Under. The plot is rather simple, but makes a point: when you snooty urban dwellers go camping for the weekend, don't do anything to p**s off Mother Nature! Which is exactly what our two selfish, unappealing protagonists do; they also have a marriage that's on the rocks (gee, I wonder if they'll make it through the weekend alive? Any takers?). The acting is good (though the characters are hateful and stupid), and the emotional intensity is complemented by a very brooding atmosphere of impending horror (the night scenes will give you the willies) as Nature gears up for revenge.

6/10

Brilliant film, eerie and atmospheric. Stays on your mind for a long time after watching. One of my favourites. The part where the sea creature wails like a baby is especially good. The image of the eagle egg being smashed against the tree kept coming back and haunting me long after the film had finished. A lot of weird happenings in the film - what happened to the people in the other camper van? You never actually got to see them, just their vicious little dog! This is a film I could happily watch over and over without getting fed up. I would love to be able to get this video either on video or DVD but it seems it's been withdrawn. Can anyone help me get a hold of this video or DVD? I would be grateful to hear from anyone else who likes this movie too.

...when I first saw THE BLAIR WITCH PROJECT, I kept thinking that I'd seen this basic idea before, and this was where it was. The basic setup is different -- this time it's a married couple who take their bickering into a camping weekend -- but the effect is identical, with supernatural forces terrorising them for daring to trespass onto the wrong territory. The suspense is a slow build, and there's even some touches that popped up in later flicks; for instance, the idea for the shot of the scorpion being run over by a truck in close-up during the opening title sequence of NATURAL BORN KILLERS was taken directly from this one. Part of the first major wave of Australian pictures that made a big splash in the States circa '79 and '80 -- among the others were GALLIPOLI, BREAKER MORANT and THE LAST WAVE -- LONG WEEKEND is, unfortunately, one of the forgotten gems of the period. If you ever see an old video of it in a shop somewhere -- anywhere -- grab it. And watch it...