Brian di Nazareth

Personally, I believe this to be one of the most intelligent comedies ever made. It might not appear that way at first because the film does have its share of simple slapstick and "naughty" moments, but generally, the topics the Pythons tackle here are very serious - albeit dealt with in a way that makes this a true contender for the funniest film of all time.

A firework of hilarious sketches, timeless quotes and clever comments on the human condition, this film was deemed too dangerous for the masses and therefore, until recently, banned in several countries (normally, this only used to happen to the so called "Video Nasties").

This film never once makes fun of Jesus (Christ) - but it DOES take the mickey out of blind, fanatic followers of any political movement or religion.

An outstanding achievement and endlessly re-watchable.

My vote: 10 out of 10

Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/

Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/

Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/

Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/

Life of Brian may have caused controversy on release, but this has always been my personal favourite of the Monty Python movies. Why? Because it is hilarious! True, the story isn't the best component of the film, but everything else works wonders. It is essentially an irreverent and inspired send up of religious epics, and is helped brilliantly by gags and a script that is so joyfully juvenile, if extremely rude, and quotable. Quotes such as "He's not the Messiah. He is a very naughty boy" and "Welease Wodewick" had me literally peeing my pants. The sets are realistic and all of the Pythons who here take several pot shots at their favourite targets, especially Terry Jones, Graham Chapman and Michael Palin are on top form. Overall, irreverent and hilarious, a must see! 10/10 Bethany Cox

Famous lines from Michael Palin as Pontius Pilate...and also my favourite lines from this wondrous film. This is not a piece of criticism, just an exhibition of love. For those of you who believe that Holy Grail is better - I'm sorry to inform you that you're wrong. Life of Brian has such good consistent humour that really can't be beaten. The variety and range of characters the Pythons play is sublime. The chemistry they have with each of other is what makes the film work so well. I won't ramble on anymore because most of what I want to say has already been said!

Afterthought: Well, what is myrrh anyway?

In Life of Brian, Python created what John Cleese called simply "our masterpiece". As a piece of writing, it is the most impressive of the three feature length Python movies. The scenes remain episodic, but there is a much more coherent narrative than in the earlier Holy Grail – I loved HG too, but for different reasons. The characters (well about one or two of the characters) have acquired some subtle shading, which is rare in comedy and, alas, rare in British comedy in particular. The plight of Chapman's Brian is one that I really cared about (although his death is also extremely funny, upbeat and one of the truly iconic moments in British cinema).

The story must be fairly well known. Brian is born at the same time as Jesus with whom he leads a kind of parallel life, thus allowing the team to lampoon and satirise everything from religious zealotry and mob hysteria to 1950s biblical/sword & sandals epic cinema. It does this by marrying historic situations with more modern attitudes; thus we have revolutionary Stan who wants to be Loretta and have the right to have babies, the old man who can't understand why he's being stoned for saying simply "that piece of halibut was good enough for Jehovah!" the gruff centurion correcting Brian's Latin grammar while he's trying to daub anti-Roman slogans on a wall and the gentle centurion asking each of a line of the condemned "crucifixion? Good" while ticking them off on his clipboard. Interspersed with this is slapstick, pantomime women (I'm not sure there are any real women in Python, which is probably its greatest failing) and a small amount of the trademark Python surrealism (the spaceship, the "prophet" talking about the sons misplacing the things owned by their fathers who had placed them down only just a moment ago… etc). In short, something for everyone – except, perhaps, committed Christians.

A lot of attention has been paid to whether LoB is blasphemous. The Pythons claim not and I'm not sufficiently religious to care very much. On the surface, I disagree. There are also occasional sideswipes at ancient Jewish custom – although, to be fair, only stoning which, if you'll pardon the pun, might be considered a fair target. Jesus is not criticised, but the film's central message seems to be; be in the right place at the right time and even a man called Brian can become God. Almost the last line is from Eric Idle saying; "you come from nothing and go back to nothing" which doesn't suggest that the man on the mount at the beginning is a divinity, no matter whether he's talking sense or not.

Most importantly though, LoB is refreshingly satirical. There always was an element of this in Python (mediaeval Christian philosophy lampooned in the Holy Grail for example "this new learning amazes me Sir Bedevere, explain again how sheeps' bladders may be employed to prevent earthquakes… so, if she weighs the same as a duck, she must be made of wood, and therefore - a witch". I guess LoB attracted attention because the satire had never been so bold or obvious before. This is also what makes LoB such an incredibly funny film to watch; but put it this way – despite what Rowan Atkinson may have once said – I'd be very surprised if the Python's weren't expecting the Spanish Inquisition.

That shouldn't put you off, though. Unless your faith is too weak to survive Python's gentle humanism, watch this movie – you'll probably love it.

One of my fave films of all time, this film has so many laugh-out-loud jokes and ridiculous thought processes that it would probably be unfair to pick out just a few. Tough - I'm going to: John Cleese as the legionnary Latin teacher rebuking Brian not for daring to use graffiti on the Roman fort but for using the wrong tense, Michael Palin trying to find his place in life as an ex-leper, Terry Jones as Brian's mother trying to protect him from myrrh - let's face it, we've all wondered what myrrh is ! The bit that always makes me laugh without fail is something that isn't always noticed - when Michael Palin is having a go at the guards; "Do you find it risible when I say the name of my friend Biggus Diccus ?" if you look carefully you'll see that Palin is trying really hard not to laugh.

Puerile, silly but also very very clever. This film doesn't criticise religion or Jesus in any way ( what was wrong with the people who tried to ban it ? ) - it's just asking what it could have been like in a society that was expecting the Messiah to show up at any moment, and covering it in a massive coating of comedy.

This film is an absolute classic - 10 out of 10.