Nel mirino del giaguaro

A run-of-the-mill action/thriller/kung-fu movie with good main and support cast and ordinary theme about brave secret agent busts international crime ring plot . The world's new Karate hero , Jonathan Cross (Joe Lewis) who is out to stop enemies. Helped by Sensei (Woody Strode) , Cross battles drug dealers , nasty bands , and help save the world from an evil con (Sir Christopher Lee) and other defector agents . These treacherous times demand a new style of hero. Now is the time for Jaguar . Now is the time for a great new screen hero. Now is the time for Jaguar.

A no-interest , tacky and multi-location action movie that takes its cues from early 007 movies , cheapo chop-socky movies and Chuck Norris films . In fact Joe Lewis was a world class Karate champion, and trained with Chuck Norris and even fought several matches against Bruce Lee in the 1960s . It turns out to be the listless, tedious hokum of the secret agent battling an international conspiracy , that nowadays it looks hopelessly anachronistic in even the baldest commercial terms . Here stands out the appearances from notorious international actors at the time , such as : Christopher Lee at one of his ordinary 70s roles as a villain , Donald Pleasence as an overacting dictator , the gorgeous Bond-girl Barbara Bach , the elegant and cold Capucine , Joseph Wiseman as an old blind man , the hunk Woody Strode and actor/director John Huston . Being a US/Spain co-production with brief intervention of Spanish actors , such as : Luis Prendes as a prison chief , Simón Andreu , George Rigaud , Emilio Rodríguez , Víctor Israel , Taida Urruzola, Fedra Lorente , Maribel Hidalgo, among others .

Highlights the gorgeous and colorful cinematogrophy by John Cabrera shot in several locations in USA , Tokio , Macao , Hong Kong and shot mostly in Spain : Desert Tabernas , Almeria , La Alcazaba, Almería, Andalucia , Dehesa de Navalvillar, Colmenar Viejo, Madrid, El Escorial, Madrid, Valle de los Caídos, Madrid and Castle of Belmonte, Cuenca, Castilla-La Mancha where long time ago was filmed Anthony Mann's El Cid . The motion picture was lousily directed by Ernest Pintoff . Ernest was an ex-cartoonist and once once-touted filmmaker and winning the Oscar for best animated short for The Critic (1963), a satire on modern art written and narrated by Mel Brooks. Pintoff previously earned an Oscar nomination for his animated short The Violinist (1959), narrated by Carl Reiner. For television Pintoff directed episodes of numerous series, including Hawai 5-0 (1968), The Six Million Dollar Man (1974) and Falcon Crest (1981). As part of NBC's "Experiments in Television" in the late 1960s, he directed the documentaries "This Is Marshall McLuhan" and "This Is Sholem Aleichem." Among Pintoff's feature credits as a director are the low-budget Who killed Mary Magdalene (1971), starring Red Buttons, and Dynamite Chicken (1971) . Jaguar Lives! (1979) rating : 4/10 , inferior and embarrassing action movie .

"Jaguar Lives" is very slow and plodding entertainment, despite a tip-top cast being associated. The action (well that's when it gets around to it) is too little and unexciting martial arts... because we have to wait through long dry spells of talk. The climax battle is the only thing worth waiting around for. Not helping is that the twists in the story are plain easy to pick up on and it doesn't make too much sense. Wow, just look at the names! The main reason I decided to give it a look. The likes of Christopher Lee, Donald Pleasence and Barbara Bach are simply wasted, and Joe Lewis is just too deadpan in the lead role. Fun this is not. No wonder why it's not too well known, as it's largely dismissible.

Legendary heavyweight kickboxing champion Joe Lewis kicks off his mysteriously brief movie career with this globe trotting martial arts actioner in which he assumes the eponymous role of The Jaguar, a sort of James Bond type agent sans the gadgets (other than his lethal fists and feet)

The first thing that becomes immediately apparent whilst watching, is that a large amount of money was put into this judging by the multiple foreign locations and some of the incredible cast that has been assembled here. Such cinematic luminaries as John Huston, Christopher Lee, Donald Pleasance and Woody Strode all put in appearances! (albeit briefly) Also along for the ride is the familiar and welcome face of Anthony De Longis as Jaguar's friend and fellow agent.

All well and good so far then.....however it has to be said that for what is ostensibly an action movie, there is in fact far too little action on offer here. The majority of the films running time is taken with our hero jet setting from one beautiful location to another searching for clues as to the identity of an international drug dealer who in a somewhat lame and predictable twist at the end is revealed to be.....well I won't say it here.

Still, despite the above criticism the action sequences when they do arrive, turn out to be very exciting indeed. The final climatic fight especially, set atop the scenic splendour of an old castle, between Jaguar and his nemesis is very exciting and well handled.

It's rather sad that other than a tiny handful of other films, Lewis never further pursued his movie career. From the evidence here, although obviously not trained as an actor he nonetheless possessed a rather powerful on screen presence in much the same manner as the likes of the late great Charles Bronson.

Overall then, the film is certainly worth a watch for fans of martial arts, not least of all to see a genuine kickboxing legend in action, although it has to be said that it could have been so much better with less of the excessive talking and a bit more of the said action.

I had first recorded this off late-night Italian TV but, thankfully, had not yet checked the movie out before it turned up in English: a vague James Bond rip-off in which the protagonist (one Joe Lewis) happens to be a martial arts expert – for the record, the two styles had already clashed, far more successfully, in Bruce Lee's last-completed and best vehicle i.e. ENTER THE DRAGON (1973). Even if the producers of this one were wily enough to recruit a roster of co-stars – no fewer than 5 of whom had appeared in previous Bond extravaganzas (Barbara Bach, John Huston, Christopher Lee, Donald Pleasence and Joseph Wiseman)! – the result is, while not boring, hardly thrilling, in spite their being practically no let-up to the action!!

Incidentally, much is made of the mysterious identity of the chief villain (at least, they had the good sense to not cast an established actor in the role – who would have invariably blown the hero out of the water in that department!) when the pre-credits sequence gives this away all-too-plainly!! Lewis' "sensei" is Woody Strode and, among his adversaries, is Capucine (who, having failed to dispatch the "Jaguar" herself, later calls on Lee and insists to be informed when this is finally accomplished!); the latter, however, displays an admirable code of ethics when he lets Lewis go after he has repeatedly defeated his goons inside a Japanese cemetery! Wiseman plays blind and Huston (amusingly, his character is named Ralph Richards!) wheelchair-bound, so that only Pleasence has fun as the self-appointed but – inevitably – cowardly dictator of a banana republic.

As I said, the action highlights (personally choreographed by the leading man) are not exactly ground-breaking and too often merely silly – at one point, he takes on a gang of motorcycle thugs, not to mention the various minions at a factory, whom he overcomes not via his usual karate moves but by throwing every kind of accessory which comes his way at any approaching assailant!; then again, it must be pointed out that director Pintoff had started out in animation. The film, at the very least looks good – helped in no small measure by the globe-trotting nature of the plot – but, atypically, Lewis proves oddly resistant to female company (save for ex-colleague Sally Faulkner, who has improbably forsaken espionage for a nun's habit!). The concluding moments show the protagonist once again having his training sessions interrupted by the arrival of agent Bach…but, unsurprisingly, no sequel ever surfaced (or was likely ever commissioned, though the star would in fact return to the big screen for FORCE: FIVE {1981}, directed by ENTER THE DRAGON's own Robert Clouse!).

During a mission a secret agent called Jaguar loses his partner in a explosion. So after the disaster he goes back to his sensei to continue his training. But after a while he is called back on a mission involving that of a international drug dealer that might have had a hand in his friend / partner's death. This leads Jaguar on a whirlwind trip across the glob, where he encounters many foes before he confronts his main man.

I wasn't expecting too much, but I was pleasantly surprised in what I got from this b-grade romp. It's your typical textbook James Bond adventure with the agent travelling around the world to many exotic locations, gathering information on a villain he's tracking down. But our secret agent here Jonathan Cross - Code name Jaguar; has a speciality in martial arts, which he demonstrates on those who get in his way. While, the big scale production and story shares some familiarity to a Bond film, also the stars play a high influence to that factor. You got Christopher Lee, Donald Pleasence, Joseph Wiseman and Barbara Bach making up the cast with some nifty performances. Ironically, they themselves have starred in a Bond film. It's just too bad that they have very little to do here with their meagre roles. Other notables making up the well-known cast include Woody Strode, Capucine, John Huston, Anthony De Longis and an enticing Sally Faulkner in some sexy lingerie. Man, just looking at the names - it should have been a blinder. Kickboxing expert Joe Lewis as Jaguar delivers the goods in the moves, but his overall acting performance is rather wooden. In the end the cast like this is simply wasted.

"Jaguar Lives" at times is an exciting escapism story that's filled with some cartoon like characters and a sizzling verve of precise and intense action scenes. The rollicking martial art scenes seem to feed off the story rather then being just senseless mayhem. Well, that might be a plus, but sometimes there was just too much talk where there could have been some vigorous activity. But when the action did kick in, the tempo was staged with supreme skill and impressive set pieces - just like the fitting climax battle. The jam-packed story which the film follows real closely is an convoluted mess with many illogical steps, but it's basically working itself up to the final confrontation. And when it came to providing us the main villain's identity, it shouldn't be much of a surprise to anyone. I found it to get incredibly better and more intriguing the further along it went. The script is terribly blunt and quite forced, although there's an ample amount of wit found throughout (even though it doesn't always come off). Since the agent travels high and low that means there's quite a change of scenery with some astonishing locations and the sublime photography is professionally set-up with many creative and brisk manoeuvring shots. The fruitful score is an energy charged belter that gives out that groovy 70s twang in neat short pockets.

At best a cheesy time-waster that's filled with a mish-mash of ideas and comic book heroics within it's martial arts background.