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Steve Martin's out-of-this-world performance is the main calling card of this hilarious comedy. Martin stars as a moron who has been raised by a poor African-American family. One night after hearing some music on the radio, he decides that it is time for him to go find his place in the world. What follows is a poor man's "Forrest Gump". Martin gets into some odd situations and goes from the bottom of the social ladder, to the top, and then to the bottom again. This is a flat-out comedy that is a laugh-a-minute romp. 4 stars out of 5.

It was sheer dumb luck that while reading Steve Martin's autobiography earlier this year I saw his film The Jerk was being shown on TV. A few months later and the threat of my DVR being erased, I finally took the time to view it. Martin definitely did something special, infusing his stand-up routine into a story of one man's rise to wealth and subsequent loss of everything. His crazy persona takes center stage right from the start as we meet Navin Johnson, not a bum on the street, but a jerk who has lost it all. His slowed down drunk speech and deep tones as he begins to tell the camera the story of his life set up the collection of gags and jokes you can't even imagine will come your way. Here we have a man that was born into a black southern family, always wondering why his skin was so light and why he could never keep up with the rhythm of blues music. With a penchant for Twinkies and Tab cola, something was amiss and only when he heard a strange new song on the radio, one his white body could dance to, does he realize he needed to see the world and show it his "special purpose".

I really think I wouldn't have enjoyed my time with this character if I hadn't read Martin's book first. Knowing his stand-up background made it fun to spot tired and true aspects throughout the movie. You have the juggling, the ukulele, and the "all I need is this ashtray, and I don't need anything else, well except this paddle-game, all I need is this ashtray and the paddle-game … and these matches …" schtick that surprising goes on long in the film, but never gets old. I think it has to do with the way it is shot, in a still-framed composition as he gradually goes further and further away, his voice getting softer and softer. It really is well-orchestrated and credit goes to either he or director Carl Reiner for the success. There are definite lulls in the action, as is inherent in films like this being a stream of jokes tied together, but there is bound to be some failures amongst the true gems. When the laughs hit, though, they hit pretty hard—even if it might just be because of how off-the-wall the gag is.

For a guy like Martin, fresh off of his club appearances and television variety shows, he is quite a natural. The Jerk marks his first major film role, the lead part in his own movie, something that shows how powerful he was based on record sales alone and no real reputation for acting on screen. He gets his wild and crazy guy dancing involved along with other staples from his repertoire to help the audience find their bearings and remember that this is the guy they hear at home every night for laughs. This really is the start of a powerhouse's career and he planned it out to perfection.

Having a supporting cast like he does can't hurt either. Bernadette Peters did not have many film jobs beforehand, probably just known mostly for her stage work. Her vocal prowess is on display as well as her comedic timing and blank face reactions to Martin's antics. I don't know if anyone else could have taken his face lick with such class. Martin's family is a lot of fun too, always singing and dancing and trying their best to make him a part of the group. I really enjoyed Dick Anthony Williams as his brother Taj. This is the one person who understands the absurdity of the situation and when Navin writes home about the possibility of a new job from his girlfriend, Williams' smirk and laughter is absolutely fantastic.

A lot works and plenty doesn't, but when you understand the film's place in history, you must give it a lot of credit. People took a chance on this unproven young man and ushered in a new era of comedians. With "Saturday Night Live" beginning it's perpetual lifespan around the same time, The Jerk became a sign of things to come. If you look at the comedy world today, everything seems to be manifested from the minds of comedians who started on stage or in TV. Shows are based on comedy acts and films molded from characters. Most of them fail miserably, but the strong success of a select few keep the money flowing, hoping to discover that next new cash cow. With scenes like those at the gas station here, Navin's first real job, you can't help but feel as though it could have been a skit translated and expanded for screen. Between Jackie Mason's utter wonderment at his employee's penchant for jubilance and M. Emmet Walsh's search for a random civilian to murder, the scene is the highlight of a film chock full of good one-liners. When Martin looks at the exploding oil cans and then at the gun-toting whackjob, he screams, "that guy really hates cans!" I couldn't stop laughing as he gets cornered by a coca-cola machine and a can display indoors. It is comedy gold and with plenty more to complement, you will be smiling once the credits roll.

"The Jerk" is an easy watch, something you can take in quickly and get plenty of good laughs from. While it's not a comedy that strings together laugh-out-loud moments, it has its unique brand of humor grounded in both absurdity and plays on words. It's the kind of humor that's either a hit with someone or doesn't quite do it for them. The more you look back and recall lines and moments from this film, however, the more it grows on you. It's not about the big laughs, but the little things that make "The Jerk" special.

Steve Martin stars as Navin Johnson, a man who grew up thinking he was black and eventually sets out to find his greater purpose. Johnson is naive, stupid, ignorant, but lovable guy, and the film shows how the people around him turn him into...a jerk. This is easily Martin's best character role. He does such a great job handling the subtlety of the humor without playing the absurd moments too over-the-top. He really carries this film.

The odd humor manifests itself through jokes like when Johnson tells his girlfriend Marie (Bernadette Peters) what their time together has felt like, describing first day as feeling like a week, the second day felt like two days, etc. and when he writes home to his family and says "remember when I dreamed about having a big house with _____?" and then he describes with great detail all the absurd rooms in his mansion he could never have actually dreamed of as a child. It's all very original and will definitely appeal more to people who appreciate what makes each joke funny.

So the writing, which is mostly Martin and the acting, which is mostly Martin, are the aspects of the film most worthy of praise. None of the other characters are really written well enough to add anything significant to the comedy, so its the Steven Martin Show. In fact, if you'd told me he did it based on a Saturday Night Live character I would have easily believed you. Either way, this is an odd but easy to love, easy to watch comedy. It's truly different and definitely stands out.

Watching Steve Martin in The Jerk, I cannot help but be amazed. Martin has undoubtedly created THE dumbest character ever to appear in a movie. As Navin R. Johnson, he is dense enough to not realize that he's adopted- even though his whole family is black! He's the kind of guy who will gladly accept a ride to the end of the fence, and considers making $1.10 an hour as a gas station attendant to be a dream come true. He's too stupid to understand that a girl who will tattoo your name on her butt after the first date isn't exactly a high class woman.

OK. So he's dumb. So dumb in fact that he could never exist in real life. Anyone who takes the actions he takes, and goes through the experiences that he goes through, can only be a fictional construct. Usually this is fatal for a movie, because audiences cannot suspend their disbelief. This is especially true when the film has no real plot, but is merely a series a series of loosely connected scenes, as this movie is. Such are the trademarks of a box office bomb.

But here, with Martin in lead, it works. The Jerk is so over the top, and Martin plays dumb so successfully, that it's hilarious, believable or not. The entire film is on the level of a middle school production, and it's something of a one joke movie, but it's just plain funny from beginning to end.

I love his movie, and I laughed every minute, but I'm at something of a loss to explain its success. I guess if you play dumb enough, there's no telling what you can accomplish.

A very popular movie in its day, watching it a couple of years ago wasn't the same. Oh, it was still funny but just not the "hilarious" movie I always remembered it as. Maybe its reputation and memory exceeded its value, or maybe it's funnier when you are younger.

Whatever, there is still a lot of good laughs in year, subtle and slapstick variety. Now I laugh more at the subtle things. Almost all the characters in here, beginning with Steve Martin's "Navin R. Johnson," are wacky. Bernadette Peters, by the way, never looked prettier. This was in the earlier days of the ratings system and that PG rating would be at least PG-13 today. It still fun to see it after a long absence. Martin was on a roll back in those days, "a wild and crazy guy," and it's good that he's still entertaining us -- years later, although in a more subtle way. Hey, he's getting older, too.