Scusi, dov'è il West?

It is hard to find movies about the Jewish experience in America that are positive. At best most are cynical journeys from belief to assimilation. At worst, they depict Jewish as consisting merely of someone with a New York accent eating a bagel. There are few (I can't actually think of another one, but I'll be optimistic) films in which a person is depicted as being happily, actively Jewish, religiously, not just culturally. This film is a happy exception. Rabbi Belinski encounters many different kinds of people in his journey. He is confronted with many new cultures and pressures, but never abandons his beliefs. He may learn to ride, but not on Shabbat. He is happy to make friends with anyone who will respect him in his "differentness" just as he respects them. It may not be the greatest comedy or human drama, but it is near and dear to my heart.

Robert Aldrich was a director who made entertaining films throughout his career. He can count his blessings in having had the opportunity to work with one of the best comedians of all times: Gene Wilder.

This film is a delight, from beginning to end. Mr. Wilder, as Avram is a man we can't keep our eyes from, as he dominates the screen and makes this film his own. The adventures Avram goes through, coming to a country where everything is so different from the world he leaves behind, is what glues this tale together.

A young Harrison Ford is Mr. Wilder's sidekick. This bank robber shows the naive Avram the tricks about how to survive in a hostile environment. Mr. Ford underplays the role, and it works well because the funny lines are meant for Avram, and how he reacts to what he discovers, as he travels west.

This film will always be a favorite because it is universal and it reaches the audience with its positive message while laughing and enjoying the great Gene Wilder on the screen.

One of the best "feel-good" movies I have ever seen. I once heard Gene Wilder say that he got the Rabbi's accent from his grandfather, and I can believe it!

A few weeks ago, my husband and I were channel surfing in the middle of the night, and came across the movie, dubbed in Spanish. We ended up staying awake until the wee hours of the morning, just to watch this gem.

A gentle film, not afraid to show a love of religion and of friendship, I wish that more movies were like this.

This movie has withstood the test of time ... 25 years so far. At times it appears to contain obvious, silly and even base comedy. But that only mildly disguises the depth of humanity and profound philosophy that it successfully presents. Like other commentators, I consider this film to be one of my all-time favorites. Gene Wilder was at the peak of his career, having made a big splash in The Producers with Zero Mostel, and then going on to memorable performances in other Mel Brooks' classics: Blazing Saddles and Young Frankenstein. In fact, many people erroneously believe that The Frisco Kid is a Mel Brooks film. (Indeed the writers, Elias & Shaw, had several years earlier written a TV Pilot based on the Blazing Saddles plot, but it had failed.)

Though I am a big fan of Mel Brooks, I think that one reason this film succeeds so well is that Robert Aldrich directed it instead of Brooks. In other words, it is essentially a dramatic western that is filled to the brim with comedy -- instead of the other way around. Aldrich had previously directed serious epic westerns, and he became famous in the sixties for directing What Ever Happened to Baby Jane, Hush... Hush, Sweet Charlotte, The Flight of the Phoenix, and The Dirty Dozen. These films, as well as his classic The Longest Yard, showed how infusing humor into serious drama can make plots more interesting and characters more human and sympathetic.

Frank DeVol provided the music ... and you can see him in the part of the old time piano player. DeVol had provided music for a number of Aldrich films, including the five films mentioned in the previous paragraph. He was famous for his comic scores (e.g., Pillow Talk, Cat Ballou, and The Trouble with Angels) and his music for TV series (e.g., My Three Sons, The Brady Bunch, McCloud, and the Love Boat).

Another gem in this film is Harrison Ford -- in a role that seems so second-nature to him, but showcases his versatility. His character is not that much different from Hans Solo. (Star Wars appeared in 1977 and Empire Strikes Back appeared in 1980, while The Frisco Kid came out in 1979.) In fact, it seemed emblematic of the movies in the sixties and seventies that some of our big screen heroes were selfish rogues with a heart of gold. Think of Butch Cassidy and the Sundance Kid, which came out in 1969.

The executive producer was Hawk Koch, whose father, Howard W. Koch was a Hollywood icon, having produced scores of films, including The Manchurian Candidate and The Odd Couple. This was one of Hawk Koch's first jobs, and he has now been the executive producer of over twenty outstanding features, including Mike Myers' Wayne's World and -- another great comedy exploring religious belief -- Keeping the Faith, with Ben Stiller and Edward Norton.

Finally, because the DVD is not yet available, here's a gem that was not included in the IMDb Memorable Quotes section, though I have edited it to avoid giving too much away for those who haven't seen the film yet:

"Chief Gray Cloud: Yes or no, can your God make rain?"

"Avram: Yes."

"Chief Gray Cloud: But he doesn't?"

"Avram: That's right."

"Chief Gray Cloud: Why?"

"Avram: Because that's not his department!"

* * *

"Avram: ... He gives us strength when we're suffering! He gives us compassion when all that we feel is hatred! He gives us courage when we're searching around blindly like little mice in the darkness! ... "

HOW TRUE! Whether you identify with Gene Wilder's Rabbi or with Harrison Ford's Rogue, this film is filled with valuable lessons. The world is unpredictable. Sometimes we suffer. And sometimes we find strength, courage, compassion, ... and humor to deal with it all.

This movie is hysterical, from its depiction of what the American west must have looked like to an outsider to its terrific Jewish guilt and humor, although it does have a lot of "insider" Jewish humor. That's not to say it can't be enjoyed by non-Jews, as well, but a familiarity with Jewish culture definitely makes the movie more enjoyable. Wilder is at his funniest and Harrison Ford is charming as a side-kick, a role I wasn't accustomed to seeing him in. Watching Ford succumb to Jewish guilt--even when it means freezing his butt--is fantastic. My apologies to Blazing Saddles fans but I think this is way funnier. And it didn't even have to rely on fart-humor.