La polvere degli angeli

In all fairness, being a Chuck Norris vehicle, this isn't a bad film. It's quite a well made product, devoid of Chuck's sub standard acting, surpassed by the rest of the interestingly chosen cast, Neill exceptionally good as s female cop, and Gulager as a weary lieutenant, who unfortunately we don't see enough off in this. It has a cool start off as we dolly with a skateboarding teen (a drug courier) down the city streets of day, two cops trailing him, on their own accord as they want they collar. Instead they walk straight into death as a faceless karate assassin kills them in pretty painful ways. Bring on Chuckie who again, is not really acting, but can bring heart and reality into this role, like others.... unintentionally, I presume. As you can guess, woman cop Neill falls for him. The batch of Gulager's crew undergo karate training, to take on these powerful forces, but when the faceless villain, messes with Chuckie's teen friend, who's like a son, with great potential for the martial arts, it's now a fight to the death. Although it does lack action in long spaces of time, where it tends to sag here and there, as not living up to Chuckie's action quota, here we actually got a real Chuckie movie, and this is one of his I've always liked. The deadly showdown awaits too.

I saw this when it opened back in '79. I actually saw Bill Wallace fight the week before and Chuck Norris was in his corner. I had just started studying karate about a year earlier so I was psyched about seeing it. I have to disagree with a few people's opinions about this movie. While no one would EVER confuse this with Academy Awards material; for what it is, it's not bad at all. In fact, it can be downright enjoyable! As for the fights, a lot of people have been putting them down, especially the ring fights. I thought that they were, for the most part, outstanding. You have to remember that back when this was filmed, the concept of "fighting the camera" to bring the audience into the fight was a relatively new concept and was very effective for its time. Granted, it's been WAY overused since then, but remember that this was 1979. So just keep in mind it's time and limitations and I think that you can really have a blast with this one. I do.

Back when A Force of One was originally released, I viewed Chuck Norris' movies as boring, brainless, and cheap. In the years since, I've changed that original assessment and can see them for what they really are. Now I look at these early Chuck Norris' movies as fun, brainless, and cheap.

The plot is incredibly simple and shows a total lack of creativity. When two cops are killed by someone using Martial Arts, they seek out the one man who might be able to help them - the local karate champion, Matt Logan (Norris). The cops quickly persuade Matt to help them, but when Matt's son turns up dead, he goes from helping to an active participant.

Instead of writing a regular review or pointing out strengths and weaknesses in the movie, I'll just list a few random thoughts I had while watching:

· It's not that the cops are skeptical about how karate can help them, a few act like they can't even pronounce the word. · The needle marks in that girl's arm makes it look like she been using a turkey-baster to shoot-up with. · You would think that after one set of cops is killed that the superior officer would do a better job of keeping track of where and what his men are working on. · Wow, a ninja in the stockroom! You just don't see enough of stuff like that in real life. · If you couldn't guess that Matt's son was going to get into serious trouble when he started his own investigating, you haven't seen enough bad action movies. · The identities of the bad guys are so obvious it's embarrassing. · Why is the police captain wearing a Matt Logan t-shirt under his bath robe?

It may be bad, but there are still several enjoyable moments. One of my favorites is the most obvious - watching Chuck Norris square off against Bill 'Superfoot" Wallace. Two legends of the Martial Arts in a fight to the death - good stuff. It almost makes the whole movie worthwhile.

Like my previous Chuck Norris film review, I also saw this one at a local drive in with a couple of neighbors. I can't remember too much of it, but do remember that it was entertaining in regards to a corrupt police investigation of some kind, something involving drugs, and, of course, martial arts.

It was one of Chucks better flicks, and he showed some chops in the acting department, but I can't say that the film stuck with me all that much. Regardless, it was somewhat impressive. Ironically enough the one thing I remember about going to see this film was the preview for "The Villain", a western spoof.

There's not much in the way of plot in this thing, but it has a decent enough emotional story. If you're into martial arts, and want to see Chuck Norris early in his career, give this film a try. Not a bad watch.

Enjoy.

I wouldn't mind one of those Matt Logan t-shirts you see his people wearing in the movie… well sadly you don't get one with the DVD. Oh well. After the box-office success of "Good Guys Wear Black", Chuck Norris would roll out another then another. "A Force of One" was one of those. These earlier films ("Good Guys Wear Black", "A Force of One" and "The Octagon") backed by American Cinema seemed to have the same style and formula; but while they did have thick, knotty plots (like something out of a crime/cop show), Chuck didn't entirely get much of a work out compared to some of his fun, over-the-top 80s work.

"A Force of One" is a decent, if not particularly igniting old-school Chuck Norris outing where he's confronting drugs with a karate chop/kick. A team of narcotics agents enlist the help of a martial arts expert Matt Logan, when some of their agents end up dead by a serial killer who uses karate. Hesitant to help at first, but soon Logan finds it personal --- revenge and honour.

There's some action; well staged too (like the climatic battle outside the ring), but a lot more time is spent in training (for his championship fight), lessons (for the narcotics agents), being a mentor figure and then trying to connect the dots on who might be the karate serial killer (with little surprise on the reveal). It's rather talky and consisting of the same patterns, but never was I bored. Norris is looking much more comfortable than say in his last role. He comes across genuine in his moods, having a sense of humour and of course delivers on what matters --- amazing martial arts and stunt work. Across from him is a headstrong Jennifer O'Neal. Also the cast features big players like Clu Gulager, Ron O'Neal, James Whitemore Jr. and Charles Cyphers. Paul Aaron's direction is competently tidy, drawing up some striking set-pieces accompanied by Dick Halligan's rhythmic music score of offbeat tempos.

Well made, but standard action/investigative fare.