Aggiungi una trama nella tua linguaA journalist attempting to solve a mystery in "Martial World" enlists the aid of a master fighter and a woman named Green Breeze. They go to a mysterious castle where they come across poison... Leggi tuttoA journalist attempting to solve a mystery in "Martial World" enlists the aid of a master fighter and a woman named Green Breeze. They go to a mysterious castle where they come across poisonous butterflies and a black-leather-clad killer.A journalist attempting to solve a mystery in "Martial World" enlists the aid of a master fighter and a woman named Green Breeze. They go to a mysterious castle where they come across poisonous butterflies and a black-leather-clad killer.
- Regia
- Sceneggiatura
- Star
- Fang Hongye
- (as Lau Siu Ming)
- Tian Feng
- (as Wong Shee Tong)
- Green Shadow
- (as Michelle)
- Lady Shen
- (as Chan Chi Chi)
- Shen Qing
- (as Cheong Kwok Chu)
- Guo, 'The Magic Fire'
- (as Kuo Hung)
- Li, 'The Thousand Hands'
- (as Wong Cheong)
- No.10 of the Red Flags
- (as Jiangli Xia)
- Thousand Hands Li Kim
- (as Tien-lung Chen)
Recensioni in evidenza
The story is confusing enough without having subtitles wholly obscured. That is what happened with the VCD.
The film seems to be only sympathetic towards two characters FONG the writer and a female warrior GREEN SHADOW. In turn they appear allied to the TIEN clan leader, who has also been invited to the SHUM castle.
The castle becomes another character - its exterior grim and barren when the main characters arrive, rather those in AGATHA CHRISTIE's "Ten little Indians". And when they are subjected to the first of many relentless attacks by butterflies, they find refuge underground.
The underground is a maze, with mysterious rooms suddenly appearing and concealing the butterflies themselves; arsenals of elaborate weapons, and so forth.
I wonder if we were not intended to be as confused as all those invited to the castle, to their deaths, as the film plays out: to know is to die, to quote Darius Jedburgh ("Edge of darkness," 1986).
This is one of the few HK films that I have seen that has thrown me re its plot and its characters: it took me a long time to really identify the actors and their characters. That said, I was very impressed with the staging of the action which is plentiful and varied; intrigued with the villain and his suit of body armour (it seemed something out of a Mario Bava slasher film), and quietly applauded the cynical ending, but was upset that once again the filmmakers should use so much Jerry Goldsmith ("Planet of the apes") and Ennio Morricone ("Moses") in the soundtrack.
An entertaining debut by Tsui Hark!
The Butterfly Murders has been described as a martial arts giallo, and it's easy to see why: coming from director Tsui Hark, there is obviously kung fu, but the plot is just as bizarre as many an Italian murder mystery, with one of the craziest methods of murder imaginable (butterflies!). There is also no shortage of style, Tsui providing some stunning visuals.
Unfortunately, the film didn't satisfy me as either an action flick or a horror/thriller: the martial arts are fairly unimpressive, while the story is so convoluted that it wasn't long before I didn't have a clue what was going on. A protracted scene of exposition did nothing to help matters. The Butterfly Murders is an undeniably unique debut from one of Hong Kong's most celebrated directors, but it's far from his best.
I checked out this movie to get a feel of what Tsui Hark was like in the beginning, I was not disappointed at all.
The story was filled with twists and turns, and the middle of the movie was like a detective story as Fong and the Green Shadow (an unexpected guest at the Shum Castle) were investigating the murders. An extremely interesting and entertaining plot. The set decoration was done exquisitely, especially the labyrinth-like underground tunnel and the place where butterfly specimens were displayed. Unlike other movies in the same genre, the weapons used by the characters (no swords involved) and their costume were all creatively designed. So there is a certain degree of novelty in the movie, even though it was shot in 1979. In fact to some extent, a lot of the recent Hong Kong jiang hu movies had copied the art designs of this movie.
The butterfly invading the Shum castle scene as well as the butterfly killing people scenes were beautifully shot, and reminds me a lot of Hitchcock's The Birds (the difference between the two movie is that this film explains towards the end why the butterflies are killing people).
This film was said to have opened the new page for the Hong Kong New Wave movement in movies. It also proves that Tsui Hark is quite an expert with jiang hu movies. In fact this one is better than some of his later works, like the Blade.
This is an extremely worthwhile movie for the Jiang Hu martial arts fans to watch, especially those who like Crouching Tiger Hidden Dragon.
Lo sapevi?
- QuizHark Tsui's directorial debut.
- Citazioni
Tian Feng: [after killing Shen Qing] Looks like the game is over.
Guo, 'The Magic Fire': Looks like it has just begun.
[releasing a Fire Crow]
- ConnessioniFeatured in The Art of Action: Martial Arts in Motion Picture (2002)
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Dettagli
- Data di uscita
- Paese di origine
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- Celebre anche come
- The Butterfly Murders
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 28 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1