Dip bin

This is a movie that I never heard of until prepping for the Podcast Under the Stairs' Summer Challenge Series. One of the other hosts recommended it. Now I recognized the director of Hark Tsui. I've seen a remake of The Legend of the 7 Golden Vampires that he did which was named Vampire Hunters. The only time that I saw that, I wasn't fully prepared for what I got. That is one I need to revisit, having broadened my taste more.

Synopsis: a journalist trying to solve a mystery in 'Martial World' enlists the aid of a master fighter and a woman named Green Shadow (Michelle Yim). They go to a mysterious castle where they come across poisonous butterflies and a black-leather-clad killer.

Now I'm not going to name all the characters as they went fast and I watched this in its native language with subtitles. What I did catch is that there have been major wars within a 36-year period. Many died and they're now in a quiet period. We see a man walking through a desert before shifting over to a pond. We follow a man from it who wants to get the memoirs of Fong published. He was supposed to be great at the martial arts. After the wars, there is less that known. The publisher is interested, but he points out this is a fake. He is then murdered. The man accused flees.

We then shift over to Fang Hongye (Siu-Ming Lau). He meets with No.10 of the Red Flags (Kuang-Li Hsia). This group fights under the banners of Tian Feng (Shu-Ton Wong). They're summoned as something has happened at Shen Castle. They are to get to the bottom of it. The rumor was that poisonous butterflies came and killed everyone. They're joined by Green Shadow.

Arriving at the castle, the spy they sent is found dead. There are tiny bites all over him. As they search the castle, they discover a servant who appears to be deaf and mute. She leads them to a secret tunnel where the residents are hiding. They're led by Shen Qing (Kuo-Chu Chang). Tian and his group try to solve the mystery of these killer butterflies. The truth of the matter will expose secrets that are hidden within the labyrinth that is under the castle.

That should recap the story and introduce some of the characters that we are working with. Where I want to start is that we have an odd blend of a martial arts movie with eco-horror. This has a fantasy feel with the minimal cast that we get. I like this setting up that this could be taking place in our world, but it also doesn't pin-point an exact location. The fantasy elements also come from the fight sequences we get in the movie. There aren't a lot of them and most of that is near the end of the movie. I'll be honest, I used to hate movies like this. People flying around while fighting and what not. I've come to appreciate it and visually it makes things more interesting.

There is an interesting mystery here. Tian and his crew are called in to get to the bottom of what happened at this castle. There are talks of a curse, which piques my interest. The aftermath of when they attack someone looked good. Butterflies aren't something that is scary and I'll be honest, this is the first movie I've seen utilize that. I like the idea though of a poisonous version at the crux here. We learn more about why they're attacking and it fits with what I know about movies from the area. They love to have characters in tune with nature and that works for me. I'm a fan of eco-horror so this fits in that.

Something else that I found interesting while on the Internet Movie Database page. They have giallo and Hong Kong giallo listed as keywords. I can see that. At the most basic concepts, we have a murder mystery here. There isn't a black glove killer, but we do get one that is in a black leather outfit. When this character shows up and a fight sequence happened, it made me think of the martial arts films I love growing up. This fighter seems unstoppable and no one can harm him. This moves into more mythology about an elite group of four called 'The Thunders'. They were secret and the best at what they did. Their lore comes into play for the end of the movie as well.

That should be enough for fleshing out the story elements. I'll take this over to the filmmaking aspects then. The first will be the acting. I thought that we had some distinct characters that were interesting. It is hard to sync them up by their names via the IMDb page, but while watching this I knew who everyone was. I did enjoy that and I'd say across the board they were good. This movie is shot well. It doesn't use a lot of the over-the-top fight scenes with wire work, but we do get some of that. The effects we do get are solid enough. What impressed me most out of this though was the soundtrack. Looking back, I could see gialli elements there. It stood out in a way that I enjoyed.

In conclusion, this is a wild movie and one that I'm glad I can say I've seen. We aren't getting the most complex story, but the elements we get work. I can even see how some could consider this a Hong Kong giallo. We have a killer in black leather who is picking off different people in this castle. There is a mystery to solve as to their identity. I think this is well made as well. The acting is solid. The effects we get are good, including the fight sequences. Soundtrack though impressed me the most there. I would say that after this first viewing, I'd say this an above average movie. I will come back to this one though with how much fun I had.

My Rating: 7 out of 10.

The film debut of legendary Hong Kong director and producer Tsui Hark, The Butterfly Murders is a blend of everything and anything into what I'm going to say is an 88-minute new-wave wuxia murder mystery spectacle. If I'm honest, whatever you thought going into this film with a title like that, will not be what you get. Hark's visual style and later hallmarks are on clear display but also tangled up in a plot so confusing that if you look away for a second or even blink, you'll miss vital details and thus the whole story. There is one thing you can infer from the title, however... the butterflies do indeed kill people.

The movie begins with the mysterious death of a the paper mill owner, causing the attention of the Tien Clan into the incident. In the meantime, the owner of Shum Castle invited the people of Tien Clan and Fong Hung Yip (a chronicler of jiang hu history) to stay in their castle, telling them about the butterfly murders that has been going on there. But before Fong and Tien had found out why the butterflies are out killing people, the owner of Shum was murdered by those butterflies. As a result 3 more Jiang Hu leaders were called to the Shum Castle and the mystery of the butterfly murders gradually unfolded.

The story was filled with twists and turns, and the middle of the movie was like a detective story as Fong and the Green Shadow (an unexpected guest at the Shum Castle) were investigating the murders. An extremely interesting and entertaining plot. The set decoration was done exquisitely, especially the labyrinth-like underground tunnel and the place where butterfly specimens were displayed. Unlike other movies in the same genre, the weapons used by the characters (no swords involved) and their costume were all creatively designed. So there is a certain degree of novelty in the movie, even though it was shot in 1979. In fact to some extent, a lot of the recent Hong Kong jiang hu movies had copied the art designs of this movie.

The butterfly invading the Shum castle scene as well as the butterfly killing people scenes were beautifully shot, and reminds me a lot of Hitchcock's The Birds (the difference between the two movie is that this film explains towards the end why the butterflies are killing people).

This film was said to have opened the new page for the Hong Kong New Wave movement in movies. It also proves that Tsui Hark is quite an expert with jiang hu movies. In fact this one is better than some of his later works, like the Blade.

This is an extremely worthwhile movie for the Jiang Hu martial arts fans to watch, especially those who like Crouching Tiger Hidden Dragon.

Tsui Hark has one of the most unique voices of the Hong Kong new wave that revolutionized action cinema, kung fu and comedy in the late 70s and gave us a deep well of remarkable treasures that has yet to run out. Visually he is certainly among the best in the business, not only in Hong Kong, both as a director and a producer. The Once upon a time in China and Chinese ghost story series being particularly impressive examples of his prowess.

Butterfly Murders already contains many of his future hallmarks, especially in the imaginative cinematography. It's basically a blend of Kung Fu action and Giallo which I had yet to see. As such it is not fully successful. The visuals are quite amazing, very distinct and cinematic. They foreshadow both his own career and the new trajectory of Hong Kong cinema at the nadier of the more theatrical Shaw brothers productions. The limited setting is suspenseful and well utilized. The mystery story setup is also quite intriguing at first, but the conclusion left a few things left to be desired. The same goes for the fight scenes, which aren't done badly by any means but lack the fluency, creativity and splendor you associate with Tsui Hark. It appears he had yet to learn to marry the hypnotic beauty of his narrative shots with his action shots.

It's an entertaining romp throughout, so I don't want to come down on it too harshly, but it should or at least could have crescendoed to a true classic. I usually wouldn't suggest such a thing, but maybe this material could be made to shine with a remake by the master himself.

The new MEI AH DVD "The Butterfly Murders" is a very welcome release, as the only time I have seen this debut effort by TSUI HARK was by watching a very poorly transferred VCD.

The story is confusing enough without having subtitles wholly obscured. That is what happened with the VCD.

The film seems to be only sympathetic towards two characters FONG the writer and a female warrior GREEN SHADOW. In turn they appear allied to the TIEN clan leader, who has also been invited to the SHUM castle.

The castle becomes another character - its exterior grim and barren when the main characters arrive, rather those in AGATHA CHRISTIE's "Ten little Indians". And when they are subjected to the first of many relentless attacks by butterflies, they find refuge underground.

The underground is a maze, with mysterious rooms suddenly appearing and concealing the butterflies themselves; arsenals of elaborate weapons, and so forth.

I wonder if we were not intended to be as confused as all those invited to the castle, to their deaths, as the film plays out: to know is to die, to quote Darius Jedburgh ("Edge of darkness," 1986).

This is one of the few HK films that I have seen that has thrown me re its plot and its characters: it took me a long time to really identify the actors and their characters. That said, I was very impressed with the staging of the action which is plentiful and varied; intrigued with the villain and his suit of body armour (it seemed something out of a Mario Bava slasher film), and quietly applauded the cynical ending, but was upset that once again the filmmakers should use so much Jerry Goldsmith ("Planet of the apes") and Ennio Morricone ("Moses") in the soundtrack.

An entertaining debut by Tsui Hark!