Black Stallion

I re-viewed the movie, on video, after not having seen it for many years. The cinematography is fantastic, and I believe it won an Oscar - and deservedly so. The lovely score fills in a script of few words. Even Mickey Rooney, who's had his ups and downs in his acting career, gives a wonderful performance as the former jockey who trains Alec. Treat your kids to a showing of this great film, then give them the book to read...

I just saw the film (I know, I know,- it's an old,old film) and I was transfixed by the acting performance by the kid, Kelly Reno. It is strange how life turns her fate in a one-moments incident that changes life forever. This is something many of us have come to understand. Still, I wonder what Kelly would have accomplished in the film industry, had he not suffered from his accident. His portrayal of Alec Ramsey was so believable, that I was certain he made many more films. All we can do, is hope that our lives turn out to be happy and fulfilling. I have learned to live for the moment and I hope he has, too.

This movie is a feast for the eyes with an ending that has you on the edge of your seat. It is really two movies in one. The first movie is all about a boy and a horse shipwreaked on an island and how they learn to survive by helping each other. The second movie is about how Alex saves the horse and gives it a purpose in the world with the help of Mickey Rooney. The photography and story are very strong and help make this movie a visual delight with a minimum of dialog. Isn't that what movies are all about?

First, please don't base your opinion on the last critic's remarks. You must see this movie and judge for yourself. I have been in love with this movie since I was 7 years old (1979) and I just watched it again for the first time in many years. I STILL love it!

It is one of my top ten movies of all time (Lawrence of Arabia being #1).

There isn't any bad acting. In fact, I think that Kelly Reno did a fine job as Alec...clever, introspective, and curious. Hoy Axton did a great job as his father, as well. Maybe I just connect with them because I had a similar relationship with my dad.

I challenge you to watch this film without nit-picking it to death, especially if you have an artistic soul. I thought it was lovingly directed with a lot of original camera shots (for 1979) and perfectly composed/matched music. Do you know there is an incredible length of time during this film where not one word is spoken? Nor, is it needed. Indeed, words would be sacrilege to the simple beauty of the growing friendship between boy and horse.



It's an exciting, heartwarming, beautiful, and moving tale...I can't wait to show it to my future children so I can share the magic.



*PS - make sure you turn up the bass in the beginning so you can hear the ship's heart - imagine being on that ship and hearing that all the time. It really helps set the tone and brings a conflicting sense of impending doom and comfort.

For nearly the first hour, not more than a few pages of dialogue are spoken. Yet the camera is able to tell a complicated narrative as well as evoke powerful emotions with nothing but pure visuals. The scenes that establish the emotional relationship between the 10 year old protagonist and his equestrian soul-mate not only move the story along, but provide us with some of the most stunning visuals I have ever seen on film. It recalls the powerful visuals of films like 2001: A SPACE ODYSSEY and NANOOK OF THE NORTH.

Then there is the mind-boggling riding stunts, if they are stunts that leaves one staring in wonder at what the young actor is doing right before our eyes. As far as I could tell, and it was the consensus of everyone who saw this film with me, there were no trick shots and no stunt doubles. The camera is too close and it is obvious that what we are seeing is real. Without giving much more than that away (because these sequences really need to unfold before you with no foreknowledge), it is enough to say that the first half of the film could stand alone as a complete work. Coupled with Carmine Coppola's exquisite score that matches every subtle turn of feeling with every scene, the picture is a joy to behold. A sequence with choreographed movement underwater is nothing short of an incredible ballet. How this film did not wind up on every one of those silly "top 100 films of all time" lists, I cannot fathom. How it did not win a multitude of Academy Awards is a mystery. Caleb Deschanel's cinematography is simply breathtaking.

The second half is no less a pleasure, but as the studios are wont to dictate, a story in the age of MTV and LETHAL WEAPON 16 cannot remain subtle and esoteric -- it can't be simply about the powerful bond between friends, boy and horse, man and boy....trust between creatures beyond words and definitions. So there is conflict, action and a race; the tension that makes for exciting storytelling, yet the rich emotional texture that is achieved even without these more mundane fixtures still dominate the work. And I must add, those more spiritual qualities surprisingly are not diminished by the action sequences but remain the dominant elements of the film's power-of-the-whole. And where there is dialogue, much to director Ballard's credit, it is kept sparse, it's not strained but is quite believable. Even Mikey Rooney, who could have been any director's worst nightmare, turns out a touching performance.

This is a film that marries every element perfectly -- from the music to the photography to the precision editing to an improbable performance from such a young actor. The loudest kudos must go to the young Kelly Reno who turns out a performance that rivets you from the first scene to the last with its power and simplicity.

This is not just a good film -- this is a masterpiece; it's what cinema is all about. And of course the only way to see it is in a theatre on a large theatre screen, NOT on a 19in TV set. Even DVD is more like a xerox copy compared to the definition that a 35mm print provides. If there is an art cinema near you, go to the director and plead with him/her to book this gem. Bring your kids or your nieces and nephews -- the younger generation needs to see what real film-making is all about. And powerful statements about trust and friendship and personal strength wouldn't hurt them either.