Linea di sangue

"Bloodline", based on a novel by "I Dream of Jeannie" creator Sidney Sheldon, probably qualifies as one of Audrey Hepburn's lesser movies. Hepburn plays the heir to a pharmaceutical company who becomes a marked woman following her decisions about the company's future. I didn't find it a terrible movie, but Hepburn obviously starred in much better films (much of the movie seems like a rehash of her earlier movie "Charade"). She and co-star Ben Gazzara later co-starred in Peter Bogdanovich's bizarre "They All Laughed".

Director Terence Young is probably best known for "Dr. No" and "From Russia with Love". He didn't hit the bottom with this flick, but I doubt that anyone would want to stress it in their resumes. Usually I would say that there would be an incentive to remake it to try and do it right, but I actually don't like the idea of remaking an Audrey Hepburn movie. Since everyone is bound to have a few bad spots on his/her resume, we can leave it at that. "Bloodline" is still a pretty enjoyable movie, if not a masterpiece.

Also starring James Mason, Claudia Mori, Irene Papas, Michelle Phillips, Maurice Ronet, Romy Schneider, Omar Sharif, Beatrice Straight, Gert Frobe, Marcel Bozzuffi, Pinkas Braun, Ivan Desny, Vadim Glowna, Walter Kohut and Wolfgang Preiss.

Audrey Hepburn returned to Hollywood in the late 1970s to much fanfare...but once her return movie, "Robin and Marian", was finished, Hollywood didn't know what to do with her. Throwing money her way to get the Audrey Hepburn name on a film product seemed to be the industry's answer, and Hepburn collected a $1,000,000 paycheck (plus profits, though I doubt there were any) for this adaptation of Sidney Sheldon's bestselling novel. It all must have looked good expense-wise, but one has to wonder if she even read the script. It's a pallid whodunit: pharmaceutical titan is killed in a mountain-climbing accident; his daughter, though left out of the industry-loop for most of her life, decides not to sell out and run the empire herself. This is disconcerting to her greedy relatives on the board of directors, who had hoped to reap profits in their boss's absence. After a police inspector deduces the billionaire was actually murdered, and the daughter's brakes go out on a winding mountain road, it becomes clear to her there's a fox in the henhouse. Boring mystery is 'spiced up' with a snuff-film subplot involving the killer, a bald, naked strangler and some unfortunate prostitutes (and which, like many of the story threads, is never resolved; this movie doesn't end, it just stops). Hepburn is lovingly lighted and, though she's rail-thin, is the sole bright spot in this catastrophe. Ben Gazzara, James Mason, Omar Sharif, Gert Fröbe, Romy Schneider, Irene Papas and Beatrice Straight are all wasted. Terence Young directed, bringing absolutely no personality to the job. Talented writer Laird Koenig did the adaptation, which is humorless and without a shred of suspense. The finale seems to be an homage to Hepburn's classic "Charade", but here the staging is so static and clumsy it doesn't come off. Rightfully regarded as one of the worst films of Hepburn's career. * from ****

Sam Roffe, president of a multi-national pharmaceutical corporation , is killed while mountain-climbing . When her dad is murdered, a rich heiress , Elizabeth (Audrey Hepburn) , becomes the next target of an unknown murderer amid the international jet set and submitted to a twisted conspiracy . It is first determined to be an accident , but Inspector Max Hormung (Gert Frobe) thanks to an old computer deduces that Roffe was murdered by a hired killer . Hoping to reveal the true guilty , the stubborn commissioner investigates here and there among the supposedly beneficiaries of the death , as the line between love and death is the bloodline . After that , Sam's daughter Elizabeth assumes control of the company , and subsequently traveling through Europe and running the pharmaceutical empire , as well . Suspicion falls on the Roffe cousins , all of whom want to go public with the company and sell their stock at a huge profit . Since this would be against her daddy's wishes , Elizabeth rejects their advice . As Inspector Hormung investigates the background of the cousins , as family secrets run deadly . Then more attempts are made on Elizabeth's life and there are several suspect people , all her relatives : James Mason as Sir Alec Nichols , Claudia Mori as Donatella , Irene Papas as Simonetta Palazzi , Michelle Phillips as Vivian Nichols , Maurice Ronet as Charles Martin , Romy Schneider as Hélène Roffe-Martin and Omar Sharif as Ivo Palazzi .

This intriguing and suspenseful film contains tense scenes , thriller, drama , mystery and shocks . Adding disturbing frames concerning a series of murders on prostitutes , which are recorded on snuff films , and eventually tense sequences especially in its final part , in a creepy denouement , near of the end with a crazy killer attempting to murder her . The plot is plain and simple : a pharmaceutical heiress becomes the next target of an unknown killer amid wealthy relatives craving for the inherited fortune , who's the killer ? . Although it is sometimes slow moving and stagy , however , being entertaining for the continuous suspense and tension . This film was made and released about two years after its source novel of the same name by Sidney Sheldon was first published in 1977 and the book was Sheldon's fourth novel , this prolific writer was very adapted and wrote several scripts , such as : The Bachelor and the Bobby-Soxer , The dangerous hero , The borrowed lady , Gambling Daughters , South of Panama , The Buster Keaton story , Jumbo , among others . The picture has been panned for being an inexcusably repulsive montage of predictability , bad taste and incoherence and the reason for some hardcore fans of Audrey Hepburn will be sickened to see her in such a travesty , in fact , it was only film rated ¨R¨ she played , as it contains graphic sex scenes and grisly violence . A large and notorious cast , that's why the essential entertainment of the film results to be to discover who main and support actor and actress appearing here and there . As a mature Audrey Hepburn is nice as the pharmaceutical heiress who decides to keep the company within the family , resulting to be involved into a conspiracy to kill her and she immediately becomes a deadly target , while Ben Gazarra plays her suspicious lover . The very secondary cast includes a lot of familiar faces from B-European genres , such as : Pinkas Braun , Wolgang Preiss ,Marcel Bozzuffi , Ivan Desny , Dan Van Husen , Ursula Buchfellner , Hans von Borsody, Mike Monty , and many others.

Special mention for the attractive and enjoyable musical score by maestro Ennio Morricone in his usual style . As well as evocative and adequate cinematography by expert cameraman Freddie Young . Shot on a large number of locations in Munich , Burghausen, Bavaria, Germany , London , Paris , Cinecittà , Rome, Lazio , Italy , Copenhagen, Denmark and Sardinia, Italy . This thrilling motion picture was middlingly directed by Terence Young , containing a lot of flaws , gaps , shortcomings and predictibility . Terence was an uneven craftsman who realized three of the first four James Bond films , as ¨Dr No¨, ¨From Russia with love¨ and ¨Thunderball¨, such successful blockbusters were hard to continue , though he attempted in search of more box office hits . His biggest film was , beyond doubt , ¨Wait in dark¨ with Audrey Hepburn and Richard Crenna . However , his last period was largely unsuccessful , full of failures and duds as ¨Amazons¨ , ¨Klansman¨ , ¨Blood line¨, ¨ Inchon¨, ¨Jigsaw man¨, ¨Takeover¨ , though some action scenes remained undiluted . Rating : 5/10 . Mediocre , only for Audrey Hepburn and Ben Gazzara fans.

Very disappointing.

Nobody expects film based on Sidney Sheldon's book to be come art-house masterpiece but at least it could be made into enjoyable crime movie like Death on Nile. Well it was not. Despite the rather famous director (Young is not Fellini of course but most his previous films were enjoyable eye-feasts; would that be a spy adventure (2 Bond movies), eurowestern (Red Sun) or costume drama (Mayerling)) and all-star cast the film is very weak.

The plot is inconsistent and empty the idea to equip the Agatha Christy-like crime puzzle with subplots from other genres may seem not bad idea but it doesn't work at all

Subplot 1- (WWII -Jewish Tragedy with absolutely aimless trip to Poland) and Subplot 2 (French one - Schneider/Ronet story ) seem to be taken from the absolutely different film as well as the type-cast Shariff's line

Actually this all-star cast is the only reason to watch it, but its is painful to watch so much talent wasted. If Hupbern, Gazarra and Mason are at least is doing something during the boringly unveiling plot, the others are just fitting the empty space. especially annoying to see superb dramatic actresses like Papas and Schneider wasting their talent in this turkey.

When "Bloodline" was released in 1979, a major magazine review pointed out that in the course of the story, ostensibly for failure to pay a gambling debt, a character's knees are nailed to the floor. The critic then went on to say, `This is what Paramount Pictures is going to have to do to get audiences to sit through this picture.' There aren't enough negative things to say about this abomination of a movie. The meandering, incoherent story is hampered at every turn by ludicrously bad production values. The direction, the inept blocking of the scenes, the lighting, the sets – in every case conspires to make the results look cheap and hollow. The movie is really a miracle of dreadfulness. The following is one of thousand small crimes against cinema throughout the picture: There is an explosion in the street. This is conveyed by a flash of light on the actors in the scene and a sound effect. The next shot, meant to be the view of the street from the window, is a still photograph beneath which someone is apparently waving a lit piece of paper. Just before the cut from this scene, the photograph actually starts to buckle from the heat of the flame. And the filmmakers left this in the film! The real crime against cinema is the fact that the name of Audrey Hepburn is associated with this repugnant film, a monstrosity so putrid, one wishes every single copy of it would magically disappear.