Aggiungi una trama nella tua linguaAs the horrors beneath the idealized 1950s come about, a successful young woman finds herself having a serious mental breakdown when she returns to New England.As the horrors beneath the idealized 1950s come about, a successful young woman finds herself having a serious mental breakdown when she returns to New England.As the horrors beneath the idealized 1950s come about, a successful young woman finds herself having a serious mental breakdown when she returns to New England.
- Regia
- Sceneggiatura
- Star
Recensioni in evidenza
i saw this a few months ago and i hope i never will have to again...i was not expecting something so hideously bad and corny....julie harris couldn't even save it...she was the only one who acted with some dignity...everything in the movie is jumbled and done wrong...the book is amazing, don't get me wrong, i love it to death..it's one of my all-time favourites, absolutely brilliant...but i find it sad how terrible the only movie it was made into is....i could've done a better job with the idea and i don't even know the first thing about moviemaking
Remember seeing this film years ago and it had a lasting impression on me! I remember the wonderful performance of Marilyn Hassett as Esther and Julie Harris as her mother! The breakdown of the main character was horrorfing and so well acted! I wish this was on video! Whatever happened to Marilyn Hassett she had a real promising career and what beautiful hair!
This movie is one of the few I actually bought several copies of. Though it is circa 1979, it is not dated, and so much more effective than the recent "Sylvia" film, which is dominated by Gwyneth Paltrow's persona.
Marilyn Hassett plays the principal role, and does an excellent job. She does not overshadow the personality of Sylvia Plath, who was an interesting, conflicted and brilliant individual.
The story follows Sylvia at Smith College, where a young Donna Mitchell ("Mona Lisa Smile" mother to Kirsten Dunst), plays her best friend. The scenery invokes New England autumn, promise and hope. Julie Harris is perfect as Aurelia Plath, Sylvia's mother. We can almost feel Sylvia's disdain, as her mother reminds Sylvia ...""you got nothing but straight A's....oh, except for deportment"... Her mother is always at her, and this mirrors Sylvia's eventual faltering self-image.
The story progresses as she wins a scholarship to NY where ..."ëvery one envied me that summer"... However, there is the fateful backdrop of the Rosenbergs, the Eisenhower era, and Sylvia's doubts about her future. We see fashion shows, jewelry, cosmetics, and the fear Sylvia has of what awaits her. One should also read the book to get her true impressions, which are quite astute, reflecting women's roles in the late 1950's.
Since it was the late 50's Sylvia was expected to marry, but does not see this as a viable solution, indeed it is a hindrance to her writing career. She is on the brink of decision, when she has the ultimate breakdown; I will not delineate the detail, you must watch the brilliantly constructed story, which leads her to her decision. The main issue I liked was that her life was shown, not in conjunction with a man (like the more recent movie) but how SHE was affected, and what life meant to her.
Marilyn Hassett plays the principal role, and does an excellent job. She does not overshadow the personality of Sylvia Plath, who was an interesting, conflicted and brilliant individual.
The story follows Sylvia at Smith College, where a young Donna Mitchell ("Mona Lisa Smile" mother to Kirsten Dunst), plays her best friend. The scenery invokes New England autumn, promise and hope. Julie Harris is perfect as Aurelia Plath, Sylvia's mother. We can almost feel Sylvia's disdain, as her mother reminds Sylvia ...""you got nothing but straight A's....oh, except for deportment"... Her mother is always at her, and this mirrors Sylvia's eventual faltering self-image.
The story progresses as she wins a scholarship to NY where ..."ëvery one envied me that summer"... However, there is the fateful backdrop of the Rosenbergs, the Eisenhower era, and Sylvia's doubts about her future. We see fashion shows, jewelry, cosmetics, and the fear Sylvia has of what awaits her. One should also read the book to get her true impressions, which are quite astute, reflecting women's roles in the late 1950's.
Since it was the late 50's Sylvia was expected to marry, but does not see this as a viable solution, indeed it is a hindrance to her writing career. She is on the brink of decision, when she has the ultimate breakdown; I will not delineate the detail, you must watch the brilliantly constructed story, which leads her to her decision. The main issue I liked was that her life was shown, not in conjunction with a man (like the more recent movie) but how SHE was affected, and what life meant to her.
When they say that a book is always better than the film adaptation, "The Bell Jar" is a movie that can support that opinion to its highest degree. Sylvia Plath`s American classic, "The Bell Jar", is a vivid, disturbing and brutally honest depiction of a young woman`s plunge towards insanity in the 1950`s, and it has become my favourite book of all time. The film version, however, failed miserably in trying to tranfer the book onto the big screen. The original story was cut up so badly for the film, you sometimes can`t even tell if they`re the same story. The acting by the main character`s was mediocre at best, and worst of all, the movie completely lacked the poetic and evocative spirit that made the book special. Watching "The Bell Jar" just isn`t the same as reading the book, trust me when I say the book is much better.
This is one of the worst films I've ever seen. I looked into it mainly out of a morbid curiosity since I loved the novel, and I wish I hadn't. I turned it off after a little less than an hour, though I wanted to turn it off after five minutes. I wish I had. It disregards the novel a lot and changes all sorts of factors. Unless the film managed to redeem itself in the last 50 or so minutes (which would be impossible) I would in no way recommend this. Its an insult to one of the greatest writers of the 20th century. I don't think, as many people say that it is, that "The Bell Jar" is necessarily unfilmable, but this particular rendition could have been done without. I'd almost like to see this one day in the hands of a director and screenwriter who can do it justice.
Lo sapevi?
- QuizDirector Larry Peerce and star Marilyn Hassett were married at the time of production.
- BlooperEarly in the picture an early-'50s New York cab has a telephone number on it beginning with "555". The all-numeric phone numbers were not put into use for another decade.
- Citazioni
Esther Greenwood: To the person in the bell jar, blank and stopped as a dead baby, the world itself is the bad dream.
- Versioni alternativeCBS edited 16 minutes from this film for its 1983 network television premiere.
- Colonne sonoreHere Comes The Night
Written and Performed by Janis Ian
Produced by Janis Ian and Ronald Frangipane
Arranged and Conducted by Ronald Frangipane (uncredited)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is The Bell Jar?Powered by Alexa
Dettagli
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was The Bell Jar (1979) officially released in Canada in English?
Rispondi