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Lee Marvin, Maximilian Schell, Robert Shaw, and Linda Evans in Avalanche Express (1979)

Notizie

Avalanche Express

Bruce Logan, Legendary VFX Artist of ‘Star Wars’ and ‘2001: A Space Odyssey’ Fame, Dies at 78
Image
Bruce Logan, a special effects and cinematography innovator and pioneer who worked on “Star Wars” and “2001: A Space Odyssey,” died April 10 at the age of 78.

Logan’s daughter Mary Grace Logan confirmed his death on Instagram, where she wrote that her father changed the movie industry “before CGI ruled the screen.”

He was one of the “visionaries who lit the future by hand,” Mary Grace continued. “From ‘2001: A Space Odyssey’ to ‘Tron,’ my dad didn’t just work on movies—he made magic. A rebel with a camera, a pioneer with a story, and my personal hero.”

“I’m so proud to be your daughter and to honor your life and legacy. Daddy—aka Bruce Logan, ASC—was a visionary cinematographer, director, and visual effects pioneer whose artistry illuminated films like ‘Star Wars,’ ‘Tron,’ and ‘2001: A Space Odyssey.'”

“But beyond your remarkable career, you were my dad.
Vedi l'articolo completo su The Wrap
  • 26/04/2025
  • di Stephanie Kaloi
  • The Wrap
Bruce Davison
Bruce Davison
Bruce Davison
Veteran actor and frequent scene stealer Bruce Davison joins Josh Olson and Joe Dante to discuss a few of his favorite films.

Show Notes: Movies Referenced In This Episode

Extra School (2017)

Gone With The Wind (1939)

Willard (1971) – Joe Dante’s review, Lee Broughton’s Blu-ray review

Fortune And Men’s Eyes (1971)

Short Cuts (1993) – Glenn Erickson’s Blu-ray review

Longtime Companion (1989)

Last Summer (1969) – Larry Karaszewski’s trailer commentary

Short Eyes (1977)

The Manor (2021)

Ulzana’s Raid (1972) – John Landis’s trailer commentary, Glenn Erickson’s Blu-ray review and All-Region Blu-ray review

King Solomon’s Mines (1950) – John Landis’s trailer commentary

Snow White and the Seven Dwarves (1937)

Them! (1954) – Joe Dante’s trailer commentary

Tarantula (1955) – Joe Dante’s trailer commentary, Glenn Erickson’s Blu-ray review

20,000 Leagues Under The Sea (1954) – Mick Garris’s trailer commentary, Glenn Erickson’s Blu-ray review

Spartacus (1960) – Larry Cohen’s trailer commentary, Glenn Erickson’s Blu-ray review

Ben-Hur (1959) – John Landis’s trailer commentary

Psycho (1960) – John Landis’s trailer commentary,...
Vedi l'articolo completo su Trailers from Hell
  • 08/02/2022
  • di Kris Millsap
  • Trailers from Hell
Curtis Hanson Rip: 1945-2016
Curtis Hanson--Confidentially

By

Alex Simon

Curtis Hanson was my first interview with a fellow film buff and film journalist. He was nice enough to sit down with me twice, first at the Rose Cafe in Venice, then at a lunch spot in the Marina, the name of which has been lost to time. He was then kind enough to invite me to the world premiere of "L.A. Confidential" at the Chinese Theater as his guest, my first time on the red carpet at a real-life Hollywood premiere, and called me after this piece ran to thank me personally. A nice man. Hanson, and co-writer Brian Helgeland, would go on to win Best Adapted Screenplay Oscars for "L.A. Confidential."

Years later, I ran into Hanson at a book signing party for Pat York that was held in Westwood. I approached him and reminded him of our interview a decade or so earlier.
Vedi l'articolo completo su The Hollywood Interview
  • 21/09/2016
  • di The Hollywood Interview.com
  • The Hollywood Interview
Trends in 70's Cinema: Disaster Movies
Let’s face it, most of us have a soft spot for things blowing up in movies, and for a long time movies have been happy to feed our appetite for destruction. But it wasn’t always that way.

I know it’s hard to imagine, but there was a time when explosions weren’t so common in movies. Back then, big-budget movies had dancing and singing, and everyone had a merry time. After WWII though, things started to change. In newspapers and magazines, Americans were being exposed to terrible images of war-torn Europe and Japan. This imagery was haunting, yet it sparked some imaginations. At first, Hollywood was careful not to glamorize it. They figured out a way to show massive destruction and violence while making it fun and moderately profitable instead of soul-crushing and distasteful. The 50’s became known for its low-budget cheese-fests; sci-fi B movies featuring such...
Vedi l'articolo completo su Cinelinx
  • 14/09/2015
  • di feeds@cinelinx.com (G.S. Perno)
  • Cinelinx
Susan Backlinie and Bruce in Lo squalo (1975)
Shaw To Receive Posthumous Irish Honour
Susan Backlinie and Bruce in Lo squalo (1975)
Jaws star Robert Shaw is to be posthumously commemorated in his adopted homeland of Ireland.

The Oscar nominee was born in England, but lived in County Mayo for 10 years before his death in 1978, aged 51.

And residents have now decided to pay tribute to Shaw by erecting a plaque in his memory.

Resident Connie O'Toole reveals villagers will also mark the 30th anniversary of his death on 28 August by raising a drink to him at his favourite bar.

She says, "He drank in the local pub Paddy's. He just joined in at the bar like a local, he didn't want to be seen as a big Hollywood star.

"He was very down to earth, and mixed with the locals and the farmers. He was very well-liked."

Shaw's wife Virginia, and three of his children - Penny, Colin and Tom . will attend the unveiling of the memorial.

Shaw died of a heart attack during a break in filming of his last film, Avalanche Express.
  • 09/08/2008
  • WENN
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