Dopo che una nave mercantile spaziale percepisce una trasmissione sconosciuta che interpretano come una chiamata di soccorso, uno dei membri dell'equipaggio viene attaccato da una misteriosa... Leggi tuttoDopo che una nave mercantile spaziale percepisce una trasmissione sconosciuta che interpretano come una chiamata di soccorso, uno dei membri dell'equipaggio viene attaccato da una misteriosa forma di vita durante il suo sbarco sulla luna, e presto si rendono conto che il suo cicl... Leggi tuttoDopo che una nave mercantile spaziale percepisce una trasmissione sconosciuta che interpretano come una chiamata di soccorso, uno dei membri dell'equipaggio viene attaccato da una misteriosa forma di vita durante il suo sbarco sulla luna, e presto si rendono conto che il suo ciclo vitale è appena iniziato.
- Vincitore di 1 Oscar
- 19 vittorie e 22 candidature totali
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Recensioni in evidenza
I first saw this in the late 80s on a vhs n as a kid i found it to be a bit slow but was shaken by the chestburster scene.
The facehugger terrified me as a kid.
Revisited all the four parts in the early 2k on dvds which i own.
Revisited this part again few days back as i am on Alien movie marathon n very impatient to check out Prometheus n Covenant.
I feel that this part is inspired by Bava's Planet of the Vampires.
The ruins with the skeletal remains, the design and shots of the ship itself does have the deja vu effect.
This one is atmospheric n dark, gory at times, it has enuff stuff for sci fi fans, it also has slasher n war like tone.
But the best thing is the feminist tone where in this part the women are not being cast as the helpless victims.
It's hard to look at this film without considering the sequels and knowing the alien itself, however when made the alien was mostly unseen and a mystery. It's difficult to forget what you've seen, but it's important to approach this film first if possible rather than joining the series late.
It's amazing that this is over 20 years old - apart from the actors looking so young, the film doesn't feel dated at all. The sci-fi visions here are still bleak and futuristic as they were then - this is not the Star Trek vision of the future. The foreboding exists long before John Hurt spills his secret, Scott's direction is excellent throughout. Once the alien is "born" the tension is cranked up and the characters dispatched one by one (a formula we know oh-so well now!)
However here the characters are not merely alien-food but have some dimension to them. Weaver is excellent, while the support cast is full of great support actors (Stanton, Kotto, Hurt, Skerritt, Holm), but of course the real star is the one we see least of.
We barely see the alien in full detail, most of the time it is set in shadows, moving with deadly intent.The alien here is not simply a killing machine as seen in later films but is cruel with it. Witness the alien trap a female crew member and slowly rub up her leg, moving with slow seductive movements before moving with terrifying speed to kill another crew member sneaking up behind it. The slow movements betray the alien's pure cruelty.
The film is a study in terror. It may not be as action packed as the other films in the series but it brings the claustrophobia of being hunted to a new level.
Fantastically atmospheric, chilling and terrifying even now, the story holds up incredibly well. The special effects were incredible for the time, no wonder the franchise is still in demand, though sadly nowhere near the quality of this one or its amazing successor.
The music is fantastic, the direction is incredible, and as for the Alien itself, way ahead of its time. Weaver is phenomenal, but arguably she's upstaged by the creature.
You can't help but remember scenes days after watching it, it definitely has the chill factor.
A cinematic masterpiece. 10/10
I feel it's especially hard for science fiction films to stand the test of time - which is kind of inherent to the genre I suppose - and 'Alien' simply remains an outstanding achievement in that regard. It's a testament to the talent of everyone involved, but especially to the vision of director Ridley Scott. The film was crafted with so much love for every little detail, and the designs by Moebius, Chris Foss - and in particular the Lovecraftian horrors unleashed by Swiss surrealist H.R. Giger - are among the best and most iconic in any science fiction film. This isn't just an outstanding, timeless piece of entertainment: it's a work of art. 10 Stars out of 10.
Favorite films: IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: imdb.com/list/ls070242495/
All 'Alien' Movies Ranked by IMDb Rating
All 'Alien' Movies Ranked by IMDb Rating
Lo sapevi?
- QuizAccording to Yaphet Kotto, Sir Ridley Scott told him to annoy Sigourney Weaver off-camera, so that there would be genuine tension between their characters. Kotto regretted this, because he really liked Weaver.
- Blooper(at around 1h 35 mins) A crewman with a black panel of some kind is visible through the smoke as Ripley runs through the corridors at the end of the film.
- Citazioni
Ripley: Ash, can you hear me?
[slams her hands down on the table]
Ripley: Ash?
Ash: [awakens and starts speaking in an electronic and distorted voice] Yes, I can hear you.
Ripley: What was your special order?
Ash: You read it. I thought it was clear.
Ripley: What was it?
Ash: Bring back life form. Priority One. All other priorities rescinded.
Parker: The damn company. What about our lives, you son of a bitch?
Ash: I repeat, all other priorities are rescinded.
Ripley: How do we kill it, Ash? There's gotta be a way of killing it. How? How do we do it?
Ash: You can't.
Parker: That's bullshit.
Ash: You still don't understand what you're dealing with, do you? The perfect organism. Its structural perfection is matched only by its hostility.
Lambert: You admire it.
Ash: I admire its purity. A survivor... unclouded by conscience, remorse, or delusions of morality.
Parker: Look, I am... I've heard enough of this, and I'm asking you to pull the plug.
[Ripley goes to disconnect Ash, who interrupts]
Ash: Last word.
Ripley: What?
Ash: I can't lie to you about your chances, but... you have my sympathies.
- Curiosità sui creditiThe title of the movie is slowly created one line at a time at the top of the screen during the opening credits, starting out with the I, then the slash in A and the backslash in N, and then the vertical lines in L and E (so it looks like / I I I \). After that, the ensuing lines of each letter are added slowly one at a time until the title is fully visible.
- Versioni alternativeThe 2003 DVD release plasters the 1979 version of the 20th Century Fox logo with the 1980's version.
- ConnessioniEdited into Star Trek: The Next Generation: Datalore (1988)
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Alien, el octavo pasajero
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 11.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 84.206.106 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.527.881 USD
- 28 mag 1979
- Lordo in tutto il mondo
- 109.102.567 USD
- Tempo di esecuzione
- 1h 57min(117 min)
- Colore
- Proporzioni
- 2.39 : 1