VALUTAZIONE IMDb
6,2/10
20.032
LA TUA VALUTAZIONE
Un affermato compositore di musica con una casa bellissima, una donna altrettanto bella, è eternamente insoddisfatto, passa il suo tempo ad osservare le giovani donne libere, che poi valuta ... Leggi tuttoUn affermato compositore di musica con una casa bellissima, una donna altrettanto bella, è eternamente insoddisfatto, passa il suo tempo ad osservare le giovani donne libere, che poi valuta con un voto dall'1 al 10.Un affermato compositore di musica con una casa bellissima, una donna altrettanto bella, è eternamente insoddisfatto, passa il suo tempo ad osservare le giovani donne libere, che poi valuta con un voto dall'1 al 10.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 12 candidature totali
Sam J. Jones
- David Hanley
- (as Sam Jones)
Recensioni in evidenza
Boy, this was "hot stuff" back when it came out in 1979: I am referring to both the movie AND Bo Derek!
Actually, Dudley Moore was a box-office star, too. Nobody had heard of Derek before this, but this film certainly made her an overnight sensation. She didn't have to say anything in the film, just walk down a beach. Certainly, the number "10" now had a new meaning in the culture.
Basically, the film is about a guy who spots Derek, and then totally makes a fool of himself over her. Most guys would have done the same thing. Moore, making an idiot of himself as "George Webber," provided a lot of laughs and Bo had to just....well....just let herself be photographed. Fortunately, in real life, she turned out to be far more than just some hot- looking bimbo. I've heard her on several talk shows in recent years, and she's no dummy.....and still looks tremendous. Meanwhile, Moore, who had some tough physical ailments, really didn't have a noteworthy career after this film with one exception: Arthur (1981). The poor man died in 2002.
One forgets that a huge big-name actress co-starred with Moore in this movie: Julie Andrews. Perhaps a good part of that reason we forget that is she doesn't play a memorable character. It fact, she's downright unappealing as Moore's girlfriend "Samantha Taylor."
It's also easy to forget about some of the cultural issues songwriter "Webber" dealt with, bemoaning the shallowness of the current generation and its music tastes, and finally realizing his own shallowness won't lead to happiness just by being with a woman half his age. There are some profound things to ponder in this film even though it often concentrates on the slapstick humor angle. As a guy who has gone through the usual "mid- life" crisis, I would to sympathize with Webber's dilemmas but since this idiot is drunk half the time and an extremely self-indulgent person, I found it hard to "root" for him. Drunks have never been funny to me. So, when I watched this film on VHS 15 years later, it wasn't as fun as the fist time.
Speaking of drinks, Brian Dennehy was excellent as a bartender. I wish he had played more "nice guy" roles like this during his career, instead of so many evil and profane villains.
Along with millions of others, I enjoyed the movie 30 years ago, but now it's kind of sad, too slow and even painful to watch at times. For those of us who saw in the theater, the film now appears somewhat dated, but so are all of us, I guess, are dated, too.
Actually, Dudley Moore was a box-office star, too. Nobody had heard of Derek before this, but this film certainly made her an overnight sensation. She didn't have to say anything in the film, just walk down a beach. Certainly, the number "10" now had a new meaning in the culture.
Basically, the film is about a guy who spots Derek, and then totally makes a fool of himself over her. Most guys would have done the same thing. Moore, making an idiot of himself as "George Webber," provided a lot of laughs and Bo had to just....well....just let herself be photographed. Fortunately, in real life, she turned out to be far more than just some hot- looking bimbo. I've heard her on several talk shows in recent years, and she's no dummy.....and still looks tremendous. Meanwhile, Moore, who had some tough physical ailments, really didn't have a noteworthy career after this film with one exception: Arthur (1981). The poor man died in 2002.
One forgets that a huge big-name actress co-starred with Moore in this movie: Julie Andrews. Perhaps a good part of that reason we forget that is she doesn't play a memorable character. It fact, she's downright unappealing as Moore's girlfriend "Samantha Taylor."
It's also easy to forget about some of the cultural issues songwriter "Webber" dealt with, bemoaning the shallowness of the current generation and its music tastes, and finally realizing his own shallowness won't lead to happiness just by being with a woman half his age. There are some profound things to ponder in this film even though it often concentrates on the slapstick humor angle. As a guy who has gone through the usual "mid- life" crisis, I would to sympathize with Webber's dilemmas but since this idiot is drunk half the time and an extremely self-indulgent person, I found it hard to "root" for him. Drunks have never been funny to me. So, when I watched this film on VHS 15 years later, it wasn't as fun as the fist time.
Speaking of drinks, Brian Dennehy was excellent as a bartender. I wish he had played more "nice guy" roles like this during his career, instead of so many evil and profane villains.
Along with millions of others, I enjoyed the movie 30 years ago, but now it's kind of sad, too slow and even painful to watch at times. For those of us who saw in the theater, the film now appears somewhat dated, but so are all of us, I guess, are dated, too.
Dudley Moore, we will miss you. This film was Moore's signature role - he made it funny, he made it poignant. Blake Edwards' script was funny and sweet, but Dudley brought it to life. A little dated now, but a great trip back to 1979 and still relevant today. If you haven't seen this film at least once, do yourself a favor - skip the latest Adam Sandler vehicle and find this one on the shelf. Adam is no Dudley Moore.
All right, so this isn't a great movie. It just happened to come along at the right moment in my life to have an impact. As a young man not yet turned 20, I could certainly identify with both Dudley Moore wanting to recapture youth through a fling with Bo Derek, and Bo Derek just wanting to have fun (and show her appreciation for Dudley's saving her boyfriend's life.) Add to that the fact that I was working at a record shop and remember selling about 9832 copies of Ravel's Bolero, and it boils down to this; "10" brings back a host of good memories for me. - mps
Though he will probably always be remembered for 1981's ARTHUR, my favorite Dudley Moore performance is still from the 1979 Blake Edwards classic "10". Moore plays George Webber, a man who seemingly has it all: a flourishing career as a songwriter, money, a gorgeous home, an equally gorgeous girlfriend (Julie Andrews), but still feels like something is missing in his life. Then one day, while stopped at a traffic signal, he glances at a girl (Bo Derek)in a limo, on her way to her wedding. George becomes obsessed with this vision, this perfect "10" and forsakes everything in his life, including Andrews, to find and be with this woman. After getting six fillings drilled by the girl's dentist/father (James Noble), in an attempt to learn where the girl went on her honeymoon, George flies to Mexico to find his "10" and eventually learns the lessons you would expect from such a venture. In addition to some great physical comedy offered by Moore, there are moments of great warmth here too. The scenes at the outdoor bar in Mexico where Dudley encounters a lonely woman (Dee Wallace) and plays the piano are lovely. Brian Dennehy is effectiveLY cast against type as the bartender. Also cast against type is Robert Webber as George's gay songwriting partner who tries in vain to make George see what an idiot he is and appreciate the things he has. This IS not just a smarmy sex comedy, but a warm character study of a man chasing something he really doesn't want or need and features one of Dudley Moore's most charming performances.
I'll never forget seeing Bo Derek for the first time in this movie. I was shocked (hated the hair, but it made the character) This is a great movie about a man who is having a mid-life crisis. Dudley Moore, has just turned 42, and is single (dating Julie Andrews.) While driving around in his Rolls, he sees Bo Derek in a Mercedes on her way to her wedding. Hes totally wild over her, and she becomes a sort of obsession. So he finds out where they are honeymooning, and goes there. The movie is great, its funny, and keeps you laughing. This was also Bo's break-through. Shes a total 10, and even though she speaks very little, her character is a HUGE part of the film. Its great, everyone should see this film.
Lo sapevi?
- BlooperWhen George is driving past the limo (as Jenny arrives at her wedding), he is driving on the wrong side of the road, having crossed a double-yellow line, and crashes head-first into a police car. The officer gives George a ticket for an expired license, no registration, and reckless driving, yet George is allowed to drive away. The officer even yells at George to "Go on, move it!"
- Curiosità sui creditiWhen the credits of the cast begins to scroll up and out of the iris of the telescope's view into George and Samantha's penthouse, the members of the cast are listed but not the characters they played.
- Versioni alternativeThe TV print substitutes tamer versions for some of movie's racier moments. In particular, scenes featuring porn star Annette Haven as Dudley Moore's exhibitionist neighbor have been removed, replaced with scenes involving another actress. One scene features Moore's character using a telescope to watch a naked Haven make love. (In the TV version, a substitute actress kisses a man while wearing a robe.) A later nude orgy is replaced by a similar scene, but with everyone wearing bathing suits. In addition, the comedic lovemaking scene between Derek and Moore is played in the dark in the TV version.
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 74.865.517 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.526.692 USD
- 7 ott 1979
- Lordo in tutto il mondo
- 74.865.517 USD
- Tempo di esecuzione
- 2h 2min(122 min)
- Mix di suoni
- Proporzioni
- 2.39 : 1
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