The Scarlet Letter

Will a quality version of this classic piece of literature ever be produced? Probably not, as Hollywood these days can't make a movie that doesn't have a happy ending. The drab and drearyness of Hawthorne's work is well related in this version that closely follows the text, even to the point of quoting key lines of dialogue. The most powerful scenes are the meeting between Hester and Chillingworth in the prison, and the conversation between Chillingworth and Dimmesdale where he begins his torturing of the cowardly minister. The main problem with this version is on the technical side.

When Pearl is a baby, she cries incessantly into a microphone that had to have been placed directly next to her. The poor camera quality makes Meg Foster's pale eyes seem psychotic or demonic. The special effects are so ridiculous that the audience can't help but chuckle. A scene between Hester and Chillingworth is nearly drowned out by the ocean nearby. The theme music never changes, and the narration is slow and monosyllabic. Add to that some pathetic acting performances, and there are some scenes that are just hard to sit through. If if weren't for the faithfulness to the text, and that fact that all other versions waver dramatically, this would be unwatchable.

John Heard is beautiful and brilliant as Arthur Dimsdale. I though so when I first saw this version of "The Scarlet Letter" when I was eight, and I still think so, having just seen it again. Not since this role has John Heard been in a film which so well showcased his romantic and engaging intensity. That's a shame.

Don't let Michael's comment deter you from watching this very faithful, well-acted AND produced version of the book. If actually reading the book itself isn't your cup of tea, you won't go wrong by viewing this 4-hour, videotaped production from PBS. Its leads are excellently and richly portrayed - it has a fine sense of time and place - and only the quite inept view of the Salem Custom House (special effects creation) stands as less than exemplary. The director clearly wanted a sense of the realism of the pounding sea in the scene with Hester & Roger, which heightens the emotional urgency, and the baby crying is annoying because a baby crying is often QUITE ANNOYING! If a dramatic presentation of the tale is your interest, you won't go wrong with this one.

I saw this series when it first premiered with much fanfare on PBS in the Boston area 20 years ago. I was in my early teens, but the story moved me and has endured as a favorite. I was delighted to see that this version had finally come to video a few years ago, and was as beautiful as I remembered. I get so much more out of the dialogue now, and although the effects are as cheesy as you might expect from a PBS miniseries from over 20 years ago, the music is still affecting, and the performances excellent. It's gorgeously filmed in and around New England, and the "making of" shorts included on the video are a nice touch. As I recall, the story is very close to the original -- a notable difference being the color of Hester Prynne's eyes, which were black in the story, but are light blue in this version. I mention this because Meg Foster's eyes stand out to give her an other-worldly look which is very effective. This miniseries is way up there on my must-see list!

I first saw this wonderful production of one of my favorite books, when it was initially shown on PBS in 1979, having been produced by WGBH Boston. This version of the famous novel by Nathaniel Hawthorne, was accurately portrayed, and true to my beloved book. Over the years, each time I re-read the book, I found new levels of meaning to Hawthorne's work. When I found that this PBS version had finally been made available to view again, I was anxious to see it. I was not disappointed. There was in recent years, a movie made of this story, with some very good actors, and a very bad script. I was saddened that in our modern times, and with the chance to utilize the talents of actors like Robert Duvall, the story was "Hollywoodized". In trying to satisfy some idea of what the public might want (i.e. love scenes, happy ending), the delicately written and deeply moving purpose of Hawthorne's book was entirely lost. Not so, with the WGBH rendering.

An early New England of around 1649 is portrayed. The high standards and harsh penalties imposed by the Puritan's Protestant church, is what allows for the events to unfold. These were people not far removed from our pilgrim founders. The story begins with a young woman named Hester Prynne, standing upon a scaffold holding her illegitimate baby. She was a married woman, whose husband had been presumed lost at sea, and thereby was known to have committed adultery in the getting of the child. She is pressed to reveal the man with whom she consorted and sinned. She will not. She is resolute. Because of this, her punishment is to wear a "scarlet letter 'A'" upon her bosom. She is gifted with the art of needlework, and embroiders an entirely beautiful and large letter 'A' on a dark red cloth. She wears this day and night, as she strives to raise her little girl, Pearl, in loneliness and poverty, using her skill with sewing as a means of support for them both.

We are soon, slowly and purposely, allowed to know who is the father of Hester's child, and partner in her sin. He is the honorable, and beloved of the people, Reverend Arthur Dimmesdale. But while Hester wears her "scarlet letter" openly over her heart, dealing with others scorn and social banishment, the Reverend Dimmesdale hides his same sin inside his heart, and suffers with his own knowledge, all the while the people seem to love him the more for his seeming humility, and self-deprecation.

To add salt to the wound for Hester, her husband, who had been found by "savages" and learned much in the arts of herbal medicines, made his way to the young Massechussetts settlement in time to see his wife upon the scaffold. He changes his name, forcing a promised silence from his former wife on the matter, and sets about to find and destroy the man with whom she sinned. Thus begins the slow, well thought out, and well executed plan of Roger Chillingworth. In the semblance of kindness as a doctor, he works upon Reverend Dimmesdale's secret shame, and guilty heart. For Dimmesdale, the shame is not just the sin of adultery. It is the fear of reproach from the people that leads him to choose to keep his part secret. To allow Hester to stand alone on the scaffold. To allow her to bear the chastisement of the entire community by wearing her "scarlet letter". And by putting her in the position of finding her own means to support their child.

It is after seven years of his suffering, obvious ill health, and a habit of holding his hand over his heart that the Reverend Dimmesdale is sought out by Hester Prynne, to reveal to him the evil that has been wrought upon him by his supposed friend, Roger Chillingworth. She does this in an attempt to release him from her husbands devilish clutches. To help him to look at the good he has done the community and to cease his slow and determined path to the grave. But in this long desired reunion between the two, Dimmesdale says to Hester, "Had I not loved God, even had I been an atheist, I would long since have found peace. Nay, I never would have lost it." They renew words of love and devotion to each other and look to leave the settlement, in hopes of finding a new life to live and be productive in, and to be together.

Hawthorne does not give us our "Hollywood ending", however. He chooses to bid us learn the value of an open admission to decisions and difficulties in life. To understand that the secrets that we carry in our hearts will show upon our outward appearance, whether we want it or no. He allows for God's goodness and mercy to the penitant, even though it may not be in this life that one attains it.

This version was produced at a time when PBS was primarily importing the serializations of books from British television. Therefore, it was made in that same style of the 1970's UK productions. The feeling while watching this video, is that of less production, and more of "right behind the camera". In recent years we have all become accustomed to the "movie" feel of the TV movies, or serialized books. Such as those produced by A&E or PBS, often in conjunction with BBC or another UK company (i.e."Pride and Prejudice", "Horatio Hornblower", etc.). Therefore, one must be prepared and not distracted by this type of production. In a way, I find them, interestingly, more intimate. I would say that this production is well worth the length of time spent watching a serialization (4 hrs). It is a deeply moving story, done with accuracy and quality, and wonderful acting. This viewer highly recommends it.