Un astronauta del 20esimo secolo si risveglia nel futuro dopo 500 anni di animazione sospesa e diventa il più grande eroe della Terra.Un astronauta del 20esimo secolo si risveglia nel futuro dopo 500 anni di animazione sospesa e diventa il più grande eroe della Terra.Un astronauta del 20esimo secolo si risveglia nel futuro dopo 500 anni di animazione sospesa e diventa il più grande eroe della Terra.
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Recensioni in evidenza
This series is fun and somewhat compelling to watch. But in every episode there are recurring incidents which defy any sense of innovativeness: 1. Panels on walls are destroyed. Approximately three per episode. This is done primarily to lock someone in a room.
2. Buck Rogers is deep in enemy territory and uses force to get the job done. 9 of 10 episodes' problems are solved in this manner. If he is captured or wants to free someone, he'll just have to start swinging at the guards and everything will be fine. Never any solutions based on intellect.
3. Buck Rogers is labeled by someone as the most perfect creature in the entire universe.
4. A new woman is introduced and shows immediate affection for Buck Rogers.
5. When they are flying in space, there is no variation from the theme of shooting at other spacecraft, and one hit always means the destruction of the target.
6. Twiki is unable to say anything that isn't deeply annoying.
7. Dr. Huer is very sensible.
8. The shows end with Rogers, Deering, Huer and Twiki eating at Buck's apartment and Rogers is laughing as the frame freezes.
All this aside, it's a good series. Not many dull moments. However, don't watch the episode called "A Blast for Buck", it's just a mixture of various flashbacks from previous episodes, and the real time ending is almost worse than the flashbacks.
2. Buck Rogers is deep in enemy territory and uses force to get the job done. 9 of 10 episodes' problems are solved in this manner. If he is captured or wants to free someone, he'll just have to start swinging at the guards and everything will be fine. Never any solutions based on intellect.
3. Buck Rogers is labeled by someone as the most perfect creature in the entire universe.
4. A new woman is introduced and shows immediate affection for Buck Rogers.
5. When they are flying in space, there is no variation from the theme of shooting at other spacecraft, and one hit always means the destruction of the target.
6. Twiki is unable to say anything that isn't deeply annoying.
7. Dr. Huer is very sensible.
8. The shows end with Rogers, Deering, Huer and Twiki eating at Buck's apartment and Rogers is laughing as the frame freezes.
All this aside, it's a good series. Not many dull moments. However, don't watch the episode called "A Blast for Buck", it's just a mixture of various flashbacks from previous episodes, and the real time ending is almost worse than the flashbacks.
Although I didn't like this series as much as Battlestar Galactica which was out at the same time, as a kid the more scifi series on TV the better. And I would never pass up the chance each week to see the beautiful Erin Gray. I also thought it was neat when they had one episode where they had the original Buck Rogers, Buster Crabbe, make a special appearance as an old fighter pilot.
It was too bad that they changed the format of the series in the second season, but it was still watchable.
It was too bad that they changed the format of the series in the second season, but it was still watchable.
What do you do when you served as Executive Producer to one of the decade's most expensive failures, and you have all these leftover props, costumes, sets, and special effects film footage lying around? If you're Glen Larson, and the failed series was "Battlestar Galactica", you consider producing another Science Fiction-themed series, less pretentious and more 'audience-friendly', that can utilize all the surplus...
...and in a very real sense, that's how "Buck Rogers in the 25th Century" came to television, in 1979! Based, originally, on a 1928 short story, 'Buck Rogers' achieved his greatest fame in comic strips, radio, and a movie serial in the 1930s, but by 1979, the character had been 'retired' for 28 years, and Larson knew he could 'update' the story without arousing much controversy. The 'new' Buck was an astronaut piloting the last of Earth's 'Deep Space' probes, Ranger 3, in 1987(!), which was thrown off-course by a cosmic disturbance, and damaged, entering a centuries-long looping orbit back to Earth, and releasing a mix of gases that placed Rogers into suspended animation for 500 years. Revived by the evil Draconian Empire, Rogers soon is returned to an Earth in ruins after a nuclear holocaust, where he gradually earns the government's trust, and becomes a civilian 'troubleshooter', using his 20th century wiles to save Mankind, again and again.
Casting was essential for the series to succeed, and Larson made an inspired choice in Gil Gerard, 36, as the lead. Ruggedly handsome, Gerard combined maturity with a boyish charm, and an ability to make even the most risqué remark seem unoffensive (and the series pilot, released theatrically, had a LOT of risqué remarks!) As Wilma Deering, a Colonel in Earth's Defense Force, Erin Gray, 29, was a bit wooden, but gloriously beautiful, and wholesomely sexy; Tim O'Connor, 52, as wise Dr. Huer, provided kind stability and statesman-like wisdom to the mix, and a goofy little robot, "Twiki", voiced by Mel Blanc, gave the kids something to enjoy (although he would utter an occasional risqué or ethnic aside, as well).
The first season of "Buck Rogers", while certainly not 'Classic TV', offered an entertaining mix of adventure and comedy, with stories that intentionally avoided the 'heaviness' that plagued "Galactica". Rogers would face a variety of galactic terrorists, dictators, and madmen, fend off advances by a variety of scantily-clad women, and maintain a "Will they or Won't they?" relationship with Deering. High points were the guest appearances by Pamela Hensley as the evil but vampy Drackonian Princess Ardala, in huge head wear (and little else), and, in a wonderful cameo, the legendary Buster Crabbe, who'd played both "Buck Rogers" and "Flash Gordon" in the 1930s, as 'Brigadier Gordon'.
While ratings were mediocre, at best, the series was renewed for a second season...and all the mistakes of "Galactica" were repeated, when the Earth-centered series was dropped, in favor of a starship-based, 'serious' adventure, as Buck and Wilma joined in a "Galactica"-like search for 'lost' tribes of humans who'd fled Earth at the time of the Holocaust. Why was the entire concept changed so abruptly, and disastrously? The reason I've been told, was that Gerard, a devout Christian, did not like the sexual undercurrent of the first season, and wanted stories that would be more uplifting and family-friendly, and that he forced the changes on a less-than-enthusiastic Glen Larson. Whether or not this was true, the season lacked all the swashbuckling joy of Season One, and despite an attempt to introduce a bird-like, stoic alien ('Hawk', portrayed by Thom Christopher), to attract the "Spock" crowd, the episodes were frequently dull and uninspired, and the ratings plummeted. When NBC canceled the series, just 13 episodes into Season Two, no one was truly surprised.
While Gerard's post-"Buck Rogers" career was a roller-coaster ride of highs and lows, Erin Gray enjoyed a long, successful run on "Silver Spoons", and both actors, today, are popular Convention guests, as both "Buck Rogers" and Larson's "Battlestar Galactica" have achieved 'cult' status.
"Buck Rogers in the 25th Century" will never be held in the kind of esteem "Star Trek" or "Babylon 5" enjoy, but, as a rare chance to see how television viewed Science Fiction in the "Disco Decade", the series has earned it's own piece of immortality!
...and in a very real sense, that's how "Buck Rogers in the 25th Century" came to television, in 1979! Based, originally, on a 1928 short story, 'Buck Rogers' achieved his greatest fame in comic strips, radio, and a movie serial in the 1930s, but by 1979, the character had been 'retired' for 28 years, and Larson knew he could 'update' the story without arousing much controversy. The 'new' Buck was an astronaut piloting the last of Earth's 'Deep Space' probes, Ranger 3, in 1987(!), which was thrown off-course by a cosmic disturbance, and damaged, entering a centuries-long looping orbit back to Earth, and releasing a mix of gases that placed Rogers into suspended animation for 500 years. Revived by the evil Draconian Empire, Rogers soon is returned to an Earth in ruins after a nuclear holocaust, where he gradually earns the government's trust, and becomes a civilian 'troubleshooter', using his 20th century wiles to save Mankind, again and again.
Casting was essential for the series to succeed, and Larson made an inspired choice in Gil Gerard, 36, as the lead. Ruggedly handsome, Gerard combined maturity with a boyish charm, and an ability to make even the most risqué remark seem unoffensive (and the series pilot, released theatrically, had a LOT of risqué remarks!) As Wilma Deering, a Colonel in Earth's Defense Force, Erin Gray, 29, was a bit wooden, but gloriously beautiful, and wholesomely sexy; Tim O'Connor, 52, as wise Dr. Huer, provided kind stability and statesman-like wisdom to the mix, and a goofy little robot, "Twiki", voiced by Mel Blanc, gave the kids something to enjoy (although he would utter an occasional risqué or ethnic aside, as well).
The first season of "Buck Rogers", while certainly not 'Classic TV', offered an entertaining mix of adventure and comedy, with stories that intentionally avoided the 'heaviness' that plagued "Galactica". Rogers would face a variety of galactic terrorists, dictators, and madmen, fend off advances by a variety of scantily-clad women, and maintain a "Will they or Won't they?" relationship with Deering. High points were the guest appearances by Pamela Hensley as the evil but vampy Drackonian Princess Ardala, in huge head wear (and little else), and, in a wonderful cameo, the legendary Buster Crabbe, who'd played both "Buck Rogers" and "Flash Gordon" in the 1930s, as 'Brigadier Gordon'.
While ratings were mediocre, at best, the series was renewed for a second season...and all the mistakes of "Galactica" were repeated, when the Earth-centered series was dropped, in favor of a starship-based, 'serious' adventure, as Buck and Wilma joined in a "Galactica"-like search for 'lost' tribes of humans who'd fled Earth at the time of the Holocaust. Why was the entire concept changed so abruptly, and disastrously? The reason I've been told, was that Gerard, a devout Christian, did not like the sexual undercurrent of the first season, and wanted stories that would be more uplifting and family-friendly, and that he forced the changes on a less-than-enthusiastic Glen Larson. Whether or not this was true, the season lacked all the swashbuckling joy of Season One, and despite an attempt to introduce a bird-like, stoic alien ('Hawk', portrayed by Thom Christopher), to attract the "Spock" crowd, the episodes were frequently dull and uninspired, and the ratings plummeted. When NBC canceled the series, just 13 episodes into Season Two, no one was truly surprised.
While Gerard's post-"Buck Rogers" career was a roller-coaster ride of highs and lows, Erin Gray enjoyed a long, successful run on "Silver Spoons", and both actors, today, are popular Convention guests, as both "Buck Rogers" and Larson's "Battlestar Galactica" have achieved 'cult' status.
"Buck Rogers in the 25th Century" will never be held in the kind of esteem "Star Trek" or "Babylon 5" enjoy, but, as a rare chance to see how television viewed Science Fiction in the "Disco Decade", the series has earned it's own piece of immortality!
...but I don't regret it. Not too much, anyway. Yes, it's true. When the pilot episode was given a theatrical release I went and paid good money to watch it.
Ah well.
I wasn't too thrilled at the production values, but I still enjoyed it as a stand alone film. I'd seen the B&W Buck Rogers and Flash Gordon serials rerun on a couple of UHF stations, and figured I'd see an upgraded reprise of Buster Crabbe's role.
What the audience got was essentially a made for TV movie that would lead to a pretty fun series. I think the other commentators have got it right; the first season of this show was just good fun. A guy tuned in to see Gerard and Gray save Earth from sundry space-vixens and other off world baddies. The most notorious being Princess Ardala, played by the very talented and alluring Pamela Hensley. With the help of Dr. Heur, Theopolis and Twiki, Buck and Wilma thwarted the villains of the 25th century.
If the viewer tuned in to see some high brow brain-candy moral wrapped in science jargon, then he had the wrong show. Late 1970's Buck Rogers was about adventure, the perils and dazzling technology of the 25th century, lusty and dangerous space-babes, all pitted against a 20th century man's mettle and his equally gallant comrades.
But that was the first season. The second season took a page out of Roddenberry's play book, and transformed into this cheap "Star Trek" knockoff, complete with a Spock-like character in the form of a man sporting a feathered wig, played by Thom Christopher. Buck was no longer bumping flirtatious intrigues with scantly clad space-babes with his daring-do, and Wilma's hard-nosed gut-driven "I am 25th Century Woman, hear me roar!" character was taken down a notch... that and she rarely wore her very appealing spandex uniform :)
In short, first season = Good: Second season = bleh.
I'm not sure what went wrong. The fist season teetered on the high-kamp abyss, but Gil Gerard and Erin Gray had a kind of relaxed and realistic chemistry that helped bring the viewer into their world. The stories were out of Hollywood Formula 101, but they were fun, thrilling, and enjoyable. The action sequences, the alluring fashions of the 25th century, the concept of a man from our time roaming the far future, scantly clad space-vixens, it all adds up to a fun show, if somewhat far fetched... then again plausibility wasn't what Buck Rogers was all about.
This show could've really gone the distance with its original formula, and should have. Why the show changed for the second season is beyond me, because it didn't need to. Part of the attraction of Buck Rogers wasn't the "science" in this science-fiction show, but Buck and Wilma's daring-do. Whoever thought otherwise, and tried to turn Buck into a more "serious" sci-fi venue, was dead wrong, and, as someone else said, quite thoroughly torpedoed the show by fixing it until it was broke.
I'm not a big Glen Larson fan. "Manimal" and "Automan" come to mind, but if I had one wish, with regards to a TV show, it would be to go back in time and see to it that Larson continued producing "Buck Rogers" as he envisioned it for the first season. Heck, maybe I could save Dorothy Lee Stratten for another guest appearance on the show. But alas we're only left with the legacy of the first and second season of this very adventurous TV series.
Well, Larson's helped relaunch BSG, and is now doing a "Knight Rider" revival... maybe he can give Buck Rogers another shot as well, only this time, if he does, let's hope he'll stick to his guns.
Until then; so long, Buck.
Ah well.
I wasn't too thrilled at the production values, but I still enjoyed it as a stand alone film. I'd seen the B&W Buck Rogers and Flash Gordon serials rerun on a couple of UHF stations, and figured I'd see an upgraded reprise of Buster Crabbe's role.
What the audience got was essentially a made for TV movie that would lead to a pretty fun series. I think the other commentators have got it right; the first season of this show was just good fun. A guy tuned in to see Gerard and Gray save Earth from sundry space-vixens and other off world baddies. The most notorious being Princess Ardala, played by the very talented and alluring Pamela Hensley. With the help of Dr. Heur, Theopolis and Twiki, Buck and Wilma thwarted the villains of the 25th century.
If the viewer tuned in to see some high brow brain-candy moral wrapped in science jargon, then he had the wrong show. Late 1970's Buck Rogers was about adventure, the perils and dazzling technology of the 25th century, lusty and dangerous space-babes, all pitted against a 20th century man's mettle and his equally gallant comrades.
But that was the first season. The second season took a page out of Roddenberry's play book, and transformed into this cheap "Star Trek" knockoff, complete with a Spock-like character in the form of a man sporting a feathered wig, played by Thom Christopher. Buck was no longer bumping flirtatious intrigues with scantly clad space-babes with his daring-do, and Wilma's hard-nosed gut-driven "I am 25th Century Woman, hear me roar!" character was taken down a notch... that and she rarely wore her very appealing spandex uniform :)
In short, first season = Good: Second season = bleh.
I'm not sure what went wrong. The fist season teetered on the high-kamp abyss, but Gil Gerard and Erin Gray had a kind of relaxed and realistic chemistry that helped bring the viewer into their world. The stories were out of Hollywood Formula 101, but they were fun, thrilling, and enjoyable. The action sequences, the alluring fashions of the 25th century, the concept of a man from our time roaming the far future, scantly clad space-vixens, it all adds up to a fun show, if somewhat far fetched... then again plausibility wasn't what Buck Rogers was all about.
This show could've really gone the distance with its original formula, and should have. Why the show changed for the second season is beyond me, because it didn't need to. Part of the attraction of Buck Rogers wasn't the "science" in this science-fiction show, but Buck and Wilma's daring-do. Whoever thought otherwise, and tried to turn Buck into a more "serious" sci-fi venue, was dead wrong, and, as someone else said, quite thoroughly torpedoed the show by fixing it until it was broke.
I'm not a big Glen Larson fan. "Manimal" and "Automan" come to mind, but if I had one wish, with regards to a TV show, it would be to go back in time and see to it that Larson continued producing "Buck Rogers" as he envisioned it for the first season. Heck, maybe I could save Dorothy Lee Stratten for another guest appearance on the show. But alas we're only left with the legacy of the first and second season of this very adventurous TV series.
Well, Larson's helped relaunch BSG, and is now doing a "Knight Rider" revival... maybe he can give Buck Rogers another shot as well, only this time, if he does, let's hope he'll stick to his guns.
Until then; so long, Buck.
This stuff is classic. Pretty good plots. Nice little performances. You had Mr. Down-to-earth 20th century macho man Buck (complete with 70's dry-look over-the-ears hair) & straight-laced, but sexy fighter-pilot Wilma, and comic-relief, lusty little robot Twiki. And a talking necklace and boring old man, both named "Doctor".
Every week you could count on intrigue, double crosses, and buck knocking out 25 armed henchman, using his patented "Buck Fu" technique. And near the end, Twiki would say something like, "BDBDBDBDBDBD, Buck rocks me like a hurricaine."
This stuff is infinitely more amusing and entertaining that much of the sullen, sensitive and overly technical tv sci-fi of today.
It's a simple formula that works. action action action, tight shiny space outfits (on men & women) and a few lame jokes.
Every week you could count on intrigue, double crosses, and buck knocking out 25 armed henchman, using his patented "Buck Fu" technique. And near the end, Twiki would say something like, "BDBDBDBDBDBD, Buck rocks me like a hurricaine."
This stuff is infinitely more amusing and entertaining that much of the sullen, sensitive and overly technical tv sci-fi of today.
It's a simple formula that works. action action action, tight shiny space outfits (on men & women) and a few lame jokes.
Lo sapevi?
- QuizProps, costumes, special effects shots, and sets from Battaglie nella galassia (1978) were used in this series.
- BlooperThrough the series, there are many sequences when Buck Rogers and/or Wilma Deering would take off in one configuration of a starfighter and then different cuts would have them sitting side by side and then a moment later one before the other. There would also be different ships (sky sled) where they would take off in one type of ship, exterior shots show them as they fly through space in a totally different looking ship, and then either land in the same ship they took off in, or in another different looking ship.
- Citazioni
Narrator: [voiceover during narrative] The year is 1987, and NASA launches the last of America's deep space probes. In a freak mishap, Ranger 3 and its pilot, Captain William "Buck" Rogers, are blown out of their trajectory into an orbit which freezes his life support systems, and returns Buck Rogers to Earth... 500 years later.
- Curiosità sui creditiThe opening credits for the first season finale "Flight of the War Witch" differ from the credit sequences for the rest of the season's episodes (except the pilot). After the series title appears, there follows a succession of short scenes from this episode as well as from the television version of the pilot (including the episode). After about 20 seconds, the credits resume as normal.
- Versioni alternativeThe opening episode "Awakening" was originally released as the theatrical movie Capitan Rogers nel 25° secolo (1979). For television, the movie's sensual opening credits were removed, a scene showing Tigerman being killed was omitted, some dialogue was toned down, and several scenes were added including an epilogue setting up the television series. The movie was also re-edited into a two-parter for syndication.
- ConnessioniEdited into Prison Ship (1986)
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- Buck Rogers in the 25th Century
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- Trona Pinnacles - 300 S. Richmond Road, Ridgecrest, California, Stati Uniti(Featured in fly over during opening credits/titles for the show)
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