VALUTAZIONE IMDb
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LA TUA VALUTAZIONE
Un cercatore di petrolio è catturato e imprigionato da una violenta e primitiva tribù cannibale nella foresta pluviale delle Filippine. Riesce a scappare con una donna in ostaggio e inizia a... Leggi tuttoUn cercatore di petrolio è catturato e imprigionato da una violenta e primitiva tribù cannibale nella foresta pluviale delle Filippine. Riesce a scappare con una donna in ostaggio e inizia a cercare il compagno scomparso e il loro aereo.Un cercatore di petrolio è catturato e imprigionato da una violenta e primitiva tribù cannibale nella foresta pluviale delle Filippine. Riesce a scappare con una donna in ostaggio e inizia a cercare il compagno scomparso e il loro aereo.
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A four-headed team clumsily ends up stuck in a jungle. Pretty soon, two of them die (rather clumsy again) while savage aborigines are chasing the other two males. The duo depletes one last time when one of them disappears during a wild-river flow
does it have to be said
clumsy! The supposedly last cannibal tribe on earth imprisons the one man left, named Robert. They don't start cooking him just yet, but fool around with him a little, first. He escapes and takes a local girl with him, who serves the role of beautiful hostage. However, the journey through the undiscovered jungle is hard, long and full of surprises.
Ruggero Deodato's general rehearsal before unleashing the notorious `Cannibal Holocaust' upon the world is an explicit horror film, but not as shocking or repulsive as its successor. This film merely serves as an old-fashioned adventure-movie, there were Cannibal Holocaust is a severely shocking ethical portrait. If you ignore all the illogicalness of this film, you'll have yourself a good time. That's a fact. It's a rough and straight-to-the-point horror production with more than enough footage to keep you entertained although a lot depends on your definition of entertainment, of course. Italian horror standards stand throughout the whole film: gore, sleaze and cruelty! Since so many things are happening during the first 20 minutes of `Jungle Holocaust', the film tends to get tedious after a while or so you would think! Surprisingly enough, there still are more than enough adrenalin-filled sequences that keep you alert and and this really is positive in my book Deodato gives an excellent portrayal of how someone is unintentionally driven into complete madness and a total loss of realism. Jungle Holocaust contains quite a lot of animal cruelty, which can be regarded as offensive by Italian horror-haters. The crocodile-dissection easily equals the vicious tortoise slaughtering in `Cannibal Holocaust'. The cannibals themselves are some of the wickedest I ever saw and they seem to follow some bizarre rituals, too. They show an unusual interest for male nudity and they don't seem to worry too much about controversial handlings such as murdering an infant (pretty disturbing sequence that was). They do bring forward beautiful women, as Me Me Lai is the sexiest native girl I ever saw. Jungle Holocaust is essential viewing for Italian horror/sleaze fans. Not as memorable as `Holocaust' or `Ferox' but certainly worth your time.
Ruggero Deodato's general rehearsal before unleashing the notorious `Cannibal Holocaust' upon the world is an explicit horror film, but not as shocking or repulsive as its successor. This film merely serves as an old-fashioned adventure-movie, there were Cannibal Holocaust is a severely shocking ethical portrait. If you ignore all the illogicalness of this film, you'll have yourself a good time. That's a fact. It's a rough and straight-to-the-point horror production with more than enough footage to keep you entertained although a lot depends on your definition of entertainment, of course. Italian horror standards stand throughout the whole film: gore, sleaze and cruelty! Since so many things are happening during the first 20 minutes of `Jungle Holocaust', the film tends to get tedious after a while or so you would think! Surprisingly enough, there still are more than enough adrenalin-filled sequences that keep you alert and and this really is positive in my book Deodato gives an excellent portrayal of how someone is unintentionally driven into complete madness and a total loss of realism. Jungle Holocaust contains quite a lot of animal cruelty, which can be regarded as offensive by Italian horror-haters. The crocodile-dissection easily equals the vicious tortoise slaughtering in `Cannibal Holocaust'. The cannibals themselves are some of the wickedest I ever saw and they seem to follow some bizarre rituals, too. They show an unusual interest for male nudity and they don't seem to worry too much about controversial handlings such as murdering an infant (pretty disturbing sequence that was). They do bring forward beautiful women, as Me Me Lai is the sexiest native girl I ever saw. Jungle Holocaust is essential viewing for Italian horror/sleaze fans. Not as memorable as `Holocaust' or `Ferox' but certainly worth your time.
Jungle Holocaust is a great cannibal film. But not only is it a cannibal film, it is also a jungle adventure, one mans story of survival. This is Ruggero Deodato's first cannibal film, therefore paving the way for the classic Cannibal Holocaust. Like CH, this film is also shunned by many for it's real animal killing and it's realistic human killings. But, it is not only the gore that make this a good film. It also has great direction and stunning visuals in the jungle, plus a good score and pretty good acting. It is a very realistic movie, filmed on location with real natives. Don't get me wrong, the gore is great, too, so if your looking for a movie with realistic gore, i highly recommend this, along with Deodato's next film, Cannibal Holocaust. Check it out if you like Italian cannibal films or if your a Deodato fan. Not for the squeamish. I give it a 8/10.
JUNGLE HOLOCAUST is a brutal, no-holds-barred early entry in the bizarre cannibal subgenre of the seventies and early eighties. It's shocking, violent, immoral, sleazy and exploitive. In other words, it delivers.
I can't defend this movie from an ethical standpoint. Even the observation that the live animal slaughter (which is fairly minimal here) is committed by people who apparently were members of a real tribe of primitives, as part of their daily routine doesn't change the fact that it was shot for purely sensational purposes. But it is undeniably intense, suspenseful and creepy.
A plane lands in the Amazon wilds while searching for a couple of lost explorers. The people in the plane wander off a little too far and become separated. The movie then follows one of them, who is captured by a tribe of cannibals and kept prisoner for months. He finally manages to escape and kidnaps a young, beautiful female member of the tribe to use as a guide.
The movie has a gritty realism to it that makes it play almost like a documentary. It captures the gradual transformation of the character from a "civilized" man to a grunting "savage" extremely well, although a scene in which he wins over his female companion by raping her is a little over-the-top, to say the least.
The midsection of the movie is almost entirely devoid of dialog, so the atrocious dubbing is confined mostly to the first and last sequences. Overall, it's a very well-made and unsettling thriller, although it would have been far more suspenseful had there not been a disclaimer at the beginning saying the main character survived to tell his story.
I can't defend this movie from an ethical standpoint. Even the observation that the live animal slaughter (which is fairly minimal here) is committed by people who apparently were members of a real tribe of primitives, as part of their daily routine doesn't change the fact that it was shot for purely sensational purposes. But it is undeniably intense, suspenseful and creepy.
A plane lands in the Amazon wilds while searching for a couple of lost explorers. The people in the plane wander off a little too far and become separated. The movie then follows one of them, who is captured by a tribe of cannibals and kept prisoner for months. He finally manages to escape and kidnaps a young, beautiful female member of the tribe to use as a guide.
The movie has a gritty realism to it that makes it play almost like a documentary. It captures the gradual transformation of the character from a "civilized" man to a grunting "savage" extremely well, although a scene in which he wins over his female companion by raping her is a little over-the-top, to say the least.
The midsection of the movie is almost entirely devoid of dialog, so the atrocious dubbing is confined mostly to the first and last sequences. Overall, it's a very well-made and unsettling thriller, although it would have been far more suspenseful had there not been a disclaimer at the beginning saying the main character survived to tell his story.
Ruggero Deodato's name is forever linked with the cannibal movie genre mostly because of his infamous 'Cannibal Holocaust', a movie which I've yet to see uncut. 'The Last Cannibal World' (aka 'Jungle Holocaust') was his first cannibal movie, and isn't as well known or talked about. If you don't take it too seriously, and don't object too much to the gratuitous animal slaughter, it's sleazy, trashy entertainment. Deodato by the way didn't start this movie cycle, Umberto Lenzi did, but Lenzi later recycled some Deodato footage, and cast Ivan Rassimov and Me Me Lai in his 'Eaten Alive'. Anyway, Massimo Foschi plays an American, Robert Walker. The plane he and his colleague Rolf (Rassimov) are traveling on crashes and they get separated in the jungle. I forget where the setting was supposed to be. It doesn't really matter as these cannibal movies are fantasies with no basis in reality. They usually film them in the Philippines and get the locals to wear dirty wigs and ham it up, which is alright by me if it's alright with them. It's a living, right? Walker gets caught by a primitive cannibal tribe, who tie him up, rip his clothes off and play with his penis. Maybe they are impressed, I don't know, but instead of eating him they imprison him. He witness all kinds freaky stuff while caged, but eventually escapes and takes Pulan, a beautiful local girl, as a hostage (Me Me Lai, also in Lenzi's 'Man From Deep River', made before this, and his 'Eaten Alive', made after). Their relationship is difficult to fathom and depends a lot on which cut of this movie you see. Walker is eventually reunited with his old pal Rolf and then decides to kick some cannibal butt. Really the plot is slim, and who cares? This is just an excuse to see lots of gross stuff and Me Me Lai's breasts. If I was forced to defend this type of movie I really couldn't, but hey, I enjoyed it while it lasted. My favourite cannibal movie is still Sergio Martino's unfairly dismissed 'Mountain Of The Cannibal God', starring Ursula Andress and Stacy Keach, which was released the year after this. It isn't as hardcore as the Lenzi and Deodato movies but it's lots of fun.
I guess when you've run out of Westerns, Gialli and Eurocrime films to make you've got to start looking elsewhere for inspiration. Last Cannibal World isn't the first even Italian cannibal film (that being Deep River Savages) and it's not Ruggero Deodato's first jungle film either - that's Gungala, a film with a far less sinister atmosphere than this vileness. What this film did was kick off another genre exploiting free-for-all of cannibal movie clones which isn't what you'd call the best period of Italian cinema.
Some guy actor called Massimo Foschi, who will be spending the majority of this film naked, plays an oil prospector called Robert Foster. Robert in a private plane with jungle expert Ivan Rassimov and two people who will shortly become cannibal fodder because they are not white. Robert's concerned that they can't get in radio contact with the makeshift airfield an advance party of engineers has set up, and things get worse when they tried land and a wheel is knocked off the plane by the long disused radio. That's no good.
The pilot reckons he can get the plane up and running in short order, but then Robert ruins everything by running into the jungle looking for his missing engineers and gets lost. Eventually Ivan Rassimov finds him and they head back to the plane, finding the murdered corpses of the engineers on the way back. Now Robert is in a hurry to leave the place, but the pilot tells him it's too late and they'll have to fly out first thing in the morning. We the audience are then clued in that someone is out there in the dark (via a nice jump scare), but when the female companion of Robert has to go outside to pee, she's captured by the natives waiting outside and things go tits up right away.
Robert shows that he's probably inherited his oil company because he seems to operate without any foresight or intuition. The pilot gets a spike ball to the guts, Robert loses Ivan on some river rapids after they get lost again, then Robert thinks it's a good idea to eat some strange mushrooms before tripping out, getting caught by natives, getting stripped to the nuts and getting his tummy banana tugged on by some backwards cannibals.
They also think he's a bird and dangle him off the ceiling of the cave their in before trying to eat his watch and throwing him in a cave with some birds while periodically throwing slops at him or peeing on him. Robert also gets to meet Me Me Lai, who mistakes the universal hand signal for 'I need food' for 'give me a handy'. Me Me stands out a mile not only because she's the only cannibal with all her teeth, she also seems to have a very good plastic surgeon judging by those fake boobs!
We spend rather a long time watching the natives being primitive and eating snakes/crocodiles, stock footage of animals eating other animals, and the natives being savage by having a rival native's arm eaten by ants before eventually escapes with Me Me and the romance/lengthy chase sequence begins! Turns out the most romantic thing you can do with a native is punch her directly in the face.
If you remove the animal cruelty from this one (and luckily my copy is missing the croc eating scene, but keeps the gore intact), you have a decent jungle adventure which thinks it's being clever in showing one civilised man's descent into savagery as the only way he can survive his ordeal in the jungle, although it's all just an excuse for gore and violence. The animal stuff is kept to a minimum thankfully, but that would be remedied in Deodato's Cannibal Holocaust, a truly nauseating exercise without any redeeming features.
The goriest part of this film is reserved for Me Me, who is rewarded for leaving the tribe by being served up with a bat confit, grub ganache, native drool foam, bamboo tuille and a crocodile jus. This won the tribe Masterchef: Cannibals in 1977.
Some guy actor called Massimo Foschi, who will be spending the majority of this film naked, plays an oil prospector called Robert Foster. Robert in a private plane with jungle expert Ivan Rassimov and two people who will shortly become cannibal fodder because they are not white. Robert's concerned that they can't get in radio contact with the makeshift airfield an advance party of engineers has set up, and things get worse when they tried land and a wheel is knocked off the plane by the long disused radio. That's no good.
The pilot reckons he can get the plane up and running in short order, but then Robert ruins everything by running into the jungle looking for his missing engineers and gets lost. Eventually Ivan Rassimov finds him and they head back to the plane, finding the murdered corpses of the engineers on the way back. Now Robert is in a hurry to leave the place, but the pilot tells him it's too late and they'll have to fly out first thing in the morning. We the audience are then clued in that someone is out there in the dark (via a nice jump scare), but when the female companion of Robert has to go outside to pee, she's captured by the natives waiting outside and things go tits up right away.
Robert shows that he's probably inherited his oil company because he seems to operate without any foresight or intuition. The pilot gets a spike ball to the guts, Robert loses Ivan on some river rapids after they get lost again, then Robert thinks it's a good idea to eat some strange mushrooms before tripping out, getting caught by natives, getting stripped to the nuts and getting his tummy banana tugged on by some backwards cannibals.
They also think he's a bird and dangle him off the ceiling of the cave their in before trying to eat his watch and throwing him in a cave with some birds while periodically throwing slops at him or peeing on him. Robert also gets to meet Me Me Lai, who mistakes the universal hand signal for 'I need food' for 'give me a handy'. Me Me stands out a mile not only because she's the only cannibal with all her teeth, she also seems to have a very good plastic surgeon judging by those fake boobs!
We spend rather a long time watching the natives being primitive and eating snakes/crocodiles, stock footage of animals eating other animals, and the natives being savage by having a rival native's arm eaten by ants before eventually escapes with Me Me and the romance/lengthy chase sequence begins! Turns out the most romantic thing you can do with a native is punch her directly in the face.
If you remove the animal cruelty from this one (and luckily my copy is missing the croc eating scene, but keeps the gore intact), you have a decent jungle adventure which thinks it's being clever in showing one civilised man's descent into savagery as the only way he can survive his ordeal in the jungle, although it's all just an excuse for gore and violence. The animal stuff is kept to a minimum thankfully, but that would be remedied in Deodato's Cannibal Holocaust, a truly nauseating exercise without any redeeming features.
The goriest part of this film is reserved for Me Me, who is rewarded for leaving the tribe by being served up with a bat confit, grub ganache, native drool foam, bamboo tuille and a crocodile jus. This won the tribe Masterchef: Cannibals in 1977.
Lo sapevi?
- QuizRuggero Deodato has said in several occasions that real animal deaths sequences were archive footage added by the producer after the filming, during the editing process. This is not completely true. Some of them are actually archive footage, but other (like the crocodile killing) were filmed for the movie.
- BlooperThroughout the film, there is no daylight nighttime continuity visible. Daytimes are changing without reason, sometimes multiple times in one scene.
- Versioni alternativeThe original 1977 UK cinema version ("Cannibal") was cut by around 4 minutes by the BBFC to heavily edit cannibalism scenes, closeups of Harper's naked penis, animal killings and shots of a man's arm being eaten by ants. When the film was finally submitted for DVD release in 2003 (as "Last Cannibal World") the BBFC required 2 minutes 46 secs of cuts to remove the scene of a live crocodile being gutted and to edit a rape sequence. The distributors had also offered a pre-cut version, removing a further 1 minute 47 secs, though in the end the longer BBFC-approved version was eventually released.
- ConnessioniEdited into Mangiati vivi! (1980)
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