VALUTAZIONE IMDb
6,6/10
3037
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn March 1914, a mining engineer named Richard Hannay tries to prevent Prussian Agents from executing a political assassination designed to trigger World War I.In March 1914, a mining engineer named Richard Hannay tries to prevent Prussian Agents from executing a political assassination designed to trigger World War I.In March 1914, a mining engineer named Richard Hannay tries to prevent Prussian Agents from executing a political assassination designed to trigger World War I.
Edward de Souza
- Woodville
- (as Edward De Souza)
Recensioni in evidenza
I was never really crazy about the Hitchcock version of this story. Hitch too often "fiddled" with an original story, and although so often made a great movie, it was seldom true to the story as it was first written. The later remake with Kenneth Moore, was a little more glossy, but flat. But with this version, we finally get the story as it was written. Superior photography on location, really help to make this a real winner. Evenly paced, with fine acting performances by the entire cast, the whole film just flows. Excellent production values, recreate the period flawlessly. If I had a criticism, it would be of the rather fanciful climax, but it was still fun. This movie is for enjoying over and over again.
10debalan
This is an exciting, well acted version of the Thirty Nine Steps. David Warner is appropriately evil as the head of the Nazi's moles, Robert Powell is a convincing reluctant hero who has been thrust into mystery & danger, Sir John Mills is great as the voice of warning and reason against the pending threat of war, and Karen Dotrice is very sweet as the romantic interest now that she is all grown up. Compared to the earlier Hitchcock version (which we also like) this story is much more believable and less campy.
We love it and watch it every few months. Our only disappointment is that our VHS is getting worn and we can't find a replacement in either VHS or DVD.
We love it and watch it every few months. Our only disappointment is that our VHS is getting worn and we can't find a replacement in either VHS or DVD.
It's hardly fair to compare this to the Hitchcock version (which was made when Buchan was not yet a well-known author). I think the Hitchcock film is the better as a film, although there are a few stodgy moments (with the crofter, for instance), but lots of lovely visual ideas to compensate (the Bridge scene, the missing digit, and the ending). But Hitchcock's is not a filming of Buchan's novel. It's something quite different. The first remake (with Kenneth More) was a remake of the Hitchcock film, not the book. With this version, we were told it would be faithful to the original, but, yes, the ending is stolen from an old Will Hay film (which was very much before its time, with its black humour). So this is not really a remake of the Hitchcock film, but neither is it faithful to Buchan (which I must re-read). But it is enjoyable, the period feel is good, and I personally like Ed Welch's concerto score.
This 1978 version of "The 39 Steps" is an excellent film, well worth one's time. The film follows the John Buchan novel closely, except for its climax which, according to Halliwell, is taken from Will Hay's "My Learned Friend"; thus, there is little similarity in plot and characters between this film and the Hitchcock version. There are no handcuffed characters racing about (Thank God!) nor villains with truncated digits.
This film is well cast and performed throughout, with special mention of Robert Powell, John Mills, and David Warner. Made in color, it features beautiful scenery, especially the train trip to Scotland and Hannay's flight over the moors. It has fine period detail and costumes, the equal of anything in Merchant-Ivory films. And it has a lush, romantic score that swept me right along into the film.
The film does reference Hitchcock in a number of ways, most obviously in the plane search for Hannay, which recalls the plane attacking Cary Grant in "North by Northwest." And the climax that takes place on the face of Big Ben is exactly the sort of thing Hitchcock might have done, what with his fondness for using famous landmarks in his films.
The suspenseful climax is as good as anything Hitchcock ever did. But throughout, the film has good suspense. Hannay's escape from the train on the bridge here is better than the Hitchcock scene. And the terrorists' activities as shown here are very modern in that they are ruthless killers.
The people who were involved in making this film have nothing to apologize for. It's a fine film, and it's too bad that it has been overshadowed by the Hitchcock version. Don't miss this one.
This film is well cast and performed throughout, with special mention of Robert Powell, John Mills, and David Warner. Made in color, it features beautiful scenery, especially the train trip to Scotland and Hannay's flight over the moors. It has fine period detail and costumes, the equal of anything in Merchant-Ivory films. And it has a lush, romantic score that swept me right along into the film.
The film does reference Hitchcock in a number of ways, most obviously in the plane search for Hannay, which recalls the plane attacking Cary Grant in "North by Northwest." And the climax that takes place on the face of Big Ben is exactly the sort of thing Hitchcock might have done, what with his fondness for using famous landmarks in his films.
The suspenseful climax is as good as anything Hitchcock ever did. But throughout, the film has good suspense. Hannay's escape from the train on the bridge here is better than the Hitchcock scene. And the terrorists' activities as shown here are very modern in that they are ruthless killers.
The people who were involved in making this film have nothing to apologize for. It's a fine film, and it's too bad that it has been overshadowed by the Hitchcock version. Don't miss this one.
Most of the people I spoke with about the 39 steps refer to the Hitchcock's 1935 version as the best one. Well most of these people haven't seen the 1978 version. If any of you will have a chance to see it, don't miss it as this version is story closer to John Buchan's book than Mr. Hitchcock's film.
Unfortunately, the 1978 version wasn't released on video in Europe (I believe it was released only in the US).
Robert Powell - stunning; David Warner - excellent; Prussian Agents - villains at their best.
b.t.w. very good music by Ed Welch.
Unfortunately, the 1978 version wasn't released on video in Europe (I believe it was released only in the US).
Robert Powell - stunning; David Warner - excellent; Prussian Agents - villains at their best.
b.t.w. very good music by Ed Welch.
Lo sapevi?
- QuizThis movie is considered the most faithful of the three screen versions of John Buchan's source novel, despite the addition of the Big Ben clock-tower finale (which was borrowed from Will Hay's My Learned Friend (1943)), which was not in the book.
- BlooperWhilst in Scotland, as a guest at the ancestral home and on the heaths, Hannay, wears Cherry Red Dr Marten Airwear boots (first invented in 1960). These are first seen under a chair whilst he is changing in the bedroom.
- Curiosità sui creditiSPOILER: Closing credits epilogue: Edward Appleton was convicted of treason in May 1914.
And thanks to Richard Hannay, Britain gained valuable time to prepare for The Great War.
- ConnessioniEdited into The Clock (2010)
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Dettagli
Botteghino
- Budget
- 1.500.000 £ (previsto)
- Tempo di esecuzione1 ora 42 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1
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