Un orfano proveniente da un altro pianeta arriva sulla Terra, dove crescerà e diventerà un super-eroe.Un orfano proveniente da un altro pianeta arriva sulla Terra, dove crescerà e diventerà un super-eroe.Un orfano proveniente da un altro pianeta arriva sulla Terra, dove crescerà e diventerà un super-eroe.
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Riepilogo
Reviewers say 'Superman' (1978) is celebrated for Christopher Reeve's iconic dual role, groundbreaking special effects, and John Williams' epic score. Richard Donner's direction is highly praised. However, criticisms include slow pacing in the first act, lengthy runtime, and campy portrayal of villains like Lex Luthor. The special effects, though innovative, are noted to have aged. Despite these issues, the film is widely regarded as a classic and a major influence on the superhero genre.
Recensioni in evidenza
This is, for me, the best of all the Superman films. It takes into account the mythos of the most famous superhero ever. The beginning is so incredible. I already knew the story (by the way, I'm not a fan boy, just encountered it along the way). I think that the Superman oeuvre is the best plotted out of all these heroes' stories. We get to see the struggles of the father, Jor-el, dealing with the short-sightedness of the civic leaders. We get set up for a future with the three malcontents who are out there somewhere. We get the storied life of Clark Kent/Superman as a kid and the struggles he faced. We get an explanation for the Fortress of Solitude. And finally, there is an introduction to Lex Luther, the mastermind, who will make Superman's life a continuous battle. Clark has left home and seems to have some real insights. He is prepared. Now the story and future stories will move along. Oh, we will miss the kind and accomplished Christopher Reeve for this and other roles.
It all begins as planet Krypton's world unwinds, as you're packed inside a vessel and assigned, to a place where you'll excel, where folk will come under your spell, the populations of this place are called mankind. You're discovered by a couple and taken in, while growing up, concealing talents that could win, a loss leads you to the arctic, an experience cathartic, but it's Metropolis, where you firmly stick your pin. The Daily Planet is the place you'll ply one trade, Clark Kent assisting Lois on her crusades, your first encounter with Lex Luthor, a somewhat challenging manoeuvre, as you defy Jor-El's mandate, to save the day.
Superman may be corny and cheesy to some people, but for those who grew up with it it is as original and as exciting as it was 30+ years ago. The spectacle of the film is terrific, the cinematography is wonderful and the special effects are dazzling. In terms of effective scenes, the scenes with Clark and Lois are cute and don't take up too much of the film or harm it in any way, while the confrontation between him and Lex Luthor is suitably bright and breezy and the opening is wonderfully elegiac. The score's main theme is iconic and just superb, John Williams has done some wonderful scores before, this score is no exception. The direction is innovative and the script is sophisticated enough. I also much enjoyed the acting. Christopher Reeve is perfectly cast as Clark/Superman while Gene Hackman is superb as the calculating yet comic Lex Luthor. Overall, just terrific fun! 10/10 Bethany Cox
It remains one of the most fascinating slices of my childhood. The fascination is the same. The same the emotion. And the believe than Christopher Reeves remains the best Superman. Sure, after decades, it could be seen as naive. But its freshness is yhe same. Like the noble moral message.
We all have unique reasons for loving a film. That's what makes cinema so magical. It's personal. You can love the meat of the movie, or you can love the trimmings.
There's a bunch of good stuff here. Most people my age will refer to "Superman" as THE definitive superhero film. None will ever take it's place. A position no doubt dictated by the age we were when first viewing it. As with films like "Star Wars" and "Raiders of the Lost Ark", WHEN you experience them is just as important as HOW you experience them.
As we age, youth's eyes fade. Cynicism creeps in. Experience leads us to see the many injustices this life offers and we become more critical... less likely to accept that which we would rather believe. After all, an adult who clings to the youthful ideals of wonder is simply naive... right?
To this day, the opening title sequence for "Superman" fills me with the same magical joy it did over twenty years ago. Never was a score so perfectly crafted around a film. John Williams and Richard Donner created such an indelible experience that over 25 yrs later, Bryan Synger will use the same music and theme to bring the magic to a new generation of wondrous eyes.
As for me though, this will always remain the best.
There's a bunch of good stuff here. Most people my age will refer to "Superman" as THE definitive superhero film. None will ever take it's place. A position no doubt dictated by the age we were when first viewing it. As with films like "Star Wars" and "Raiders of the Lost Ark", WHEN you experience them is just as important as HOW you experience them.
As we age, youth's eyes fade. Cynicism creeps in. Experience leads us to see the many injustices this life offers and we become more critical... less likely to accept that which we would rather believe. After all, an adult who clings to the youthful ideals of wonder is simply naive... right?
To this day, the opening title sequence for "Superman" fills me with the same magical joy it did over twenty years ago. Never was a score so perfectly crafted around a film. John Williams and Richard Donner created such an indelible experience that over 25 yrs later, Bryan Synger will use the same music and theme to bring the magic to a new generation of wondrous eyes.
As for me though, this will always remain the best.
Lo sapevi?
- QuizOn his first day on the set, Marlon Brando suggested to Richard Donner that the cameras roll during rehearsal. Brando reportedly said, "Who knows? We might get lucky." According to Donner, that very first take was the one that was used in the finished film. Brando was notoriously lazy and was constantly pulling little stunts like this to lessen his workload. Christopher Reeve even complained about it in interviews, saying Brando was "phoning it in and it shows!"
- BlooperWhen Superman is catching the cat burglar falling down the side of the skyscraper, his cape (also note the burglar's flashlight) is flat against his body revealing the tilt camera special effect.
- Curiosità sui creditiFor the first few opening credits, the graphics 'soar' towards the viewer. Following the appearance of the 'S' symbol, they change direction and from the film's title onwards, recede into the distance.
- Versioni alternativeThe current DVD, in addition to containing the 2000 restored director's cut, has 2 deleted scenes (both of Lex' babies, and seen in the TV edits in their original context), and alternate audio scoring for 8 sequences (including an unreleased alternate pop version of Margot Kidder's "Can You Read My Mind"). The DVD has the 2000 restoration with the following additions / expansions (all of which were seen in previous expanded television versions):
- Some added dialogue when Jor-El is talking with the council.
- The council calls an "Executioner" to hunt and kill Jor-El to keep the rocket from launching.
- Noel Neill and Kirk Alyn's speaking cameos on the train.
- Little girl sees Clark running faster than train, parents call her Lois Lane.
- In the kitchen Martha Kent takes out a box of Cheerios.
- After rescuing Air Force One Superman returns to Fortress of Solitude and has a conversation with his father.
- In Metropolis when the news of Superman comes out, Clark is a spectator. A stranger (played by an uncredited Richard Donner) comments "that'll be the day when a man can fly"; Clark grins.
- While trying to get Luthor's lair Superman goes through machine guns, flame throwers, ice machines with Luthor taunting on loudspeaker.
- The sequence with the Girl Scouts.
- ConnessioniEdited into Superman II (1980)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Superman - Il film
- Luoghi delle riprese
- Range Road 264, Blackie, Calgary, Alberta, Canada(The Kents' farm, coordinates: 50.675111, -113.558333)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 55.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 134.478.449 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.465.343 USD
- 17 dic 1978
- Lordo in tutto il mondo
- 300.478.449 USD
- Tempo di esecuzione2 ore 23 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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