Suor Emanuelle

Everyone's favorite nymphet has renounced her deviant sexual past and has become a nun. Emanuelle travels to Venice to meet with a wealthy Baron. The Baron has become enraged with his daughter (Monika) who was caught having an affair with her stepmother. He asks Emanuelle to bring his perverse teenage daughter back to her convent. Doesn't this already sound like the greatest film ever made? It's definitely one of the best Emanuelle films ever made. What a perfect place for the Emanuelle character to end up in - a convent. And what a great direction for this series to take - Emanuelle turns to God. But Emanuelle isn't sure if she wants God in her heart; Emanuelle becomes seduced by the teenage girl. On top of all this sexual tension, Emanuelle and Monika take in an escaped murderer; they both fall in love with him and hide him out inside the convent. This also has to be one of the funniest Emanuelle films in the series. For example: one of the nuns in the convent has a bladder problem. One-night Emanuelle showers and runs threw the halls of the convent; however when Sister Superior finds water all over the floors she blames the sister with the bladder problem – ha ha! On a final note: Laura Gemser is as beautiful as ever. Gemser is to the Emanuelle series what Sean Connery is to the James Bond series – "simply the best!"

Sister Emanuelle (1977) follows the exploits of Emanuelle as she tries to find God and cleanse herself of sin by being a nun in a convent. Her devotion to God and not her old hedonistic lifestyle is challenged by a wild new convert. Can Emauelle resist temptation and cling to her new found love of religion or will the wild and carefree Emauelle reemerge and embrace her old lifestyle?

I was disappointed by this movie. It's okay but I was expecting a whole lot more because it's Emanuelle mixed in with nunsploitation. This could have been an instant classic, but it fails on some levels but not all. A must for die hard Emanuelle fans.

"Suor Emanuelle" (1977) is an intriguing yet flawed exploration of the human psyche, cloaked in the alluring and controversial garb of a nun's habit. Directed by Giuseppe Vari, this film dares to tread where many would falter, delving into the murky waters of religious fervor, carnal desires, and existential angst.

At its core, "Suor Emanuelle" follows the titular character, Sister Emanuelle, portrayed with a compelling mix of innocence and seduction by Laura Gemser. Emanuelle's journey is one of inner conflict, as she grapples with her vows and the magnetic pull of forbidden passions. Gemser's performance is a highlight, bringing depth to a character that could have easily been reduced to a mere stereotype.

The film's narrative is a patchwork of evocative scenes and jarring transitions. While some moments resonate with raw emotional power, others feel disjointed, leaving viewers scrambling to connect the dots. Vari's direction, though ambitious, sometimes falters in maintaining a cohesive tone. The cinematography oscillates between the sublime and the risqué, capturing the lush beauty of the Italian countryside alongside provocative, and occasionally gratuitous, depictions of Emanuelle's struggle.

One cannot overlook the film's audacious use of eroticism. While it aims to challenge and provoke, it often teeters on the edge of exploitation. The delicate balance between artistic expression and sensationalism is a tightrope that "Suor Emanuelle" walks precariously. For some, this will be a bold exploration of taboo themes; for others, it may come across as unnecessarily indulgent.

The supporting cast delivers a mixed bag of performances. Some, like Monica Zanchi as Sister Anna, provide a robust counterpoint to Emanuelle's turmoil, while others fade into the background, their characters underdeveloped and their motivations unclear. The screenplay, penned by Maria Pia Fusco and Mario Gariazzo, is laden with philosophical musings and theological debates that, while intellectually stimulating, sometimes bog down the narrative momentum.

The film's soundtrack, an eclectic mix of haunting melodies and discordant notes, mirrors the tumultuous journey of its protagonist. It enhances the atmosphere, pulling the audience deeper into the labyrinth of Emanuelle's mind.

In conclusion, "Suor Emanuelle" is a film that swings for the fences but only occasionally hits its mark. It is a bold, imperfect work that will undoubtedly spark conversation and contemplation. For those willing to embrace its imperfections and delve into its provocative themes, it offers a unique cinematic experience. However, its uneven execution and occasional descent into excess prevent it from achieving the greatness it aspires to.

If you are like me, you love the whole school girl fantasy coupled with the strict nuns. This movie has a little of it all. Plus, the lesbian scenes are wonderful. If anything, they are too short. But there is one with a banana that words just can not do justice to. Highly recommend this one, but only get the Euro uncut version.

Granted, I can't claim to be a fan of the "Emanuelle" movies really, but I have seen a number of them over the years, whenever I had a chance to watch one. But it is not like I have been actively chasing after the movie in order to get to watch them. Yeah, I am not really all that keen on the exploitation genre.

But as luck would have it, then I had the opportunity to sit down in 2022 and watch the 1977 Italian "Suor Emanuelle" (aka "Sister Emanuelle") movie from writers Gerolamo Collogno, Mario Gariazzo, Ambrogio Molteni and Marino Onorati. I wasn't really harboring much of any expectations to the movie, but did sit down to watch it with an open mind and a clean slate.

As it turned out, then director Giuseppe Vari actually delivered a movie that wasn't all that bad. Sure, it was the usual type of mundane nudity and attempts of being a semi-erotic movie, but in comparison to many of the other "Emanuelle" movies I have seen, then this one was actually watchable.

For me it was the nun and cloister aspect to the storyline that actually made the different, plus the fact that it felt like the writers had actually put in an effort to make "Suor Emanuelle" more than just another archetypical "Emanuelle" movie.

And of course it is good to see Laura Gemser in the role of Emanuelle, as she single-handedly has embodied that particular role and made it hers and hers alone.

If you enjoy the exploitation genre then "Suor Emanuelle" is actually a step up the ladder and is worth checking out, if you haven't already done so.

My rating of the 1977 "Suor Emanuelle" lands on a five out of ten stars.