Sette uomini d'oro nello spazio

This is an effort at an outrageous space epic, where nothing is funny and the characters are about as bland and inconsequential as one can get. Once again the earth is threatened (actually it has been purchased). The population is going to be enslaved once this guy, who has a face like a hand grenade does what he does to them. The silly people of earth have to depend on some guy whom they treat badly, but who has great powers to repel the force. There are some idiotic droids, especially a male and female (for whatever reason), who provide what I guess is comic relief. The whole thing is a joke. We never really get what the powers are. We never really understand the strategies. There are, however, a group of androids who dress like Carol Channing. Now that could have been funny.

Well, as an Italian American, I am obligated to at least try to see the myriad of Italian space flicks; this being one of the worst.

I LOVED Mario Bava's Planet of the Vampires, and his other very hip and "neato"(as in "gee that's real neato, Batman!") BUT this one is watchable only for the costumes, the babes, and the pretty good ships effects.

I DID love(and still own) War of The Robots", which has a good story and a good "family feeling" among the characters who make up the spaceship crew and their alien allies.

If you like hot Italian babes, post "Space 1999" space uniforms, and ships, you will like this film If you want a good story or even a semi-well written one, steer clear of this one!

Winner, Academy Award, Category: "Worst Robot in a Sci-fi Film"

Believe it or not, but I've managed to stay awake long enough through three of these Alfonso Breschia sci-fi crapfests to notice that each one of them does have a different angle. Cosmos: War of the Planets had a slight horror angle, War of the Robots was a straight forward sci-fi action flick and Star Odyssey tries to include a lot of humour. I have seen the Beast in Space but we all know the angle there is Sirpa Lane's nipples.

It does matter how he approaches these films, they are all miserable failures featuring the same sets, the same extras in blonde robot wigs, the same uniforms for the good guys (I hope they at least washed them - I wouldn't fancy getting Antonio Sabato's sweaty hand-me-downs), the same Yanti Somer, the same space battle footage and the same sense that even Breschia himself was not remotely interested in what he was creating. Let's dive in!

Or not, as the whole first half of the film seems to have been cut and pasted together as some key scenes seem to happen after other stuff has occurred. Basically, an alien that looks like he's fallen asleep on an electric fly swatter has bought Earth, and instead of making contact he just starts gathering together loads of humans for slavery. This enrages campy Earth leader Franco Rassell, who orders a crack team of human jerks to get together to sort out this intergalactic chugnut.

This lot includes Han Solo type Gianni Garko, who can hypnotise people and gets into a fistfight with Nello Pazzafini (in the confusing footage we see the fight first, then the reason it started later), Yanti Somer, ex-lover of Garko and niece of elderly scientist Ennio Balbao, who is trying to figure out some way to penetrate the weird substance surrounding the enemy spaceship (more confusing footage). There's Han Solo type Chris Avram and Melissa Longo, who is guess is supposed to be Chewbacca? Throw in a guy with ADHD and a pompous military guy and we're good to go...except for the two suicide-pact robots they pick up from a seventies scrapyard.

The fact that Tilt and Tilly have more character than everyone else shows you how bad this film is. They had a suicide pact but can't remember how (it's because they couldn't shag), and they bicker, complain, write poems to each other and wonder how the blonde-wig robots aren't attacking them. There's also this other robot which is like some child in a Halloween costume wandered on set or perhaps is a dwarf slave Breschi was humiliating for sexual purposes.

All this crapness is lost like tears in rain as the whole things just devolves into the same endless laser battles, light-sabre (pound shop version) battles, and worst of all, the interminable space battle at the end. That battle doesn't quite last as long as the one in War of the Robots, but...that's about the only good thing I can say about it.

The version I watched did have an ending, although it did cut off a guy at the end mid-sentence, so that was good.

What happened to you Gianni Gark - you used to be Sartana! What happened to you Ennio Balbao - you used to be a Mafia Don! Yanti Somer - you have no excuse - you were in the last two as well!

Have plenty of crackers ready for all this cheese. This movie is for the person who loves those late-night public access horror hosted shows. In fact, it's a safe bet that's the only way you'll ever see this movie. It's that bad.

But that's what makes it so great! Hokey dialog, corny special effects and cardboard sets, along with some of the dingiest background music (and theme song) you're likely to ever hear. Add that to the cartoon-sounding sound effects and you've got a worse-than-Starcrash movie that'll satisfy any B-movie fan! UPDATE: This movie, believe it or not, has been released on DVD. The copy is as bad as the movie, but if you can find it in the dollar bin, there you go!

This has to be one of the worst films I've experienced so far from my trusty Mill Creek 50-film 'Nightmare Worlds' pack (on twelve double-sided DVDs, no less), and it did a further injustice at being way too long. Usually these turn out to be just over an hour, so if it's an unpleasant bore, all you have to do is blink and it's over, but this was almost two hours long. There were many ways in which the filmmakers tried to rip off and cash in on much better films--you can tell that their C3PO-type robot, that's supposed to be the perfect bartender, was designed using a garbage can; and the English title distinctly culls from both 'Star Wars' and '2001: A Space Odyssey', both legendary masterworks of the genre. Yet there WERE some interesting ideas of merit, which much better scriptwriters and directors could have really done fine things with (intergalactic auctions of planets being but one of them), so I couldn't discount the film altogether. I'm simply glad it's over and done with, and I will never bother watching it again.

In conclusion, it's only worth a look if you REALLY like bad films or sci-fi and don't mind that it's very poorly made--otherwise, give it a wide berth and simply move on.