L'australiano

An inmate (Bates) at a lunatic asylum relates a bizarre tale to a visiting doctor (Curry) during a surreal cricket match between the patients and staff. The story details in flashback, how Bates came between a man (Hurt) who happens to be playing in the match, as a doctor I believe, and his wife (York) who is seen at the beginning and end of the film as a nurse at the asylum.

Man, where's this movie been all my life? Brilliant, absolutely brilliant but mysteriously forgotten British psycho horror flick of the late 70s, that features among everything else, an A-1 cast. It reminds me once again how dumb the Hannibal movies are. Ever get the feeling Anthony Hopkins realizes this too? Watch him sometimes when he thinks the camera isn't on him, he's laughing his butt off. Sorry, if you like disturbing well made horror films, that delve into the subject of madness and perspective vs. reality? You will like this. The old gimmick of Dr. Caligari has been used and abused, but this film plays honest because you know from the outset, that a madman is narrating the story. The film is effective enough, not to have to resort to springing that on you as surprise ending. You know that Bates is in a nuthouse going in, and are reminded of it throughout, but somehow you still forget it, or get confused about it as you get absorbed into the action. And what's even more upsetting is the footage at the asylum doesn't ring true either, if you know what I mean. Again, what is real? You're asking the wrong bloke, I'm sure I don't get it at all, but I love it, and I recommend it unreservedly. Taken from a story by the immortal Robert Graves. A must see!

I saw this film for the first time when I was just 17 years old and it made an impression which has lasted another 25 yrs. I just cant forget it. To this day, I cannot think of another film which captures so much about the isolation of English civility from the raw power of tribal beliefs, and to bring them together in the gentility and peace of a rural Devon setting.. even the "Wicker Man" fails to gain such potency as it is set in what is from the beginning contrived to be island cultures.. remote from civil society, whereas "The Shout" is both in your face, while (as a 1970's film) hauntingly suggestive of unspoken fears and longings. As such it speaks of the era within which it was made, a time of fragile contentment and almost subversive experimentation with.. other ways of viewing the world. Bates and York's performances are also totally believable which contrasted with the other-worldly nature of the setting and story make it compelling viewing. As another review stated.. I believe this to be a thoroughly underrated film, while for me at least definitely.. a classic.

... interesting one, this. Possibly one of the best films made. Sumptuous music, courtesy of Messrs Banks & Rutherford. Idyllic Devon locations. Hot, liquid afternoons; a game of cricket watched by 'mad' trees, the air punctuated by the cries of peacocks and a terrifying story of a man from the outback, who exercised the right to kill his children and who can kill anyone with the Terror Shout. A man (Alan Bates) who infiltrates the lives of a couple who live in a remote cottage by a rocky coast. A man who takes the wife (Susannah York) as his own property leaving the husband (John Hurt) utterly powerless, until he finds the man's soul trapped in a pebble. The shout itself is extremely well done and it sends shivers down the spine as a maelstrom of noise hits the senses. The ending brings both the story and the the cricket game together in spectacular fashion. At the close of play, you realize you've witnessed a straight horror story that is grounded in mundane reality. Mmmm...

Anthony and his wife Rachel (John Hurt and Susannah York) invite a bizarre drifter named Charles (Alan Bates) into their home for lunch. Charles claims to have spent the last 18 months in the Australian outback. He also says that he's acquired the ability to kill by merely shouting.

Anthony doubts the story, so, Charles takes him out and proves it to him. Unfortunately for Rachel, Charles has even more wickedness up his sleeve.

THE SHOUT is a magnificently odd little film about magic, madness, and death. It's told via flashback in a mental institution.

Highly recommended for fans of the dark and different... Be sure to watch for Tim Curry!

'The Shout' is one of the most underrated thrillers of the 70s, and should be spoken of in the same breath as the much more celebrated 'Don't Look Now' and 'The Wicker Man'. All three put complex and original adult approaches to the supernatural thriller genre. Alan Bates ('Whistle Down The Wind') really shines in this movie as the mysterious and charismatic stranger cum shaman Crossley, who turns a comfortably bohemian middle class marriage upside down. The couple are played by John Hurt ('The Elephant Man') and Susannah York ('Superman'), and they are both first rate, as is Tim Curry ('Rocky Horror') in a smaller but important supporting role. But as good as they all are this is Bates' movie all the way in an unforgettable performance. A haunting, dreamlike puzzle of a movie that improves with multiple viewings. Highly recommended!