September 30, 1955

4 out of 10

The title represents the date that the legendary and truly great actor James Dean died in a car crash. His death has an adverse effect on a group of teens in a small southern town.

Thomas is the main character who , along with his girlfriend Billie Jean, seems to get the most upset. Although some of his actions may seem fanatical it is really not as extreme or as a fanatical as you may think it would be or could have been. At no time does he become so immersed in it that he loses sight of reality. At times it really becomes more of a story of lost young souls looking for an identity than it does on celebrity worship.

The story itself is pretty slow and has a lot of long drawn out takes. There are times when the drama gets just a little too heavy. The ending is especially unsatisfying as it doesn't even give us a hint as to whatever became of these characters who are all left in unfinished scenarios. In the final analysis this thing is nothing more than another one of those sappy 70's teen romance tragedies.

Beyond the poor structure there are indeed some good things going on here. One is the just the chance of seeing such budding young talents working together and carrying a film. The other is director Bridges who shows some really good insight into Dean's mystic and why he made such a strong connection with the youth. You have the feeling that Bridges himself was a really big Dean fan. He also makes a good statement about just how many lost, lonely souls there are out there and the stifling nature of small town life especially during that period. He also recreates an excellent 50's flavor maybe some of the best you will ever see. The interactions between the characters seems very real and there is good historical accuracy. Bridges is honest with his assessment of the 50's and yet is not condescending to it like with a lot of other movies. He digs beyond just the period detail. You really feel, at least during the first hour, that you are right there and a part of the 50's experience, which is interesting and fun.

Overall Bridges shows signs of being a serious up and coming filmmaker. Unfortunately he tries a little too hard here. It seems too labored and trapped by the sensibilities of it's era. It is also completely humorless, too talky, and an eventual bore.

September 30, 1955 (1977)

** (out of 4)

Coming of age film about a troubled teen (Richard Thomas) whose life falls apart when he hears that his idol James Dean has been killed. This is a rather nice homage to Dean and it was interesting seeing how some peoples lives were changed by his death but writer/director James Bridges makes one fatal mistake that kills the film and he makes the lead one of the biggest assholes who be in any movie I've seen. The main character played by Thomas thinks he is just like Dean so he tries being a rebel but instead his character comes off as a complete jerk. He's so bad that you can't help but wish someone would just beat the hell out of him. Lisa Blount plays another teen who ties to communicate with Dean through black magic while dressed up as Vampira. Tom Hulce, Susan Tyrrell and Dennis Quaid round out the cast.

An appealing rookie effort by James Bridges that has its moments. Yes, the quality is uneven but its melancholy, nostalgic undercurrent echoes Dean's effect on the disaffected youth of the "innocent" Fifties, the first generation to register his impact. Offbeat, quirky and, yes, melodramatic, "September 30, 1955" captures adolescent confusion, longing and the death of innocence, paralleling Dean's own untimely death. The day-for-night closing fade-out and elegiac music foreshadow a sleepy generation soon to lose its Saturday-night youth to rapid, startling change. Throughout, Dean's presence is often eerily palpable in an admittedly lesser effort that deserves a greater following.

Richard Thomas of 'Waltons' fame stars here as Jimmy J., an Arkansas undergrad in the 1950s who idolizes rising film star James Dean. He feels a kinship with the young actor, thinking that their lives have mirrored each others'. When he learns of Deans' death, he goes a little crazy, dragging his friends into assorted escapades that ultimately have a sad result.

Written and directed by James Bridges ("The China Syndrome"), this little period piece seems to be somewhat forgotten nowadays. It's not always terribly compelling or interesting, but it's still worthy of some respect, considering the way that it examines the fascination that some people feel for movie stars. Dean in particular had an iconic presence that resonated with a generation; it's not hard to believe that his passing was deeply felt by people like Jimmy J.

A mixture of comedy and drama, "September 30, 1955" is sometimes amusing and sometimes poignant, leaving us with one memorable showcase speech for Thomas, and the idea that life is not really "like a movie" as some folks might think.

The period recreation is pretty good, and the film benefits from a touching score by Leonard Rosenman, who had scored the Dean vehicles "East of Eden" and "Rebel Without a Cause" once upon a time. But the main reason to watch is the talented, engaging young cast, some of them making their feature-film debuts. Thomas is wonderful, and his supporting actors make for an endearing ensemble: Deborah Benson (leading lady in the superior slasher "Just Before Dawn") as Jimmy J.'s girlfriend, Lisa Blount ("Prince of Darkness") as the fellow free spirit and Dean devotee, Thomas Hulce ("Amadeus") as the roommate, Dennis Christopher ("Breaking Away") as the sidekick, and Dennis Quaid as the jock. Collin Wilcox Paxton ("To Kill a Mockingbird") plays Jimmy J.'s mother, and Susan Tyrrell ("Forbidden Zone") plays Billie Jean's mom.

A semi-autobiographical tale for Bridges, who grew up in Paris, Arkansas himself.

Seven out of 10.

A film about the day James Dean died ... is a good glimpse into the lives of some fans that were so moved by his death that it changed their lives.

Tom Hulce gives us a glimpse into more great things to come from him. His role, while not the principle character, is complete and real. The youthfulness and obsession (with sex) Haney has is so true of many young people but done in a non-sterotyplical way.

A great film for James Dean fans, Tom Hulce fans and Richard Thomas fans.