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This 1978 release is generally considered as the last spaghetti western in the cycle commenced in 1964. The occasional entries from the eighties were simply a one off attempts to revive a genre which formally ended in 1978 but which had been in its death throes since the early seventies. This is a western for children directed by of all people Lucio Fulci with his trademark gore nowhere to be seen. Gemma who was always a heroic presence rather than an anti hero was perfectly cast for the film intended by the producers. The story has a young boy seeing his father murdered and murdering the Killer and taking his silver saddle.Growing up as a feared bounty hunter he saves the life and befriends the young nephew of the man he intends to kill for having commissioned his father's murder and from this point on the action and mild violence take a back sear to th relationship between Gemma , the kid his beautiful aunt and his partner a sympathetic crook excellently played by Geoffrey Lewis. A good but not exceptional score is aided by a catchy title theme in the De Angelis mold. Not a great film, maybe not even a great spaghetti western but very enjoyable from start to finish.

An interesting film that shows Gemma at his best. Neat photography and some pleasant incidental music but an annoying main theme that repeats throughout! The kid is good and typical storyline, but gunfights are effective with realistic blood squid effects. One for Gemma fans for sure!

Admittedly, riding through in the Wild West with a silver saddle on your horse is ultimately prestigious if you're a bounty hunter, especially if you obtained it by killing its previous owner at the remarkable age of 10 years old, but it's not exactly practical or user-friendly! Our boy Roy always has to take his saddle with him to the saloons or to the brothels he visits, or must pay some money to a bum to guard it. I'd prefer an old-fashioned and rudimentary saddle, thank you very much!

After this totally pointless and very personal observation, my more elaborate thoughts on this awesome and too often overlooked Spaghetti Western! I knew immediately I was going to love "Silver Saddle". Because it's from Fulci, first and foremost, and he is my all-time favorite director (tie with Mario Bava), and secondly because it features a title song especially written and sung for the film. Not just masterful instrumental tunes, like from Ennio Morricone, but an actual song. Whenever a western has a song like that, it always ends up in my list of favorites. Other examples include: "Django", "Keoma", "The Big Gundown", "Run Man Run", and "Jonathan of the Bears".

With its release year being 1978, "Silver Saddle" is generally considered as the last Spaghetti Western to come from Italy. There were a few noteworthy attempts to revive the genre, like with a belated sequel to "Django" in 1987 or by Enzo G. Castellari in 1994 with "Jonathan and the Bears", but the magical era really did end in 1978 with "Silver Saddle" as its swan song. But what a film! Westerns may not be Fulci's biggest expertise, but he made two great ones previously ("Massacre Time" and "Four of the Apocalypse") and this one is magnificent as well. Talking about expertise, Lucio Fulci is THE ultimate master of gore and violence, so it shouldn't come as a surprise that the gunfights, duels, and kills in "Silver Saddle" are extremely bloody and explicit.

The plot is simple and straightforward, but that's usually an advantage in Westerns. Lone rider Roy Blood roams the West, which has been his destiny ever since he was 10 years old and killed the ruthless landowner Mr. Barrett, after he killed Roy's father. Now a feared bounty hunter, Roy is confronted with the corrupt and greedy Barrett family once more, but he never thought he'd develop an emotional connection with one of them...

This is a stylish western effort from Fulci. The atmosphere is captivatingly melancholic, the sound & picture quality are impeccable, the body count is high, and the performances are splendid. Giuliano Gemma never was my favorite Spaghetti Western actor (at least not compared to other regulars like Tomas Milian, Anthony Steffen, or William Berger) but he's solid here. The supportive cast is even better, with Geoffrey Lewis is the best role I have ever seen of his.

While Italian movie director Lucio Fulci is best known for his bloody horror movies, he actually did dabble in other genres in his career. He even made a few spaghetti westerns, "Silver Saddle" being one of them. Made when the spaghetti western genre was breathing its last breath, it's been all but forgotten today. To a degree I can understand this. It does have more than its share of dull spots, and Giuliano Gemma is only adequate in the lead role. But the movie all the same has enough interest to satisfy spaghetti western fans. Fulci throws in some interesting direction at times, such as with some particular camera movements as well as how he composes what's in front of the camera. Though there isn't enough action, what action there is in the movie does catch your attention, particularly with some very bloody squibs thrown in. Gemma's somewhat underwhelming performance is made up for by the presence of American actor Geoffrey Lewis, who is amusing without being overbearing. And the music is great; you'll be humming the title song for days after watching the movie. It's no classic, but it's a respectable final effort for a genre that was breathing its last.

The third and last of Fulci's Spaghetti Westerns (coming at the tail-end of the genre) - not up to the vintage MASSACRE TIME (1966) but preferable to the disappointing and unpleasant THE FOUR OF THE APOCALYPSE (1975) - with a distinct kiddie interest, since the violence isn't particularly graphic. In fact, even if star Giuliano Gemma (perhaps best known for two "Ringo" Westerns) is given the possibility of a couple of romances, the central relationship involves him and the young nephew of his sworn enemy!

As such, it emerges as unremarkable but surprisingly engaging, with a pleasant soundtrack and able support from Geoffrey Lewis (as Gemma's sidekick, a more likable version of the slimy bounty-hunters played by Strother Martin and L.Q. Jones in Sam Peckinpah's THE WILD BUNCH [1969]), Ettore Manni (as the chief villain) and Aldo Sambrell as a Mexican bandit-leader.