Lo stesso giorno il prossimo anno

I accidentally stumbled across this movie on Slovenian TV a couple of years ago and could not stop watching. The idea is so simple, yet so original, and Alan Alda is just hilarious, as always. It is interesting how the decades and history reflect on main characters, as well as their own maturing and growing old process. A must see! It really is much more than your typical romantic comedy.

Here is the story of two seemingly happily married people who share intimate and extremely emotional times together over the course of twenty-five years. Through their budding and developing relationship through the years, we see how the world changes from 1951 to 1978 (through still images and music between the years). I found myself completely involved in these characters even though they are doing an awful thing--cheating on their respective spouses for such a long period of time. I have to credit this to the character development and to the actors. This is Alan Alda's finest acting hour. He has always been able to balance comedy and serious drama, going back to M*A*S*H on TV. However, occasionally his dramatic acting style is a little self-important. In this movie, he finds the right note, and there is a scene where he breaks down that is the best acting he's ever done. Ellen Burstyn can deliver a wonderful performance in any movie--whether it's drama, comedy, or horror. The changes their characters go through in the course of two hours seem a bit extreme (she goes from flower child to tough-as-nails business woman, for example), but the changes are meant to symbolize the way the world is changing. A little trite, and not that groundbreaking, but I found this film moving all the same. And that silly song heard throughout has stayed with me.

I have always wanted to see this movie but hadn't had the opportunity until now. It was well worth the wait! I absolutely loved it! Being a long time fan of both Burstyn and Alda, their performances did not disappoint. The subtle comedic jabs of Alda's guilt ridden George added strength to the already deep soul searching hearty dialogue. While Burstyn's ever evolving Doris balanced out the emotional ups and downs of their 25 plus years affair. The in-between pics of the events that shaped the times was a seamless way to move the years along. With such a sensitive subject as this movie examines; it is done in such a way that it leaves the viewer non judgmental but instead routing for their relationship to go the distance. And of course who could go wrong with a soundtrack by Johnny Mathis. SUPERB!

Two people meet at a seaside inn one night in 1951 and are attracted to one another although each is married to someone else. After spending the night together and realizing they've fallen in love, each agrees to meet on the same weekend each year for a rendezvous and each keeps that promise. We see this couple age and grow together from 1951, just after the war, to 1977, just after Vietnam. Seeing each character grow as human beings together and apart is amazing.

Alan Alda plays the happily neurotic accountant beautifully off Ellen Burstyn's naive "stay-at-home" mother who blossoms into a confident, talented businesswoman. Mr. Alda's character, George, doesn't grow as obviously as Miss Burstyn's Doris, but both absorb and survive some of life's best and worst experiences. Some of Miss Burstyn's transformations are a bit jarring - arriving one year to the reunion 8 months pregnant comes to mind, as does her transformation from a suburban housewife to a Berkeley University hippie chick. And Alan Alda's transformation from an uptight Goldwater Republican to the typical 1970s man who ditches the corporate life, grows a mustache, wears his hair longer and also uses every typical 1970s cliché in existence is also a bit jarring but it can be forgiven because Mr. Alda pulls it off so well.

Two characters who make their presence deeply felt even though you never see them are George's wife, Helen, and Doris' husband, Harry. We learn about them and come to know and appreciate them even though they never appear. Only from George and Doris' "good" and "bad" stories about their spouses do you get to know what these 2 absent people are like and you find they are funny and sad, poignant and ordinary and totally human and three-dimensional in their foibles. It's a nice touch to a story that could easily have been one-dimensional.

"Same Time, Next Year" is based on a Broadway play and it makes the transition very smoothly. In fact, what makes the transition so smooth are the historical pictorial vignettes injected between "years." I remember many of the events depicted and you can't help but feel nostalgic. Also, the movie's theme song, played to accompany the vignettes, is wonderful! All in all this is a delightful little movie with some stark drama and hilarious comedy sometimes in the same scene. It's a rare actor who can do comedy and drama so convincingly and Mr. Alda and Miss Burstyn proved beyond the shadow of the doubt they are more than capable of doing this - they are superb!

This is one of my favorite movies of all time, and when I see it on the TV schedule, I watch it, no matter what time it's on.

1978...that was twenty-five years ago. Wouldn't you LOVE to know what Doris and George have been up to after all these years?

After all, it does fit with the original premise, doesn't it?

Alan Alda and Ellen Burstyn are the only necessary actors and they're both still available.

Somebody pick up the ball and run with this!